Francesco dalla Viola

Francesco dalla Viola (died 1568) was a 16th-century choirmaster and composer.

Biography

Francesco was a singer under the direction of Adrian Willaert between the years 1522 and 1526. Francesco was the choirmaster at Modena from about 1530. Around 1558 he became choirmaster and musician to Prince Alfonso d'Este[1] at Ferrera, replacing Cipriano de Rore.[2] While at Ferrera, he travelled with Gioseffo Zarlino and Claudio Merulo to visit Adrian Willaert who was housebound.[3] He died in 1568.[4]

Compositions

Francesco Viola produced a set of his own madrigals in 1550. Later in 1559 Francesco edited some works by Willaert[2] at the behest of d'Este.[3]

Viola's compositional style is closely related to that of Willaert's, particularly in relation to parallel major thirds over positions IV and V, where the juxtaposition of such is generally avoided. However, Viola's compositions are lighter in tone than Willaert's heavier madrigals.[4]

gollark: Maybe I should put them in groups.

gollark: https://status.osmarks.net/, of course.

gollark: In the last minute, yes.

gollark: Tweaks are ongoing.

gollark: Um, I think you're on the previous line, or I broke things.

References

Bernstein, Jane A. (1998). Music Printing in Renaissance Venice: The Scotto Press (1539-1572). Oxford University Press. p. 72. ISBN 9780195102314. Retrieved August 29, 2013.
Pratt, Waldo Selden. The History of Music. New York: G. Schirmer, Inc., 1907. 121.
Fenlon, Iain (2009). Early Music History: Volume 27: Studies in Medieval and Early Modern Music. Cambridge University Press. pp. 207–208. ISBN 9780521760034. Retrieved August 29, 2013.
McKinney, Timothy R. (2010). Adrian Willaert and the Theory of Interval Affect: The Musica Nova Madrigals and the Novel Theories of Zarlino and Vicentino. Ashgate Publishing, Ltd. p. 278. ISBN 9780754696728. Retrieved August 29, 2013.

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[1] Bernstein, Jane A. (1998). Music Printing in Renaissance Venice: The Scotto Press (1539-1572). Oxford University Press. p. 72. ISBN 9780195102314. Retrieved August 29, 2013.

[pratt-2] Pratt, Waldo Selden. The History of Music. New York: G. Schirmer, Inc., 1907. 121.

[Fenlon-3] Fenlon, Iain (2009). Early Music History: Volume 27: Studies in Medieval and Early Modern Music. Cambridge University Press. pp. 207–208. ISBN 9780521760034. Retrieved August 29, 2013.

[McKinney-4] McKinney, Timothy R. (2010). Adrian Willaert and the Theory of Interval Affect: The Musica Nova Madrigals and the Novel Theories of Zarlino and Vicentino. Ashgate Publishing, Ltd. p. 278. ISBN 9780754696728. Retrieved August 29, 2013.