Francesco Mancini (1830–1905)

Francesco Mancini (Naples, 1830–1905) was an Italian painter.

For the earlier painter with this name, see Francesco Mancini (1679-1758). For the later painter with this name, see Francesco Longo Mancini.
Hyde Park, 1876 (Fondazione Cariplo)

Biography

In 1844 Francesco Mancini became a student at the Naples Royal Institute of Fine Arts, where he studied drawing and attended Gabriele Smargiassi’s course on landscape from 1846. At the end of the decade he moved on from his academic training and devoted himself to painting from life, during numerous travels in the regions of southern Italy. He also tried his hand at history painting and presented scenes from the struggle for national liberation in Florence at the Esposizione Nazionale di Firenze of 1861.

A leading figure in Neapolitan cultural life, Mancini became a member of the Società Promotrice di Belle Arti there in 1862 and was a regular participant in its exhibitions. In 1877 he took up a teaching post at the city's Academy and was one of the founders of the Circolo Artistico Napoletano in 1888. His participation in the major national exhibitions in Italian cities included those in Turin (1880 and 1884) and in Milan (1881). His landscapes inspired by the countryside and customs of the Abruzzi, Apulia, and Calabria regions were accompanied in this period by his more fashionable scenes of city life painted during frequent stays in Paris and London, which found great favour with the collectors of the time.

His works found buyers in Europe and America, and he was knighted into the Order of the Crown of Italy. He exhibited in 1877 at Naples: La strada ferrata (property of the Conte de la Feld); four canvases depicting Torchio; and one titled a rupe. In 1880 at Turin, he exhibited: Seascape of Capri; Seascape of Casamicciola; Capo Pescara; Seascape of Naples; Approdo delle barche di Sorrento; Seascape of Pozzuoli; and Veduta dei tre Monti. in 1881 at Milan, he displayed: a landscape, Nel bosco, and Mercato a Popoli negli Abruzzi. At Rome, in 1883: A Zingara (A Gypsy Woman); Dopo il pascolo (also exhibited in 1884 at Turin); Sport; and Dopo la vendemmia. In 1887 at Venezia, in 1887: Amalfi; Pompei; San Marco, and Cava dei Tirreni. Other works are: Veduta di Popoli; Seascape of Ischia; Alpine Locale; Mattino estivo; Ritorno dalla pena; and Tramonto.[1]

gollark: Apparently it interprets the `#` bit as a selector or something? I don't know.
gollark: I'm still trying to figure where it even stores the page a comment is on.
gollark: I don't have time to write my own. I just used isso.
gollark: It's not my *comment system*.
gollark: No good. The comment system treats the pages as the same.

References
  • (in Italian) Anna Caputi, Raffaello Causa, Raffaele Mormone, La Galleria dell'Accademia di Belle Arti in Napoli, Napoli: Banco di Napoli, 1971, p. 113.
  • (in German) Joachim Busse, Internationales Handbuch aller Maler und Bilhauer des 19. Jahrhunderts: Busse-Verzeichnis, Wiesbaden: Busse Kunst Dokumentation, 1977.
  • (in Italian) Enrico Castelnuovo, La Pittura in Italia – L'Ottocento, Milano: Banca nazionale dell'agricoltura, 1991, p. 897.
  • (in German) Saur allgemeines Künstlerlexiko: die bildenden Künstler aller Zeiten und Völker, München-Leipzig : Saur, 1999, vol. 6, p. 489.
  • (in French) Bénézit, Dictionnaire critique et documentaire des peintres, sculpteurs, dessinateurs et graveurs de tous les temps et de tous les pays, Paris: Gründ, 1999, vol. 9, p. 126.
  • (in Italian) Claudio Mazzarese, Fardella Mungivera, '800, altro: pittura napoletana tra Ottocento e Novecento, Napoli: Rogios, 2011, Rogiosi.
  • (in Italian) Laura Casone, Francesco Mancini, online catalogue Artgate by Fondazione Cariplo, 2010, CC BY-SA (source for the first revision of this article).
  1. Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti, by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 274-275.

Other projects

Media related to Francesco Mancini (1830-1905) at Wikimedia Commons


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.