Frank H. Wilson

Frank Henry Wilson (May 4, 1886 – February 16, 1956)[1] was an American stage, radio, and film actor.

Frank H. Wilson
Frank H. Wilson (center) as Porgy, with Percy Verwayne and Evelyn Ellis in the original Broadway production of Porgy (1927)
Born
Frank Henry Wilson

(1886-05-04)May 4, 1886
Harlem, New York
DiedFebruary 16, 1956(1956-02-16) (aged 69)
Queens, New York
OccupationActor
Years active1914–1954
Spouse(s)
Effie King (stage name of Anna Green; maiden; 1887–1944)
Children
Emmett Barrymore Wilson (1923–2013)

Career

His father was Thomas M. Wilson. Frank started out in show business in vaudeville and minstrelsy.[2] He appeared in many plays, including the original 1927 version of Porgy with Rose McClendon and Evelyn Ellis. In 1922, he appeared in Eugene O'Neill's play All God's Chillun Got Wings and a revival of O'Neill's The Emperor Jones in 1925.[3] He was also cast in Clifford Odets' 1949 play The Big Knife.

He made his film debut in 1932 and later played in films that had stage origins: The Emperor Jones (1933) and Warner Bros.' Green Pastures (1936) and Watch on the Rhine (1943). Wilson made his television debut in 1953 before dying in 1956.

Selected filmography
Year Title Role Notes
1932 The Girl from Chicago Wade Washington [4]
1933 The Emperor Jones Jeff [4]
1936 The Green Pastures Moses [4]
1940 Paradise in Harlem Lem Anderson Also writer (original story)[4]
1941 Murder on Lenox Avenue Writer (original story)[4]
1941 Sunday Sinners Writer (original story)[4]
1943 Watch on the Rhine Joseph [4]
1946 Beware Professor Drury [4]

Family

Wilson, on June 12, 1907, married actress Effie King, the stage name of Anna Green (maiden; 1888–1944). They married in Manhattan at St. Mark's Methodist Episcopal Church on West 53rd Street, a block that was a cultural center for artistic and intellectual African Americans. Effie King, at the time, was a dancer and contralto who performed as a duet with Lottie Gee (née Charlotte O. Gee; 1886–1973), a dancer and soprano in African-American vaudeville circuits. From about 1911 through 1913, King and Gee were known as Ford Dabney's Ginger Girls.[5]

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gollark: Apparently the first mention of coronavirus in my journal (it's computerized so I can search it very easily) was from January, and me mentioning that some teacher had been mentioning it at school.
gollark: It probably wouldn't have done me much good to have taken it seriously earlier, inasmuch as I'm not in a position to do anything about it/convince anyone else to, and the worst of the supply chain disruption everyone was hyping up was me having to have somewhat different pasta for a few days.
gollark: I think I was mostly just ignoring it and treating it as random bad background event #9372628 until march or so.
gollark: In general I mean.

References
  1. Vazzana, Eugene Michael, Silent Film Necrology (2nd ed.), McFarland & Company (2001), p. 571; OCLC 999814903; ISBNs 0-7864-4515-7; 978-0-7864-4515-8
  2. Who Was Who in the Theatre: 1912-1976, vol. 4 Q-Z, p. 2592, originally published annually by John Parker; this 1976 & final edition compiled by Gale Research Company.
  3. Stanley Appelbaum, Great Actors & Actresses of the American Stage in Historic Photographs, c. 1983, p. 69.
  4. "Frank Wilson". AFI Catalog of Feature Films. American Film Institute. Retrieved 2017-10-04.
  5. "Theatrical Comment" (re: "Effie–King & Gee–Lottie in Vaudeville") (photo), New York Age, June 12, 1913, p. 6 Newspapers.com; subscription required)
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