Garry Judd
Garry Judd (born 6 March 1962) is a British contemporary classical composer. He is also known for his television music (Trinny & Susannah Undress, All About Me, and Babyfather), but he also writes commercially released music which has been played and broadcast around the world by performers such as The Royal Philharmonic Orchestra, Courtney Pine, Leslie Howard (musician), John Etheridge, Christopher Warren-Green, Guy Pratt and The London Community Gospel Choir.
Garry Judd | |
|---|---|
| Born | 6 March 1962 London, England |
| Occupation | Composer |
| Nationality | British |
| Genre | Television, film and concert music |
| Website | |
| www | |
He currently plays Warwick (bass guitar) basses and PRS Guitars and uses Tannoy monitors. He is a member of British Academy of Film and Television Arts, The MCPS, The Performing Right Society and The British Academy of Songwriters, Composers and Authors.
Discography
- Field Sketches for orchestra (Compendium Recordings) (2016)
- On Vacation - Re-recorded and remastered (Chillville Records) (2016)
- On The Orient Express - Compilation (Chillville Records) (2016)
- Sands of Meditation - Compilation (Chillville Records) (2016)
- The Green Man (orchestral suite) (Compendium Recordings) (2016)
- The Age Of Steam - Remastered (Chillville Records) (2014)
- The Book Of Knowledge - Remastered (Chillville Records) (2014)
- The Essence - I Am Forecasting Sun EP (Chillville Records) (2013)
- The Essence - Summer Haze EP (Chillville Records) (2007)
- The Essence (Chillville Records) (2005)
- Ambience (Water Music Records) (2001)
- Gaia (Chillville Records) (2000)
gollark: Are you being serious?
gollark: ~~Go is Not Good~~
gollark: Monoids.
gollark: ```Within the grove the mist thickened to a warm and bitter-tasting fog; from somewhere up ahead came the sound of bubbling water. The trees parted, and Djishin found himself in a clearing where four nuns in white robes sat contemplating a monolith of glistening black basalt. On its face were inscriptions such as the monk had never seen: (>>=) :: m a -> (a -> m b) -> m b return :: a -> m a“What is this stone, great ladies?” asked Djishin.“We call it the Monad,” said the first nun.“Why do you venerate it so?” asked Djishin.“Through it, we may touch the impure without being corrupted,” said the second nun. “We can fell a Maybe-tree with a Maybe-ax and always hear a Maybe-sound when it crashes down—even if the sound is Nothing at all, when the ax isn’t real or there’s no tree to fall.”```
gollark: …¿
External links
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