Frank Freeman

Frank Freeman (1861–13 October 1949) was a Canadian-American architect based in Brooklyn, New York. A leading exponent of the Richardsonian Romanesque architectural style who later adopted Neoclassicism, Freeman has been called "Brooklyn's greatest architect". Many details of his life and work are however still unknown, and Freeman himself has received little recognition outside academia. Many of his works have been demolished or otherwise destroyed, but most of those that remain have received New York City landmark status, either independently or as part of larger historic districts.

This article is about Frank Freeman the architect. For the film company executive, see Y. Frank Freeman.

Frank Freeman
Born1861
Hamilton, Ontario
DiedOctober 13, 1949 (aged 88)
Montclair, New Jersey
NationalityCanadian, American
OccupationArchitect
BuildingsSee § List of works

Life and career

Freeman was born in Hamilton, Ontario, Canada, in 1861. In the early 1880s, he arrived in New York, where he obtained a minor position in an architect's office while studying architecture.[1] By 1885 he was a qualified architect, and in 1887 he established his own practice. Almost immediately he began attracting major commissions, one of the first being for the Hotel Margaret in 1888.[2]

Freeman maintained offices in both Brooklyn and New York City, the latter in the Sun Building at 280 Broadway.[1] While he designed buildings for clients in both Manhattan and Long Island and occasionally further afield, the great majority of his works were constructed in Brooklyn.[2][3]

Freeman's early work was completed in the Richardsonian Romanesque style, at which he is considered a master. After the Chicago World's Fair in 1893 however, Romanesque went out of fashion and Freeman quickly adapted to the new Neoclassical trend, completing a major commission in the genre, the Brooklyn Savings Bank, even before the World's Fair had ended.[3] Freeman also sometimes incorporated elements of other styles into his works, such as Italian Renaissance, Beaux Arts and Colonial Revival, in an eclectic manner.

Freeman once headed the Clubhouse Committee of the Crescent Athletic Club (whose headquarters he designed in 1906), and he was a parishioner of Holy Trinity Episcopal Church in Brooklyn Heights.[3] He died in 1949 in a convalescent home in Montclair, New Jersey at the age of 88, after a long illness. He was survived by two daughters, Miss Katharine C. Freeman and Mrs Dorothea F. Sellew.[1]

Freeman's family discarded his papers and records just days before architectural historian Alan Burnham arrived to request them. Historians have thus been obliged to try to piece together details of his career from municipal records, a task that was still ongoing as late as 1995.[2]

Critical appraisal

Freeman's work has received high praise from architecture critics, most notably from Norval White who called him "Brooklyn's greatest architect"—an accolade frequently repeated, and that other critics have judged as not unreasonable.[3] His work in the Richardsonian Romanesque style in particular has been singled out for attention. The 19th century critic Montgomery Schuyler credited him with "the most artistic examples of the Richardsonian Romanesque in our domestic architecture",[2] while a 1979 report by the New York City Landmarks Preservation Commission described his works in this style to be "among the finest built anywhere in New York City."[4] He has been praised for his "fecund imagination" and "infinite versatility"—an example of the latter being his Brooklyn Savings Bank, a neoclassical design, considered by critic Francis Morrone to have been perhaps Freeman's finest work.[3]

More generally, Freeman's "marvellously clear and direct" buildings "seem to speak to people, he gave them a sense of immediacy", according to historian Andrew Dolkart. Dolkart asserts that had Freeman practiced in Manhattan, "he'd be famous; but just because he worked in Brooklyn, no one's ever heard of him."[2] Though known to have been a prolific architect, many of Freeman's buildings have been demolished or destroyed, which further contributed to his lack of recognition.[3] Many of Freeman's surviving works are now protected by landmark status.

List of works

The following tables list buildings known to have been designed by Frank Freeman. The first table is a list of extant works; the second a list of works that have been demolished or otherwise largely or wholly destroyed. Both lists are incomplete.

