Gani Odutokun

Gani Odutokun was a contemporary Nigerian painter who is known for his contributions and nurturing of artists in the Zaria art society. His works include wall murals, paintings and book cover designs.[1]

Gani Odutokun
BornAugust 9th 1946
Ghana
Died(1995-02-16)February 16, 1995
NationalityNigerian
EducationAhmadu Bello University
Known forPainting, Colorist
Notable work
Dialogue with Mona Lisa, The King Shares a Joke with His General
MovementZaria Art School

Early life and education

Odutokun was born in Nsawan, Ghana to Nigerian parents of Yoruba ethnicity[2][3] who were originally from Offa, Kwara State and who were in the cocoa trade.[4] He spent his early childhood growing up in Ashanti region but his father later relocated to Nigeria after a slump in the Cocoa trade. After secondary school, he worked as a clerk with Nigerian Breweries but with prodding from friends who saw his talent, he applied and got admission to Ahmadu Bello University, Zaria in 1972. He graduated from the college with a bachelor's and master's degree in Fine Arts in 1975 and 1979.[5] After obtaining his bachelor's degree, he joined the Fine Arts department of ABU as a graduate assistant.

Career

Odutokun's artworks are known for exploring the fragmentary nature of life. His paintings tend to explore philosophical concepts about "accident and design," fragments and the "unbalanced balance equilibrium",[6] some of his works also tries to challenge Western expectations of African Art. At times, Odutokun included political commentary in his works. In 1988, his paintingg, The King Shares a Joke with his Generals, alludes to the pretentious ideals of liberalism the Babangida[7][8]

Death

Odutokun died while returning from an Exhibition which followed a workshop held at the Goethe Institute in Lagos. He was among four artists who died in a vehicular accident. In June 1995, Time No Boundaries, an Exhibition with paintings from dozens of artists from Northern Nigeria region was held at the Maison de France, Alfred Rewane road in Odutokun's honour. In 2008, a memorial art exhibition by the Nigerian Gallery of Art in honor of Odutokun's paintings was held at the Aina Onabolu complex of the National Arts Theatre, Iganmu, Lagos.

gollark: Not really.
gollark: i.e. the physical processes involved in the brain do not actually work the same if you swap all the atoms for... identical atoms.
gollark: Anyway, if you actually *did* end up breaking consciousness if you swapped out half the atoms in your brain at once, and this was externally verifiable because the conscious thing complained, that would probably have some weird implications. Specifically, that the physical processes involved somehow notice this.
gollark: I mean, apart from the fact that it wasn't livable in the intervening distance, which might be bad in specifically the house case.
gollark: If I build an *identical* house in the same place, with all the same contents, somehow, I don't care that much.

References
  1. Ekpo Udo Udoma. No More Boundaries
  2. A.H.C. Chiegboka; C. E. Nwadigwe; E. C. Umezinwa. The Humanities and Nigeria's Democratic Experience (pdf). NAU Library. p. 579. Retrieved October 13, 2015.
  3. Osa Egonwa (1994). African art: a contemporary source book. Osasu Publishers. p. 198. ISBN 9789783231290.
  4. ART-NIGERIA: Gani Odutokun Retrospective Hailed in London
  5. Edewor U. Nelson (2015). Gani Odutokun’s Dialogue with Mona Lisa: Interrogating Implications of Euro-African Interface. International Journal of Arts and Humanities. IJAH 4(1), S/No 13
  6. Ajayi, M. (2005). African arts in the diaspora: An examination of common cultural and plastic essence in the visual arts. p 108
  7. Udoma
  8. Moyosore Benjamin Okediji (2002). African Renaissance: new forms, old images in Yoruba art. University of Colorado Press. pp. 12, 73, 83. ISBN 9780870816819.


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