Fatema Chebchoub

Fatema Chebchoub, known by her stage name, Al-Chebchouba, was a Moroccan academic, actor, director, activist, comedian, poet.[1] She was one of the first Moroccan women to write and direct theater performances, and one of the few to incorporate elements of traditional theatrical heritage in her productions.[2]

Fatema Chebchoub
Born	1952 (1952)
Died	August 9, 2006 (aged 53)
Nationality	Moroccan
Other names	Al-Chebchouba
Occupation	Academic, actor, playwright, director, activist, comedian, poet

Chebchoub used her platform to discuss issues such as corruption, gender equality, women's literacy, and injustice.[3]

Personal life

Chebchoub was born in 1952.[2] Her parents, both performers of the Moroccan form of popular performance known as Hlaqa,[3] which is a kind of public storytelling, died while she was very young.[2]  Chebchoub never married and lived alone.[2] Her frequent travels and her bohemian lifestyle earned her the nickname "al-Roumi" or "the Westerner" from her extended family.[3]

Work

Chebchoub began acting as a child in the 1960s and directed her first production in the 1980s.  She later moved on to writing and performing one-woman shows.[2] She was the only trained female Hlaqia, the central figure in a traditional form of public story-telling performance known as the Hlaqa.[2] She performed her Hlaqas either as solo acts or with her troop which was known as ASYAS.[3] The Hlaqa genre bears a relation to the idea of the halaqa, which comes from the Arabic word for a ring or circle, and which is also used to describe religious gatherings for Islamic study and Qur'an reading (when people often sit in a circle).

Chebchoub's Hlaqa works included performances called Chkouf al-Gars, Al-Matmora, Al-Abbacia and Moulat Sserr.[3] Moulat Sserr, later renamed Tamawayt, is her most famous work.[2] She toured internationally to perform it in countries such as Australia, the United States, and Syria.[1]

Chebchoub also worked in television, writing a 30-episode TV series for the Moroccan channel Al Aoula which she directed and starred in, and creating a film production company.

In addition to her theater work, Chebchoub was an academic. She began by teaching French in a primary school, and later taught theater in the humanities department at Moulay Ismail University in Meknes.[3] She was pursuing her PhD on stage sociology at the University of Pennsylvania, in the Department of Near Eastern Languages and Civilizations, at the time of her passing.

During her time at the University of Pennsylvania, Fatema Chebchoub worked for the Linguistic Data Consortium (LDC), an international collaborative research endeavor that creates, collects, and shares linguistic data. Drawing upon her deep knowledge of Arabic syntax and grammar, Chebchoub served as an annotator for the POS (part-of-speech) tagging that helped in the categorization of the Arabic grammatical tag set that the LDC used for the Penn Arabic TreeBank project, version 3.0 (later published in 2008 by Mohamed Maamouri et al.).[4]

While living in Philadelphia, Chebchoub also worked extensively with Jewish artists in the community.[1] She presented a memorial service at the University of Pennsylvania held for the Israeli poet Dahlia Ravikovitch, where she translated and performed Ravikovitch's poem a A Dress of Fire.[5]

In 2002, with a grant from the Greenfield Intercultural Center at the University of Pennsylvania, Chebchoub produced a documentary film, entitled From Heart to Heart: A Documentary of Feelings and Attitudes towards the Incidents of Sept. 11, 2001, from Arab-Americans in the Philadelphia area.[6]

Death

Chebchoub died at age 53 in Skhirat, near Rabat, in a swimming accident, on August 9, 2006.[1]

References

1. Box, Laura Chakravarty (2005-02-10). Strategies of Resistance in the Dramatic Texts of North African Women. doi:10.4324/9780203339190. ISBN 9780203339190.
2. Jay, Cleo (2016-07-24). "Performance and social activism in Morocco: The legacy of Fatima Chebchoub". International Journal of Cultural Studies. 19 (5): 549–562. doi:10.1177/1367877915595480. ISSN 1367-8779.
3. Box, Laura Chakravarty (2006). "Outrageous Behavior: Women's Public Performance in North Africa". Meridians: Feminism, Race, Transnationalism. 6 (2): 78–92. doi:10.1353/mer.2006.0004. ISSN 1547-8424.
4. Linguistic Data Consortium (Mohamed Maamouri et al) (August 20, 2008). "Arabic Treebank part 3 - v3.0". Linguistic Data Consortium. Retrieved July 7, 2019.
5. "Dahlia Ravikovitch - A Memorial in Piano, Poetry, and Song | The Middle East Center at Penn". www.sas.upenn.edu. Retrieved 2019-04-25.
6. Chebchoub, F., & Cruz, V. De. (2002). From heart to heart: a documentary of feelings and attitudes towards the incidents of Sept. 11, 2001 from Arab-Americans in the Philadelphia area. [Philadelphia, PA]: Trustees of the University of Pennsylvania.