From Where to Eternity

"From Where to Eternity" is the 22nd episode of the HBO original series The Sopranos and the ninth of the show's second season. It was written by Michael Imperioli and directed by Henry J. Bronchtein, and originally aired on March 12, 2000.

"From Where to Eternity"
The Sopranos episode
Adriana watches over Chris at his hospital bedside.
Episode no.Season 2
Episode 9
Directed byHenry J. Bronchtein
Written byMichael Imperioli
Cinematography byPhil Abraham
Production code209
Original air dateMarch 12, 2000
Running time55 minutes
Guest appearance(s)

see below

Starring

* = credit only

Guest starring

Also guest starring
  • Peter Bogdanovich as Dr. Elliot Kupferberg
  • Lillo Brancato, Jr. as Matt Bevilaqua
  • Louis Lombardi as Skip Lipari
  • Brian Aguiar as Jimmy
  • Seth Barrish as Doctor
  • Michael Cannis as Detective #2
  • Tom Cappadona as Daniel King
  • Nancy Cassaro as Joanne Moltisanti
  • Scottie Epstein as Quickie G
  • John Christopher Jones as Kevin Cullen
  • Peter McRobbie as Father Felix
  • Judy Reyes as Michelle
  • James Sioutis as Detective #1
  • Lisa Valens as Felicia Anne
  • Maureen Van Zandt as Gabriella Dante
  • Gameela Wright as Nurse

Synopsis

Christopher is in the hospital after being shot. He is clinically dead for about a minute and his spleen is removed, but he survives. Conscious but heavily medicated with morphine, he asks to see Tony and Paulie. He tells them he went to Hell and saw Brendan Filone and Mikey Palmice; he also saw his father, who gets killed again every night. He reports that Filone and Palmice had a message for Tony and Paulie: "Three o'clock."

Tony comforts him, assuring him it was only a dream. Discussing Chris' experience with Dr. Melfi, Tony says he does not think he or Chris will go to Hell. He explains: "Soldiers don't go to Hell ... everybody involved knows the stakes and ... you gotta do certain things. It's business. We're soldiers."

Paulie, however, is deeply disturbed. He tries to persuade Chris it was only Purgatory, not Hell, but still has nightmares about it. On his girlfriend's advice he seeks the help of a psychic, who appears to have a terrifying knowledge of Paulie's past, including the name of the first man he ever killed, thirty years ago. Paulie complains to his priest that all of the donations he has made to the church should have given him immunity; he will not donate any more.

Pussy has a bad-tempered meeting with Skip Lipari. He tells him nothing, but repeats his fear that Tony suspects him. An informer on the street tells him where Matt Bevilaqua is hiding, and he and Tony go there together. Tony questions Matt, establishing that Richie had no part in the attempt to kill Christopher, then shoots him. He glances at Pussy, who shoots him too, and they empty their guns into the lifeless body. They have dinner in a familiar restaurant and talk nostalgically of old times.

While Chris is near death, Carmela finds an empty hospital room with a crucifix and prays for him. When he is conscious, she tells him he has been given a second chance, but as they speak she realizes Tony lied when he told her that Chris dreamed of going to Heaven.

The women are gossiping about an associate of the Sopranos whose long-term comàre has had his child. Dreading the shame if such a thing happened to her own family, Carmela asks Tony to have a vasectomy. He vigorously refuses, and when he assures her that he has had his girlfriend tested for AIDS she leaves their bed in revulsion. Later, having reconsidered, he tells her he will consent, but to his bafflement she has changed her mind. She says, "All I want is you. That's all I have ever wanted," and makes passionate love to him.

First appearance
  • Joanne Moltisanti: the widow of Richard Moltisanti and Christopher Moltisanti's mother. Played by the first of 2 actresses to play the role.

Deceased
  • Matthew Bevilaqua: Riddled with bullets by Tony and Pussy for his involvement in the attempted assassination of Christopher.

Title reference

The episode's title is a play on film From Here to Eternity (1953). It also refers to Christopher's taking a trip to the afterlife and not knowing whether it was purgatory or hell.

Production
  • In his dream, Christopher describes how Mikey Palmice and Brendan Filone claimed that the time three o'clock would be important in the lives of Tony and Paulie.
  • This is the second one of four episodes directed by Henry Bronchtein, as well as one of two which earned Bronchtein best-direction nominations by the Directors Guild of America.[1]
  • In his commentary for the episode "The Telltale Moozadell", Michael Imperioli says the idea of Christopher's experiences in this episode came from a spec script he had written between the first and second seasons about Christopher overdosing on drugs and having an after-life experience. When he talked to showrunner David Chase about this, Chase said that Christopher would get shot in the second season, and the after-life part could be added to the story.[2]

Cultural references
  • Tony tells Melfi the Hitlers and Pol Pots deserve hell and not people like Christopher. He also mentions America's need for Italian immigrants to "build cities and dig subways and to make them richer." He explains that the Carnegie and Rockefeller families, needed "worker bees" (Italian immigrant workers), but some didn't want to "lose who we were, and preserve the things that meant to us: honor and family and loyalty". He says the J. P. Morgans were "crooks and killers too, but that's a business right, the American way."
  • Carmela is seen reading Memoirs of a Geisha in bed in this and several succeeding episodes.

Music
  • Otis Redding' song "My Lover's Prayer", from The Very Best of Otis Redding, Vol. 1, is played throughout the episode and over the end credits (specifically, when Christopher is in the hospital, when his friends and family wait in the hospital waiting room while Chris is in surgery, and over the end credits when Tony and Carmela make love).
  • The O'Jays' song "Use ta Be My Girl", from So Full of Love, is played when Quickie G tells Pussy where Matthew Bevilaqua is hiding.
  • The Metallica song "King Nothing", from Load, is played in the background while Paulie talks to Tony at the Bada Bing!, after he visits the psychic.
  • The song "Mona Lisa" is heard in the background at the Duke's Stockyard Inn (an Irish bar and restaurant) where Tony and Pussy eat steaks, reminisce, and discuss God.

Filming locations

Listed in order of first appearance:[3]

gollark: The designs for computers and computer bits are all stored on computers.
gollark: Without computers, transport and global supply chains will fail.
gollark: All the tooling for making computers... uses computers.
gollark: Much, much longer.
gollark: It would also have active cooling fans powerful enough to fly and a battery life of 20 minutes. I say go for it.

References
  1. "Henry Bronctein - Awards". IMDb.com, Inc. Retrieved 3 September 2013.
  2. The Sopranos: The Complete Third Season (2002) — DVD audio commentary
  3. Ugoku. "The Sopranos location guide - Filming locations for". www.sopranos-locations.com. Retrieved 2020-04-17.
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