Franz Kempf

Franz Kempf AM (born 1926) is an Australian artist.

Kempf was born in Melbourne and studied at the National Gallery of Victoria Art School and in Italy and Austria. In England he worked as a film designer with Richard Macdonald and was associated with Peter Blake, Joe Tilson, Ceri Richards and Keith Vaughan. Vaughan had an influence on Kempf’s work of the 1960s.

Kempf has worked with and in a variety of media, styles and methods including paint, print, etching, lithograph, monotype, screenprint, textile and woodcut.[1]

Professor Sasha Grishin has described him as

...an artist whose work presents both a striking continuity throughout a career which has stretched over half a century, and he is an artist whose work presents evidence for constant rejuvenation and reinvention. As a humanist, the concern for man lies at the centre of his universe and the dilemma of being is the central preoccupation. However, the human presence in Kempf’s art is not something which is treated as unproblematic, something to be recorded and to be described literally. For Kempf to be human is something to be celebrated and the artist adopts an ethical stance in his defence of human dignity. Throughout a series of metaphors, symbols and allegories in a sombre and profound manner he commemorates the miracle of being and condemns all that is oppressive and coercive. As a humanist and as a spiritual and religious artist, Kempf has chosen a path which has not been popular with many of his Australian peers. Yet with time as the various fads and fashions pass, Kempf’s art today appears increasingly fresh, vital and relevant to the issues of the present time.[2]

He was Senior Lecturer in printmaking at the University of South Australia from 1973 to 1981 and has been a Guest Lecturer at the Slade School of Fine Art, the University of London, the Edinburgh College of Art, Scotland; Gloucester College of Art, United Kingdom and has participated in over 90 one man invitation exhibitions in America, Israel, Germany, Poland and China.

In 1964 he was elected as a Fellow of the Royal Society UK and in January 2003 was appointed a Member of the Order of Australia for his contribution to the Arts.[3]

In 2006 a documentary film, Franz Kempf, was produced on his work.

Collections

Kempf's work is held in the following:

Reviews and commentary
  • Ashkenazi, Susie, ‘New Paintings by Franz Kempf’, Jewish News, May 1995
  • Dutkiewicz, Adam, ‘Reflections on Life’s Journey’, Advertiser, September 1997
  • Dutkiewicz, Adam, ‘Romantic Landscape in the Abstract’, Advertiser, December 1994
  • Emery, John, ‘Kempf uncovered’, Advertiser, May 1991
  • Grishin, Sasha, ‘The Voyages of Franz Kempf’, Franz Kempf Recent Work, BMG Art, Adelaide, 1997
  • Grishin, Sasha, ‘Discord in Harmony’, Franz Kempf Recent Work, BMG Art,
  • Grishin, Sasha, Discord in Harmony’, Franz Kempf Recent Work, Flinders Lane Gallery, Melbourne, 1995
  • Grishin, Sasha, ‘Franz Kempf Works on Paper’, Flinders University Art Museum, 2002
  • Harris, Samela, ‘Outsiders and Witnesses in Art’, Advertiser, September 1995
  • Jawary, Anita, ‘Insights into a Creative Life’, Australian Jewish News, Melbourne edition, November 1992
  • De Jong-Duldig, Eva, ‘Printmaker Presents a Fascinating Look at Life’, Arts/Review, April 1993
  • Kronenberg, Simon, ‘An Exhibition of Contemporary Art’, Jewish Festival of Art, Westpac Gallery, Victorian Art Centre, Melbourne, 1993
  • Larkin, John, ‘Return of a Graduate from the Academy of Free Spirit’, Melbourne Age, May 1995
  • Larkin, John, ‘The View from Within and Above, Franz Kempf Recent Work, BMG Art 2000
  • Lloyd, Tim, ‘Abstract Meets Landscape’, Advertiser, December 1994
  • McDonald, Katherine, ‘Henri Worland Print Award, 1972-1992’, Warrnambool Art Gallery, Victoria
  • Neylon, John, ‘Most Documented Living’, Adelaide Review, 1991
  • Smith, Dr Ernest and Smith, Robert, ‘Franz Kempf The Painter as Printmaker 1955-1992’, Mildura Art Gallery, Swan Hill Regional Gallery, McClelland Gallery, Langwarrin
  • Lloyd, Tim, ‘Infinite Possibilities’, The Advertiser, 20 October 2002
  • Grishin, Sasha, ‘Thinking on Paper 1955 - 2002’, Wakefield Press October 2002
  • Neylon, John, ‘Thinking on Paper’, The Adelaide Review, October 2002

Publications
  • ‘Art in Israel’. Broadsheet, Contemporary Art Society, August 1965, pp. 5–7
  • ‘Polish Printmakers 1972’, Art and Australia 10,3,1973, pp. 236
  • ‘Sculpture in South Australia’, Art and Australia 12, 1, 1974, pp. 46–7
  • Contemporary Australian Printmakers, Melbourne: Lansdowne, 1976
  • Etchings for Shmuel Gorr, ‘The End of Days’, The Jewish Observer V, 5, October 1968, pp. 16–18, and Shmuel Gorr, ‘The End of Days’, Melbourne: The Levite Press, (1968)
  • Ultimate Goal, Franz Kempf, Generation Vol 3 No 4, General Journal Inc, Melbourne Victoria
gollark: Fascinating.
gollark: I ask the wizards what the weather is like. d6.
gollark: They should have conjured a hat like I did.
gollark: I check the ladder for traps.
gollark: oh no oh ¬🐝

References
  1. The National Gallery of Australia
  2. Grishin, Sasha, ‘Thinking on Paper 1955 - 2002’, Wakefield Press October 2002
  3. "Franz Moishe Kempf". Australian Honours Search Facility, Dept of Prime Minister and Cabinet. Retrieved 25 July 2020.
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