Florence Hackett

Florence Hackett (née Florence Hart) (January 1882 – August 21, 1954) was an American film actress in the silent era. She was allegedly married to veteran film star Arthur V. Johnson, reputedly D.W. Griffith's favorite actor. Previously she was married to a man named Maurice Hackett and had two sons, Albert Hackett and Raymond Hackett and a daughter Jeannine Hackett. Hackett was the proverbial stage mother involving her sons first in the theater then in motion pictures. From 1912 she and Johnson played in numerous films together with him directing many of them right up to his 1916 death. They were the type of films classified today as 'shorts', that is they ran one or two reels. Her boys also appeared in some of the films making the work more of a family affair. She made her last film appearance in 1920.[1][2]

Florence Hackett
Born
Florence Hart

January 1882
Buffalo, New York, United States
DiedAugust 21, 1954
New York City, New York, United States
OccupationActress
Years active1912–1920
Spouse(s)Maurice Hackett
Arthur V. Johnson
ChildrenAlbert Hackett
Raymond Hackett

Selected filmography
  • Divided Interests (1911)
  • The Physician's Honor (1912)
  • The Antique Ring (1912)
  • Gingerbread Cupid (1912)
  • A Matter of Business (1912)
  • The Preacher and the Gossips (1912)
  • The Spoiled Child (1912)
  • A Child's Devotion (1912)
  • When John Brought Home His Wife (1913)
  • The Burden Bearer (1913)
  • The Pawned Bracelet (1913)
  • The Power of the Cross (1913)
  • The School Principal (1913)
  • The District Attorney's Conscience (1913)
  • The Beloved Adventurer (1914) (*serial)
  • The Climbers (1915)
  • Evidence (1915)
  • The Yellow Passport (1916)
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gollark: You're talking about one *in the next 20 years*, which hasn't.
gollark: 1. that hasn't *happened* yet. You're generalizing from a literally nonexistent example.2. I think their regulation kind of goes in the wrong directions.
gollark: Anyway, my original meaning with the question (this is interesting too, please continue it if you want to) was more like this: Phones and whatnot require giant several-billion-$ investments in, say, semiconductor plants. For cutting-edge stuff there are probably only a few facilities in the world producing the chips involved, which require importing rare elements and whatnot all around the world. How are you meant to manage stuff at this scale with anarchy; how do you coordinate?
gollark: Which "capitalism" is a very rough shorthand for.

References
  1. Silent Film Necrology 2nd edition, c.2001, p.218 by Eugene Michael Vazzana
  2. Who Was Who on Screen 3rd edition, c. 1983, p.299 by Evelyn Mack Truitt
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