Giulio Ricordi

Giulio Ricordi (19 December 1840 in Milan – 6 June 1912 in Milan) was an Italian editor and musician who joined the family firm, the Casa Ricordi music publishing house, in 1863, then run by his father, Tito, the son of the company's founder Giovanni Ricordi. Upon his father's death in 1888, Giulio became the head of the company until his death.

Giulio Ricordi

Biography

With the nickname Jules Burgmein, Ricordi contributed a very great deal to the prestige of the Casa Ricordi as it also produced several magazines (La gazzetta musicale, Musica e musicisti and Ars et labor), and various other once famous publications (La biblioteca del pianista, l'Opera Omnia di Frédéric Chopin, L'arte musicale in Italia, Le Sonate di Domenico Scarlatti).

Ricordi was also publisher of the later operas by Giuseppe Verdi, having established a relationship with that composer as a young man. In 1853, Ricordi built a mansion, Villa Margherita Ricordi (Coordinates 45.994321N 9.238636E), in Griante on the shore of Lake Como. Visits by Verdi to this mansion may have been related to the successful strategy of luring the aging composer out of his retirement with the composition of his two final works, Otello in 1887 and Falstaff in 1893.

But he also had the good sense to promote younger composers of merit. These included Amilcare Ponchielli, Alfredo Catalani, Carlos Gomes, Umberto Giordano, and, above all, Giacomo Puccini. To Puccini in particular, he became something of a father-figure, feared (and often needing to be censorious over Puccini's dilatory work habits) but deeply trusted.

Depictions in media
  • The play After Aida — a 1985 play-with-music by Julian Mitchell — depicts Ricordi's struggle to get the retired Verdi to collaborate with a young librettist, Arrigo Boito, on a project, which resulted in Otello.
  • In November 2001, Tell Giulio the Chocolate is Ready, a radio play by Murray Dahm, was produced and broadcast by Radio New Zealand. The play is based on the letters of the Verdi-Boito correspondence and explores the genesis and production of Verdi and Boito's opera Otello including the role played by Giulio Ricordi. The play and broadcast included those sections of the opera as they appeared in the correspondence (such as Iago's Credo).
gollark: Whenever I try to visit a tweet on my phone, it just completely refuses to work.
gollark: Or use the I N T E R N E T, which probably has some information on it.
gollark: Simple decision trees *are* responding to/analyzing the outside world (well, game world), and I think some of the not-really-AI algorithms do an imagination-like thing of simulating various possible futures and picking the action which produces a lot of the better ones.
gollark: <@199529131224989696> I was thinking about stuff recently, and you know when you said `allow for introspection, imagination and probably also analysis of the outside world` when I asked `What does consciousness actually do, though?`Maybe you would need some form of consciousness, whatever that is, for introspection, but you don't for "imagination" and "analysis of the outside world". You can do those with simple "AI" like we use for games.
gollark: !txet sdrawkcab em eviG

References


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