Fiona Sze-Lorrain

Fiona Sze-Lorrain (born 1980) is a French musician, poet, literary translator, and editor.

Fiona Sze-Lorrain
Born1980 (age 39–40)
Singapore
OccupationPoet, translator, editor, harpist
LanguageEnglish, French, Chinese
NationalityFrench
EducationParis-Sorbonne University;
Columbia University;
New York University;
École Normale de Musique de Paris
SpousePhilippe Lorrain

Background

Born in Singapore, Fiona Sze-Lorrain grew up trilingual and has lived mostly in Paris and New York City. She spent her childhood in a hybrid of cultures, and her formative years in United States and France.[1] She began studying classical piano and guzheng at a young age. A graduate of Columbia University, she obtained her master's degree from New York University and attended École Normale de Musique de Paris before earning a PhD in French from Paris-Sorbonne University.

Work

Sze-Lorrain writes mainly in English, and translates from Chinese and French. An editor at Vif Éditions, she has written for venues related to fashion journalism, music and art criticism, and dramaturgy.[2]

In 2007, she worked with Gao Xingjian on a book of photography, essays, and poetry based on his film Silhouette/Shadow.[3]

Through Mark Strand, whom she would later translate into French,[4] she found her poetic vocation. The Rumpus notes, "As a French woman of post-colonial Asian heritage, she joins a vein of writers such as Marguerite Duras and Samuel Beckett whose work straddles profound cultural complexities. Educated in America, Sze-Lorrain spent several years in New York before settling back in France where she started publishing poems in English, translating French and contemporary Chinese poetry into English, and American poetry into French. Her work serves as a vital midwife for the greater global understanding that will one day be born from today’s contracting and relaxing tensions between differing religions, cultures, and languages."[5] Sze-Lorrain's debut poetry collection, Water the Moon, appeared in 2010, followed by My Funeral Gondola in 2013.[6] Prairie Schooner describes her work as an "arc" that "navigates the sense of otherness" with poems that "burst at the seams with the customs, gastronomy, ancestry, literature, and art of the two cultures."[7] Her third collection The Ruined Elegance was published by Princeton University Press in the Princeton Series of Contemporary Poets in 2016[8] and was named one of Library Journal's Best Books in Poetry for 2015.[9] It was also a finalist for the 2016 Los Angeles Times Book Prize.[10]

Currently one of the recognized translators of contemporary Chinese poetry,[11] she was shortlisted for the 2016 Best Translated Book Award[12] and longlisted for the 2014 PEN Award for Poetry in Translation.[13] She is a co-founder of Cerise Press (2009–13)[14] and a corresponding editor of Mānoa (2012–14).

The recipient of fellowships from Yaddo, Ledig House, and the Helene Wurlitzer Foundation, Sze-Lorrain is the inaugural writer-in-residence at MALBA in Buenos Aires.[15] She has also served as a visiting poet at various colleges and universities in United States and Europe. She is a 2019-20 Abigail R. Cohen Fellow at the Columbia Institute for Ideas and Imagination.[16]

Her poems and translations, handwritten in ink, were exhibited alongside ink drawings by Fritz Horstman from the Josef and Anni Albers Foundation in the art show, A Blue Dark, at The Institute Library (New Haven) in 2019.[17][18]

As a classical zheng harpist, Sze-Lorrain has performed worldwide.[19] Her concert venues include Carnegie Hall, Merkin Concert Hall, World Music Hall of Wesleyan University, Maison des cultures du monde, Zuiderpershuis Wereldculturen centrum, Rasa Wereldculturencentrum, UNESCO World Heritage Centre, Musée Cernuschi, and the Orbigny-Bernon Museum.

Personal life

She lives in Paris with her husband, French publisher Philippe Lorrain.[20]

Publications

Poetry
  • The Ruined Elegance, 2016. ISBN 978-0-691-16769-5
  • Invisible Eye, 2015. ISBN 978-2-9541146-3-7
  • My Funeral Gondola, 2013. ISBN 978-0-98339198-2
  • Water the Moon, 2010. ISBN 978-1-934851-12-8

