Frances Polidori
Frances Mary Lavinia Polidori, later Rossetti, of London (27 April 1800 – 8 April 1886), was a scholar, daughter, wife, sister and mother of important writers and artists; she was the governess of her four children. She was also a model of the paintings of her son Dante. Some photographic portraits,[1] by Lewis Carroll, in which he appears with his family in the Victorian era, are permanently displayed at the National Portrait Gallery, London.
Frances Rossetti | |
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Frances Polidori, 1863, photograph by Charles Lutwidge Dodgson | |
Born | Frances Mary Lavinia Polidori 27 April 1800 London, England |
Died | 8 April 1886 85) London, England, United Kingdom of Great Britain and Ireland | (aged
Nationality | British |
Works | Model, educator |
Spouse(s) | Gabriele Rossetti |
Children |
Biography
Frances Mary was born in London on 27 April 1800[2] to the Italian exile Gaetano Polidori, former secretary of Vittorio Alfieri, and the Englishwoman Anna Maria Pierce, an Anglican, private governess to high-born families, and daughter of a successful writing teacher.[3] Of her many brothers, the best-remembered is John William Polidori, Lord Byron's personal physician. Frances received an excellent education from her parents and, at the age of 26, she married the Italian poet, patriot and exile, Gabriele Rossetti. They had four children: Maria Francesca, born in 1827; Dante Gabriel, born in 1828; William Michael, born in 1829; and Christina Georgina, born in 1830. The couple devoted themselves to the education of their children.[4] While the boys were sent to boarding school,[5] the education of the Rossetti girls was taken up enthusiastically by their mother. Frances, whose native language was English, was also an accomplished speaker of both French and Italian.[6] She played a fundamental role in this educational enterprise.
The learning environment developed by the couple had uncommon effects on the cultural growth of their four children. In just a short time, they overcame their mother and teacher. However, Frances continued to play an active role in the lives of her daughters. In 1840, Maria Francesca Rossetti printed a translation of the poem by Giampietro Campana In the death of Guendalina Talbot. It was the first work of many to be produced by her children.[7]
Gabriele received a Roman Catholic education and he was a free Christian thinker on very critical positions concerning papal politics, while Frances was a devout Anglican. The couple agreed on the religious education of their children:[3] their sons were educated by Gabriele, while their daughters were taught by Frances. Mather's influence profoundly defined the lives of the Rossetti girls.
In 1854, after Gabriele's death, Frances burned the remaining copies of her husband's book:The Mystery of the Platonic Love of the Middle Ages, a work of about 1500 pages divided into 5 volumes. It contained a history of the various currents of Western esotericism, which was printed in a limited run of one hundred copies in 1840.[8] Due to its controversial content, it was not widely distributed upon its release. However, some copies were saved because Gabriele had given them as gifts. Today, thanks to the Internet Archive, the entire digitized work is available online (in Italian).[9]
The Rossetti children always remained very attached to their parents. Christina[10] dedicated almost all her works to her mother. In Speaking likenesses,[11] she thanks her for the stories she told her children.[12] In 1874, when William and Lucy got married, they went to live with Frances and her daughter Christina; after about two years of cohabitation, Lucy gave birth to their first child, and the couple were compelled to find another arrangement, largely because their agnosticism conflicted with the religious intransigence of Frances and Christina.[13]
Frances was often portrayed by her son Dante,[14] and posed as a model for some of his early paintings. The work The Girlhood of Mary Virgin of 1849 is particularly significant. As the author writes in a letter to Charles Lyell, the theme of the painting is education.[15] The son projecting his family experience, enhances the qualities of the mother who is depicted in the act of educating her daughter Christina. The two lend their figures to Anne, who oversees the education of her young daughter Mary, intent on embroidering, while her father, in the background, works in the vineyard. Various other symbols complete the picture. In 1863, Lewis Carroll, a close friend of the family, took several group portraits of the Rossettis.[1]
Frances died on 8 April 1886[16] and was buried in Highgate Cemetery in London.
