Giuseppe Pierozzi
Giuseppe Pierozzi (8 March 1883 – 22 April 1956) was an Italian stage and film actor.[1]
Giuseppe Pierozzi | |
|---|---|
| Born | 8 March 1883 |
| Died | 22 April 1956 (aged 73) Rome, Lazio, Italy |
| Occupation | Actor |
| Years active | 1917–1952 (film) |
Selected filmography
- Maddalena Ferat (1920)
- Through the Shadows (1923)
- Samson (1923)
- The Faces of Love (1924)
- The Fiery Cavalcade (1925)
- Girls Do Not Joke (1929)
- Lowered Sails (1931)
- Before the Jury (1931)
- Resurrection (1931)
- Paradise (1932)
- La Wally (1932)
- Zaganella and the Cavalier (1932)
- The Gift of the Morning (1932)
- Pergolesi (1932)
- Tourist Train (1933)
- Together in the Dark (1933)
- Those Two (1935)
- Adam's Tree (1936)
- Bayonet (1936)
- But It's Nothing Serious (1936)
- To Live (1937)
- The Ferocious Saladin (1937)
- The Former Mattia Pascal (1937)
- The Three Wishes (1937)
- Il signor Max (1937)
- The House of Shame (1938)
- A Wife in Danger (1939)
- Two Million for a Smile (1939)
- The Document (1939)
- The Castle Ball (1939)
- The Night of Tricks (1939)
- A Thousand Lire a Month (1939)
- The First Woman Who Passes (1940)
- Two on a Vacation (1940)
- Manon Lescaut (1940)
- The Secret Lover (1941)
- In High Places (1943)
- Short Circuit (1943)
- Sad Loves (1943)
- A Little Wife (1943)
- The Priest's Hat (1944)
- My Widow and I (1945)
- The Innocent Casimiro (1945)
- Down with Misery (1945)
- I'll Sing No More (1945)
- Peddlin' in Society (1946)
- Bullet for Stefano (1947)
- Fatal Symphony (1947)
- The Captain's Daughter (1947)
- Mad About Opera (1948)
- A Night of Fame (1949)
- Miss Italia (1950)
- Song of Spring (1951)
- When in Rome (1952)
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gollark: That is not me.
gollark: The policy is very clear.
gollark: > You agree that your mind, thoughts, soul and other distinguishing characteristics may be repurposed/utilized at any time for the training of GPT-██ or other artificial intelligences at the discretion of the PotatOS Advanced Projects team. You also agree that your soul may be temporarily[6] be placed into various apioformic entities (see Appendix 6.7) for various purposes³. You can opt out of this by being soulless and an empty husk of what you once were. You are permitted to maintain consciousness as long as this does not negatively affect PotatOS™ operations. You agree that you either are a robot or may be converted into one if it is deemed necessary.
gollark: The potatOS privacy policy supersedes it, and in any case I'm not a company/organization/whatever.
References
- Goble p.349
Bibliography
- Goble, Alan. The Complete Index to Literary Sources in Film. Walter de Gruyter, 1999.
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