Fountain of Trevi (film)
Fountain of Trevi (Italian:Fontana di Trevi) is a 1960 Italian-Spanish comedy film directed by Carlo Campogalliani and starring Claudio Villa, Rubén Rojo and Carlo Croccolo.[1] It follows the life of two men working for a travel agency next to Rome's Fountain of Trevi.
| Fountain of Trevi | |
|---|---|
.JPG) | |
| Directed by | Carlo Campogalliani |
| Written by | Giuliano Carnimeo Riccardo Ghione Gianfranco Parolini Jaime Salom Giorgio Simonelli Barbara Tai Federico Zardi |
| Starring | Claudio Villa Rubén Rojo Carlo Croccolo |
| Cinematography | Emilio Foriscot Francesco Izzarelli |
| Edited by | Franco Fraticelli |
Production company | AIT Cinematografica Associati (CI.AS.) Cineprodex Tiber Cinematografica |
| Distributed by | Rosa Films (Spain) |
Release date | 25 September 1960 |
Running time | 102 minutes |
| Country | Italy Spain |
| Language | Italian |
Cast
- Claudio Villa as Claudio Marchetti
- Rubén Rojo as Roberto Proietti
- Carlo Croccolo as Wizard assistant
- Maria Grazia Buccella as Franca / Manuela
- Tiberio Murgia as Pertica
- Mario Carotenuto as The Wizard
- Marisa Mantovani
- Pilar Vela as Dolores
- Arnaldo Arnaldi as Giovanni Camilloni
- Dori Dorika as La sora Nannina
- Maria Letizia Gazzoni as Carmencita
- Amelia de Castro
- Rafael Durán
- Edda Ferronao
- Marta Grau
- Miguel Ligero
- Rosario Maldonado as Rosita
- Alfredo Mayo as Rafael Castillo
- Gisia Paradis
- Miguel Ángel Rodríguez
- Elisabetta Velinska
- Ciccio Barbi as Tax collector
- Enzo Garinei as E.T.I.B. Manage
gollark: This might be fixable if you have some kind of zero-knowledge voting thing and/or ways for smaller groups of people to decide to produce stuff.
gollark: If you require everyone/a majority to say "yes, let us make the thing" publicly, then you probably won't get any of the thing - if you say "yes, let us make the thing" then someone will probably go "wow, you are a bad/shameful person for supporting the thing".
gollark: Say most/many people like a thing, but the unfathomable mechanisms of culture™ have decided that it's bad/shameful/whatever. In our society, as long as it isn't something which a plurality of people *really* dislike, you can probably get it anyway since you don't need everyone's buy-in. And over time the thing might become more widely accepted by unfathomable mechanisms of culture™.
gollark: I also think that if you decide what to produce via social things instead of the current financial mechanisms, you would probably have less innovation (if you have a cool new thing™, you have to convince a lot of people it's a good idea, rather than just convincing a few specialized people that it's good enough to get some investment) and could get stuck in weird signalling loops.
gollark: So it's possible to be somewhat insulated from whatever bizarre trends are sweeping things.
References
- Parish p.156
Bibliography
- Parish, James Robert. Film Actors Guide. Scarecrow Press, 1977.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.