See also
- Rossetti–Polidori family tree
- Rossetti, William Michael. "Dante Gabriel Rossetti: his family-letters". Charlottesville, Virginia: Institute for Advanced Technology in the Humanities. Retrieved 1 September 2009. – a transcript of: Rossetti, William Michael (1970) [1895]. Dante Gabriel Rossetti: his family-letters. New York: AMS Press. ISBN 0-404-05434-X.CS1 maint: ref=harv (link)
- Oliva, Gianni (2010). I Rossetti : album di famiglia : documenti, testimonianze, immagini (in Italian). Lanciano: Casa editrice Rocco Carabba. ISBN 978-88-6344-140-6.
- Rossetti, Gabriele; Rossetti, William Michael; Oliva, Gianni (2004). La vita mia Il testamento - con scritti e documenti inediti di W.M.Rossetti (in Italian). Lanciano: Casa editrice Rocco Carabba. ISBN 978-88-88340-53-1.
References
- "National Portrait Gallery". Frances Mary Lavinia Rossetti (née Polidori). Retrieved 12 June 2018.
- Rossetti, William Michael (1895). Dante Gabriel Rossetti: his family-letters. 2. Londra: Ellis and Elvey. p. 20. OCLC 967385237. Retrieved 12 June 2018.
- Manfredi, Marco. "Gaetano Polidori" (in Italian). Retrieved 24 June 2018.
- Anelli, Luigi (1982) [1885]. "Ricordi di storia vastese" (in Italian). Arte della stampa. p. 142. Retrieved 24 June 2018.
August 9, 1838, Gabriele's letter to his brother Antonio: I have a highly educated and virtuous wife, four children make me feel the need for constant effort; and I hope to die before giving them a good education.
. - Anelli, Luigi (1982) [1885]. "Ricordi di storia vastese" (in Italian). Arte della stampa. p. 142. Retrieved 24 June 2018.
August 9, 1838, Gabriele's letter to his brother Antonio: the eldest daughter who is already eleven and a half years old is extremely talented, and because of her highly educated age; the two intermediate children go to the College and already the first has obtained the Latin prize in this year and the fourth girl also promises a lot.
. - Packer, Lona Mosk (1963). Christina Rossetti. Berkeley: University of California Press. p. 3. OCLC 362192. Retrieved 24 June 2018.
- Rossetti, Maria Francesca; De Ventura, Paolo (2011) [1871]. – Un'Ombra Di Dante (in Italian). Lanciano: Casa editrice Rocco Carabba. p. 32. ISBN 978-88-6344-150-5. Retrieved 24 June 2018.
This traslation always went by my Sister's name, but she would (if she could) be the first to tell you that it was (in great mesure) part out Mother's work" (October 26, 1885, letter from Christina Rossetti to Henry Buxton Forman)
- Rossetti, Gabriele. "Il mistero dell'amor platonico nel medio evo" (in Italian). Retrieved 24 June 2016.
- Rossetti, Gabriele. "Il mistero dell'amor platonico nel medio evo" (in Italian). Retrieved 24 June 2018.
- Bell, Mackenzie (1971). Christina Rossetti a biographical and critical study. New york: Haskell house. OCLC 147350. Retrieved 24 June 2018.
- "Speaking likenesses" (in Italian). Centro Europeo di Studi Rossettiani. Archived from the original on 19 December 2016. Retrieved 24 June 2018.
- Rossetti, Christina; Hughes, Arthur. Speaking likenesses. London: Macmillan & Co. R. Clay, Sons, and Taylor. OCLC 1987253.
To my Dearest Mother, In Grateful Remembrance of the Stories With Which She Used To Entertain Her Children.
- Roe, Dinah (2011). The Rossettis in Wonderland. A Victorian Family History. London: Haus Publishing. pp. 277–280. ISBN 978-1-907822-01-8.
- "ritratti di Frances Polidori". Retrieved 24 June 2018.
- "The Girlhood of Mary Virgin". Delphi Complete Paintings of Dante Gabriel Rossetti (Illustrated). OCLC 946008832. Retrieved 24 June 2018.
- Rossetti, William Michael (1906). Some reminiscences. p. 23. ISBN 88-95078-02-0.
Gallery
- 1855, Frances Polidori with Maria Francesca and Christina
- 1863, family portrait by Lewis Carroll
- c.1865, from an oil portrait by D. G. Rossetti
- 1877, Portrait of Christina Rossetti and Frances Polidori, by D. G. Rossetti
- 1880, birthday, D.G. Rossetti pro matre fecit