Buildings that still exist
This list is incomplete; you can help by expanding it.
Image Name Address Built Style Notes
Herman Behr Mansion82 Pierrepont St., Brooklyn1889RR"the city's finest Romanesque Revival house"[5]
Brooklyn Fire Headquarters365-367 Jay St., Brooklyn1892RR"the most splendid neighborhood firehouse in Greater New York."[6]
Eagle Warehouse28 Fulton St., Brooklyn1894RR"...a medieval brick fortress [that] recalls the Palazzo Vecchio in Florence,"[2]
Nelson P. Lewis Residence1511 Albermarle Rd., Brooklyn1899CRPart of the Prospect Park South Historic District.
Crescent Athletic Club House129 Pierrepont St., Brooklyn1906N"at first seems simple enough but is in fact quite complex."[7]
Brooklyn Union Gas Company Headquarters180 Remsen St., Brooklyn1914N"a fine, stately office building demonstrating Freeman's infinite versatility."[8]
Harriet Judson YWCA50 Nevins St., Brooklyn1914CR
Villa Maria615 Montauk Hwy, Water Mill1919 (R)E"perhaps Water Mill's best-known landmark."[9]
Legend: Name=name of building; Address=address of building; Built=year building was completed (or remodelled, denoted by an "R" after the year); Style=architectural style. Styles include: RR=Richardsonian Romanesque; N=Neoclassical; E=eclectic; CR=Colonial Revival.

Buildings that no longer exist
This list is incomplete; you can help by expanding it.
Image Name Address Built Style Notes
Hotel Margaret97 Columbia Heights, Brooklyn1889RR"the outstanding building of the Post-Civil War period" in Brooklyn Heights.[10] Destroyed by fire during renovations, 1980.
Germania Club House120 Schermerhorn St., Brooklyn1890RR"As a specimen of Romanesque architecture, it is unsurpassed by any other structure in Brooklyn".[11] Demolished 1920s to make way for a subway.
Thomas Jefferson Association BuildingBoerum Place, Brooklyn1890RR"one of the most peculiar-looking structures in the city."[12] Demolished to make way for an arterial link, 1960.
Brooklyn WaterworksFreeport, Long Island1890RR"unquestionably Long Island's most ambitious Romanesque Revival design."[13] Burned down during renovations, 1990s. The remaining facades and walls were torn down in September 2010.
Bushwick Democratic Club House719 Bushwick Ave., Brooklyn1892RRAn "astounding, round-edged cube ... wrap[ping] a tight skin of precise decoration around a compact mass",[2] Destroyed by fire, after 1970.
Brooklyn Savings Bank1894N"may have been Freeman's finest work."[3] Demolished 1964.
Frederick Burrell Residence1401 Albermarle Rd., Brooklyn1900n/a"one of the finest of the modern dwellings in the ... exclusive section south of Prospect Park".[14] Demolished 1938.
Legend: Name=name of building; Address=address of building; Built=year building was completed (or remodelled, denoted by an "R" after the year); Style=architectural style. Styles include: RR=Richardsonian Romanesque; N=Neoclassical; E=eclectic; CR=Colonial Revival.
gollark: Is a thing which exists
gollark: Hmm. I guess I must be mixed up.
gollark: Maybe there's a secret Access Level -1, Access Level 4 and Access Level *i*.
gollark: Sufficiently insulated does it too, which is weird.
gollark: It is annoying that accces leval 0 supersedes my color role, though.

References
  1. "Frank Freeman", The New York Times, October 14, 1949.
  2. Gray, Christopher: "Frank Freeman, Architect; After a Century, a Fond Remembrance", The New York Times, February 26, 1995.
  3. Morrone and Iska, pp. 24-26.
  4. "Prospect Part South Historic District Designation Report", Landmarks Preservation Commission, 1979-02-08, nyc.gov.
  5. "Currents; What's in Brooklyn? Take a Walk", The New York Times, October 4, 1990.
  6. Morrone and Iska, p. 23.
  7. Morrone and Iska, p. 81.
  8. Morrone and Iska, p. 141.
  9. Brinton, Scott: "Water Mill's No Run-of-the-Mill Town", Newsday, January 12, 1997.
  10. Lancaster and Gillon, p. 68.
  11. Howard, pp. 860-862.
  12. "A Temple Of Democracy", The New York Times, September 24, 1890.
  13. American Institute of Architects, p. 6.
  14. "Prospect Park South Historic District Designation Report", Landmarks Preservation Commission, 1979-02-08, p. 29, nyc.gov.

Bibliography
  • American Institute of Architects (1992): AIA Architectural Guide to Nassau and Suffolk Counties, Long Island, Dover Publications, ISBN 978-0-486-26946-7.
  • Howard, Henry W. B.; Jervis, Arthur N. (1893): The Eagle and Brooklyn: The Record of the Progress of the Brooklyn Daily Eagle, Volume 2, The Brooklyn Daily Eagle.
  • Lancaster, Clay; Gillon, Edmund V. Jr. (1980): Old Brooklyn Heights: New York's First Suburb, 5th Edition, Dover Publications, ISBN 978-0-486-23872-2.
  • Morrone, Francis; Iska, James (2001): An Architectural Guidebook to Brooklyn, Gibbs Smith, ISBN 978-1-58685-047-0.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.