Collaboration
  • A Blue Dark with Fritz Horstman, 2019. ISBN 978-2-954-11465-1

Translations
  • Karma by Yin Lichuan, 2020. ISBN 978-1-948800-29-7
  • My Mountain Country by Ye Lijun, 2019. ISBN 978-0-9992613-4-7
  • Trace by Yu Xiang, 2017.
  • Sea Summit by Yi Lu, 2016. ISBN 978-1-571-31476-5
  • Chariots of Women by Amang, 2016. ISBN 978-9-869-29840-7
  • A Tree Planted in Summer by Ling Yu, 2015. ISBN 978-2-9541146-4-4
  • Writing before Sleep by Na Ye, 2015. ISBN 978-7-5001433-1-4
  • The City Is a Novel by photographer Alexey Titarenko, with essays by Gabriel Bauret, Sean Corcoran, and Brett Abbott, 2015. ISBN 978-88-6208-414-7
  • Canyon in the Body by Lan Lan, 2014. ISBN 978-1-938890-01-7
  • Nails by Lan Lan, 2013. ISBN 978-962-996-627-0
  • I Can Almost See the Clouds of Dust by Yu Xiang, 2013. ISBN 978-0-9832970-9-3
  • Wind Says by Bai Hua, 2012. ISBN 978-0-9832970-6-2
  • Presque invisible (Almost Invisible) by Mark Strand, 2012. ISBN 978-2-9541146-1-3
  • Low Key by Yu Xiang, 2011. ISBN 978-962-996-532-7
  • Mingus, méditations by Auxeméry, 2011
  • "Ghérasim Luca Portfolio" by Ghérasim Luca in Poetry International, 2010. ISBN 978-187-969-193-3

Edited/Co-edited
  • Starry Island: New Writing from Singapore, 2014. ISBN 978-0-8248-4797-5
  • On Freedom: Spirit, Art, and State, 2013. ISBN 978-0-8248-3855-3
  • Sky Lanterns: New Poetry from China, Formosa, and Beyond, 2012. ISBN 978-0-8248-3698-6
  • Cerise Press: A Journal of Literature, Arts & Culture, Vol. 1 Issue 1-Vol. 5 Issue 13, 2009-2013. ISSN 1946-5262
  • Silhouette/Shadow: The Cinematic Art of Gao Xingjian, 2007. ISBN 978-981-05-9207-3
  • Interculturalism: Exploring Critical Issues, 2004. ISBN 978-1-904710-07-3

CD
  • Une seule prise (In One Take), 2010. UPC 3-760201-400005

Awards and honors
gollark: It;s a really stupidisoiasufi feature.
gollark: Can we do a capitalist takeover instead?
gollark: Think about it. What if they intentionally left an apparent flaw in the system to allow banning people so that they could trap evildoers?
gollark: What if it's a trap to detect people who are willing to break the rules and randomly get people banned?
gollark: Does it involve neurolinguistic programming?

References
  1. https://www.triquarterly.org/interviews/theme-and-variations-afterlife-interview-fiona-sze-lorrain
  2. "Archived copy". Archived from the original on 2014-12-23. Retrieved 2014-12-23.CS1 maint: archived copy as title (link)
  3. http://www.newsweek.com/self-silhouette-94355
  4. "Bibliographie nationale française BnF".
  5. "The Ruined Elegance by Fiona Sze-Lorrain". The Rumpus.net. 2015-10-30. Retrieved 2020-05-08.
  6. http://lareviewofbooks.org/review/second-acts-second-look-second-books-poetry-hass-sze-lorrain
  7. https://muse.jhu.edu/login?auth=0&type=summary&url=/journals/prairie_schooner/v085/85.2.cook01.pdf
  8. http://press.princeton.edu/titles/10565.html
  9. http://reviews.libraryjournal.com/2015/11/best-of/best-books-2015-poetry/
  10. http://touch.latimes.com/#section/-1/article/p2p-86399142/
  11. Huang, Yunte, ed. (2016). The Big Red Book of Modern Chinese Literature: Writings from the Mainland in the Long Twentieth Century. New York: W. W. Norton. pp. xi.
  12. http://www.themillions.com/2016/04/finalists-best-translated-book-awards.html
  13. http://www.pen.org/blog/longlists-announced-2014-pen-literary-awards
  14. http://www.cerisepress.com/about
  15. https://www.lanacion.com.ar/cultura/fiona-sze-lorrain-la-poeta-que-llego-de-singapur-es-fan-de-pizarnik-y-toca-el-arpa-nid2144067
  16. https://news.columbia.edu/news/institute-ideas-and-imagination-announces-new-class-fellows
  17. https://www.newhavenarts.org/arts-paper/articles/dark-matters
  18. https://www.newhavenindependent.org/index.php/archives/entry/a_blue_dark/
  19. http://www.maisondesculturesdumonde.org/actualite/musiques-pour-cithares-zheng-kayagum-koto-et-tambour-changgu
  20. http://poezibao.typepad.com/poezibao/2013/01/anthologie-permanente-nathaniel-tarn.html
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