Gisèle d'Ailly van Waterschoot van der Gracht

Gisèle d'Ailly van Waterschoot van der Gracht (11 September 1912 – 28 May 2013), also known by the mononym Gisèle, was a Dutch visual artist. During World War II, she operated a safe house out of her home for a group of young Jewish people in Amsterdam.

Gisèle d'Ailly van Waterschoot van der Gracht
Born
Gisèle van Waterschoot van der Gracht

(1912-09-11)11 September 1912
The Hague
Died28 May 2013(2013-05-28) (aged 100)
Amsterdam
NationalityDutch
Other namesGisèle, Gisèle d'Ailly
OccupationArtist

Biography

Gisèle van Waterschoot van der Gracht was born in The Hague, Netherlands in 1912. Her mother, Josephine von Hammer Purgstall, was a baroness.[1] Her father, Willem Waterschoot van der Gracht, was a geologist who worked for Royal Dutch Shell.[2] She spent a period of her youth living in the United States and returned to the Netherlands after the 1929 stock market crash.[3] Back in Europe, she studied the art of stained glass with Joep Nicholas and befriended Dutch poet Adriaan Roland Holst. She also completed a year of studies at the École des Beaux Arts in Paris.[4]

Commemorative plaque outside of Castrum Peregrini

In 1940, van Waterschoot rented a small apartment on the third floor of the building Herengracht 401 in central Amsterdam. Soon after, the Nazi occupation of the Netherlands began. For the duration of the war, van Waterschoot secretly housed several people in her apartment including Wolfgang Frommel (a German poet, who was not Jewish), Jewish teenager Claus Victor Bock, Jewish writer Friedrich W. Buri, and others.[5] While in hiding, the group of artists and writers codenamed their shelter "Castrum Peregrini" and covertly studied art and literature.[4] The members of the group survived the war. After the end of World War II, van Waterschoot bought the apartment building to convert to a single home where she lived and worked on and off for the rest of her life. She later donated the building to the Castrum Peregrini foundation, which operates as a cultural center.[6]

Van Waterschoot supported herself and her lodgers during the war by selling commissioned paintings. Afterwards, she designed several stained glass windows including for the Begijnhof Chapel and the Krijtberg Church.[7] In 1946, her work was featured in a group exhibition at Schaeffer Galleries in New York.[8] van Waterschoot was friends with artist Max Beckmann and stored some of his paintings during his long period of exile from Germany.[9] Starting in the 1960s until the 1980s, van Waterschoot spent several months each year painting and doing restoration work at an old monastery on the Greek island Paros.[10][11]

In 1959, van Waterschoot married Arnold Jan d'Ailly, who was mayor of Amsterdam from 1946 to 1956.[10] van Waterschoot died in 2013 in Amsterdam.[12]

In honor of her actions during the war, van Waterschoot was named a Knight of the Order of Orange-Nassau.[13] She received the Righteous Among the Nations recognition in 1997.[14] Several institutions hold her artwork including the Castrum Peregrini foundation, Centraal Museum Utrecht, and Museum Van Loon.[15][16] In 2018, a biography of van Waterschoot titled De eeuw van Gisèle (The Century of Gisèle) was published by Annet Mooij.[17]

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gollark: Spelling is for people who spell.
gollark: I don't think so. It was open during cult wars.
gollark: It makes up something like 40% of GDP in many places and has more coercive power.
gollark: Well, that would affect other people so probably they should.

References
  1. Lange, Christoph E. G. Houte de; Burg, V. A. M. van der (2010). Pauselijk eerbetoon: een inleiding over pauselijke onderscheidingen, ridderorden, pauselijke adel en Nederlanders aan het pauselijk hof (in Dutch). Uitgeverij Verloren. p. 73. ISBN 9789087041762. Retrieved 23 May 2019.
  2. "Memorial: Willem A. J. M. van Waterschoot van der Gracht (1873-1943)". AAPG Bulletin. 28 (7). 1944. Retrieved 23 May 2019.
  3. Ertvelde, Anaïs Van (2015). "The tales we tell. Gender and sexuality in a history of WOII resistance: the case of Castrum Peregrini". Historica (n. 2): 3–8. Retrieved 23 May 2019.
  4. van Velzen, Thijs (14 November 2012). "Gisèle d'Ailly van Waterschoot van der Gracht". Freunde von Freunden. Retrieved 23 May 2019.
  5. Austin, Liddy. "Gisèles world". Flow Magazine. Retrieved 23 May 2019.
  6. "Castrum Peregrini - ARCAM". Architecture Centre of Amsterdam. Retrieved 22 May 2019.
  7. Kaiser, Julia (24 January 2018). "Castrum Peregrini, the former home and studio of Gisèle d'Ailly van Waterschoot van der Gracht, painter and publisher". Into her studio. Retrieved 23 May 2019.
  8. "Four artists underground: Gisèle van der Gracht, Peter Goldschmidt, Simon van Keulen, Harry op het Veld". WorldCat. Schaeffer Galleries. 1946. Retrieved 23 May 2019.
  9. "Max Beckmann - Marie Gisèle Madeleine Josephine Van Waterschoot van der Gracht d'Ailly". Kuenste im Exil. Retrieved 23 May 2019.
  10. van Santen, Leo (4 October 2018). "Waterschoot van der Gracht, Gisèle van (1912-2013)". Digitaal Vrouwenlexicon van Nederland (in Dutch). Retrieved 23 May 2019.
  11. Kruczkowska, Joanna (2017). Irish Poets and Modern Greece: Heaney, Mahon, Cavafy, Seferis. Springer. pp. 30, 44–45. ISBN 9783319581699. Retrieved 23 May 2019.
  12. "History". Castrum Peregrini. Retrieved 23 May 2019.
  13. "Kunstenares Gisèle d'Ailly overleden". AT5 (in Dutch). May 29, 2013. Retrieved 22 May 2019.
  14. "The Righteous Among The Nations: DAilly Gisele (1912 - 2013)". Yad Vashem. Retrieved 22 May 2019.
  15. "Portrait of Marie Gisele Madeleine Josephine van Waterschoot van der Gracht (1912-2013), 1951 gedateerd Utrecht, Centraal Museum, inv./cat.nr. 12165". RKD (in Dutch). Netherlands Institute for Art History. Retrieved 23 May 2019.
  16. "Gisèle: Portrait of Maurits Nanning van Loon (1923-2006), 1979 gedateerd Amsterdam, Museum Van Loon, inv./cat.nr. 2674". RKD (in Dutch). Netherlands Institute for Art History. Retrieved 23 May 2019.
  17. Poeteren, Martine van (21 October 2018). "Gisèle, de ontleding van een mythe". Biografieportaal (in Dutch). Retrieved 23 May 2019.
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