Faxon M. Dean
Faxon M. Dean was an American cinematographer who worked in Hollywood primarily during the silent era.[1] He worked on many of director Charles Maigne's films, and was Mary Miles Minter's personal cameraman for a time.[2][3]
Faxon M. Dean | |
|---|---|
| Born | Faxon Martin Dean May 26, 1890 Guyton, Georgia, U.S. |
| Died | May 25, 1965 (aged 74) Sunnyvale, California, U.S. |
| Occupation | Cinematographer |
Biography
Faxon was born in Guyton, Georgia, to Herbert Dean and Amelia Warmsley. He married Margaret Hurley, and the pair had two children together. He got his professional career as a newspaper photographer before trying his hand as a cinematographer in 1911.[4] He was an early member of the American Society of Cinematographers.[5]
Selected filmography
- The Marcellini Millions (1917)
- A Roadside Impresario (1917)
- The Cook of Canyon Camp (1917)
- Lost in Transit (1917)
- The Countess Charming (1917)
- The Clever Mrs. Carfax (1917)
- Jules of the Strong Heart (1918)
- Rimrock Jones (1918)
- The Invisible Bond (1919)
- The Copperhead (1920)
- The Fighting Chance (1920)
- A Cumberland Romance (1920)
- Frontier of the Stars (1921)
- All Souls' Eve (1921)
- The Little Clown (1921)
- Don't Call Me Little Girl (1921)
- Moonlight and Honeysuckle (1921)
- Her Winning Way (1921)
- The Call of the North (1921)
- Her Own Money (1922)
- North of the Rio Grande (1922)
- While Satan Sleeps (1922)
- The Man Unconquerable (1922)
- The Cowboy and the Lady (1922)
- Making a Man (1922)
- The Tiger's Claw (1923)
- Sixty Cents an Hour (1923)
- A Gentleman of Leisure (1923)
- Stephen Steps Out (1923)
- The Stranger (1924)
- The Guilty One (1924)
- Tongues of Flame (1924)
- Coming Through (1925)
- Every Man's Wife (1925)
- Lord Jim (1925)
- Braveheart (1925)
- The Sporting Lover (1926)
- The False Alarm (1926)
- Fools of Fashion (1926)
- Baby Mine (1928)
- The Tragedy of Youth (1928)
- Their Hour (1928)
- The Olympic Hero (1928)
- Romance of a Rogue (1928)
- The Look Out Girl (1928)
- Jazzland (1928)
- Fast Life (1929)
- Little Johnny Jones (1929)
- The Nevada Buckaroo (1931)
- Texas Pioneers (1932)
- Crashin' Broadway (1932)
- Breed of the Border (1933)
- Diamond Trail (1933)
- Trailing North (1933)
- The Gallant Fool (1933)
- One Year Later (1933)
gollark: As I said, I think A-level might be better, as I only do 3 (well, 4) subjects I actually like, with better teachers and not with people who don't care, but... well, based on past evidence of school stuff it might also be equally terrible?
gollark: > well, the actual purpose of schools is to teach people things, but most students do not learn anything even if they go to school. source: mean math score being about 4/40 in the university entrance exam.Exactly! It's mostly worthless!
gollark: If they run that whole cycle fast enough it'll average out as a reasonable situation!
gollark: Outside of high-level stuff (GCSE *maybe*, probably A-level) I think it's *mostly* irrelevant if you take a few weeks off.
gollark: I mean, you can socialize at school, which is important, but you can do that anyway.
References
- Wohl, Robert (2005). The Spectacle of Flight: Aviation and the Western Imagination, 1920–1950. Yale University Press. p. 118. ISBN 978-0-300-10692-3.
faxon m. dean.
- "Savoy Today Only". Shawnee News-Star. May 14, 1921. Retrieved December 13, 2019.
- "Mary Miles Minter in 'Under the Big Top'". Salt Lake Telegram. April 29, 1921. Retrieved December 13, 2019.
- "Stirring Romance Rides". The Tennessean. July 16, 1922. Retrieved December 13, 2019.
- American Cinematographer. ASC Holding Corporation. 1922.
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