Exploded Drawing
Exploded Drawing is the third studio album by the rock band Polvo. It was released in 1996 as a CD and double-LP on Touch and Go Records. The album was engineered by Bob Weston.
Exploded Drawing | ||||
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Studio album by | ||||
Released | April 30, 1996 | |||
Recorded | October 1995 | |||
Genre | Indie rock, math rock, post-hardcore | |||
Length | 58:48 | |||
Label | Touch and Go Records | |||
Polvo chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | |
Entertainment Weekly | B[2] |
NME | (6/10)[3] |
Chicago Reader | favorable[4] |
Reception
Heather Phares of Allmusic called the album "a sonic journey that encompasses nearly every kind of sound that a guitar has been known to make, and a few that might be unheard of until now." She notes the incorporation of "blues, Eastern music, folk, country, and ambient music" into the album's sound "giving each song a twisting, unpredictable quality", despite criticizing its length.[5] According to Entertainment Weekly's Ethan Smith, "despite Polvo’s ongoing virtuosic use of alternative tunings and time signatures, Exploded Drawing disappoints in one major way: The lyrics — now more audible than on previous releases — are not nearly as interesting as the music deserves."[6] Peter Margasak of Chicago Reader writes that the "foursome has discovered a glimmering netherworld at the intersection of alternate tuning, pop hooks, and off-kilter rhythms" on this album. He wrote that despite "still [operating] around the noise/melody axis much like Sonic Youth [did], the stylistic shadows of that influence seem to be receding."[7]
James Oldham of NME gave the album a mixed review, with most of the review itself focusing negatively on the American alternative rock scene of the 90s from which this album emerged, particularly lo-fi music and slacker culture. He criticized its "fiendish pointlessness" and "utterly indulgent riffery [sic]", despite comparing "the delightfully meandering 'High-Wire Moves'" positively to Pavement.[8]
Legacy
In the years following the band's reunion, the album has been viewed in a more positive light. The Line of Best Fit called it a "sprawling double album [that] expanded the band’s sound from the surgically-focused twin guitar assaults to psych, folk, hardcore and all points in between. It felt like an ambitious mission statement from a group not content to simply dole out the riffs to anyone who wanted them". [9] A Treble review of In Prism found it to "bear the same skill and adventurousness" of this album.[10] Pitchfork called the "epic double-album statement" the band's "critical peak [...] which saw them successfully unraveling their bee-swarm guitar buzz to explore the polarities of their sound, from psychedelic-folk lullabies to brutalizing post-hardcore."[11]
Track listing
- "Fast Canoe" – 6:41
- "Bridesmaid Blues" – 3:30
- "Feather of Forgiveness" – 3:45
- "Passive Attack" – 1:12
- "Light of the Moon" – 2:12
- "Crumbling Down" – 3:06
- "Street Knowledge" – 1:51
- "High-Wire Moves" – 4:21
- "Monoloth" – 2:52
- "In This Life" – 4:05
- "The Secret's Secret" – 2:03
- "Snowstorm in Iowa" – 2:23
- "The Purple Bear" – 3:27
- "Taste of Your Mind" – 3:50
- "Missing Receipts" – 1:47
- "When Will You Die for the Last Time in My Dreams" – 11:43
Personnel
- Ash Bowie - vocals, guitar
- Dave Brylawski - vocals, guitar
- Steve Popson - bass
- Eddie Watkins - drums
References
- Phares, Heather. Exploded Drawing at AllMusic
- Phares, Heather. Exploded Drawing at AllMusic