Exogenesis: Symphony

"Exogenesis: Symphony", commonly known as simply "Exogenesis", is a song by English alternative rock band Muse, featured on their 2009 fifth studio album The Resistance. Written by lead vocalist, guitarist and pianist Matthew Bellamy over the course of a number of years, the song is presented as a symphony in three movements entitled "Overture", "Cross-Pollination" and "Redemption", respectively, each occupying a separate track at the end of the album and spanning nearly 13 minutes in total. "Exogenesis" was released as a single in the United States on 17 April 2010, with 500 copies to be made available by import in the United Kingdom through the band's official website.[3]

"Exogenesis: Symphony"
Single by Muse
from the album The Resistance
Released17 April 2010
Recorded2008–09
StudioStudio Bellini (Lake Como, Italy)
Genre
Length
  • 4:18 (Part 1 - "Overture")
  • 3:56 (Part 2 - "Cross-Pollination")
  • 4:37 (Part 3 - "Redemption")
  • 12:51 (total length)
Label
Songwriter(s)Matt Bellamy
Producer(s)Muse
Muse singles chronology
"Resistance"
(2010)		 "Exogenesis: Symphony"
(2010)		 "Neutron Star Collision (Love Is Forever)"
(2010)

On 30 October 2012, an official music video directed by Japanese comedian Tekken was released for Redemption, the third part of the Exogenesis Symphony.[4]

Background and composition

A song in the long, symphonic style of "Exogenesis" was first hinted at as a possible inclusion for Muse's fifth studio album in early 2008, when British music magazine NME quoted Bellamy as revealing that "I think on the next album I’d like to do at least one 15-minute space rock solo."[5] This idea was later discussed further and in a more extreme sense, when Bellamy suggested that the band may reject the conventional album format in favour of releasing a series of singles, or indeed "one 50-minute symphony."[6]

As the band confirmed that recording had begun for the album in late 2008, Bellamy explained more about the symphonic song, which he revealed would be in three parts on the album:

There is a new song in three parts, more of a symphony than a song, which I have been working on sporadically for many years [...] As a large percentage of the composition is orchestral, I have never wanted to collaborate with a string arranger as they may make it 'theirs'. So I have been arranging the orchestral elements myself, which is taking a long time. It should hopefully make the next album as the final three tracks.[7]

With the presence of "Exogenesis", among other songs, Bellamy hinted at the classical direction taken by the band in writing and recording The Resistance, describing the record as "A symphonic album" and joking that "We'll be knocking on Classic FM's door, you know?"[8]

Speaking for the iTunes LP feature for The Resistance, Bellamy said the following about the inspirations and meanings of "Exogenesis":

["Exogenesis: Symphony"] is influenced by Rachmaninov, Richard Strauss, Chopin and Pink Floyd. It looks at the concept of 'panspermia'. It is a story of humanity coming to an end and everyone pinning their hopes on a group of astronauts who go out to explore space and spread humanity to another planet. Part 1 is a jaded acceptance that civilization will end. Part 2 is a desperate hope that sending the astronauts to find and populate other planets will be successful alongside the recognition that this is the last hope. Finally, Part 3 is when the astronauts realize that it is just one big cycle, and recognize that unless humanity can change it will happen all over again.

Release and reception

On 3 July 2009, Muse revealed, via their Twitter page, the track listing for The Resistance; the "Exogenesis" was shown to occupy the final three tracks of the album, with the three parts being dubbed "Overture",[9] "Cross-Pollination"[10] and "Redemption",[11] respectively.

The song has been acclaimed by critics. In a pre-release interview with the band, NME identified "Exogenesis" as one of the highlights of the album, describing it as "more bombastic than anything Muse have ever previously done" and revealing that it features "classical piano from Bellamy and a full orchestra throughout."[12] French media source JudeBox reviewed the album before its release, comparing Bellamy's vocal performance to that of Radiohead frontman Thom Yorke and identifying classical composers Frédéric Chopin and Franz Liszt as influences for the symphony.[13] Mojo quoted Bellamy as revealing that the song features an orchestra of over 40 musicians,[14] while NME praised the "classical piece [...] put together by Matthew Bellamy over the course of many years" as the "Most astonishing and over-the-top of all" the songs on The Resistance.[15] The feature article quoted bassist and backing vocalist Christopher Wolstenholme as saying the following on the song:

You can always just take the band away from that track and just have the orchestral bit and it would still be beautiful. I just think it's a stunning piece of music and we've never done something like that before, where you've got all these songs that are in different movements. The orchestra were the main bit of the song and the band was more of a backdrop. The strings were at the forefront. It's fucking astonishing.[15]

Drummer Dominic Howard was quoted as adding the following to the description of "Exogenesis":

It's a real journey that song as well. It’s kind of... you can’t really hear what Matt’s singing in the first part much, but the whole song is about leaving the destructive planet we’ve created, leaving it behind to go populate somewhere else in the universe. So it's a big journey anyway, it's a big kind of filmic, visual journey as well.[15]

On possibly performing the song live, Bellamy was quoted simply as enthusiastically declaring that "We’ll give it a go!"[15] For most shows of The Resistance Tour, "Overture" has been a staple and is usually played at the start of an encore, leading into "Stockholm Syndrome".

"Exogenesis: Symphony" was released on 17 April 2010 in the US on 12" vinyl only.[16]

"Exogenesis: Symphony Part I" was used for Dior Homme's advertisement called "A Rendezvous", directed by Guy Ritchie and starring Jude Law.[17]

Lawsuit controversy

In September 2012, three years after the release of The Resistance and "Exogenesis", Charles Bollfrass claimed that the "Symphony" copied his original cinematic project with the same name. Speaking to a Manhattan court, Bollfrass stated that he had developed a "cinematic science-fiction rock opera" titled "Exogenesis" when he contacted the band in 2005, as well as the rock band System of a Down, to compose the film's original score. The following year, Muse told him they were not interested in pursuing the project, but System of a Down's lead guitarist, Daron Malakian, had said yes, announcing his band's hiatus during an MTV interview.[18] Bollfrass was seeking $3.5 million in damages.[19]

Concerning the lawsuit, Muse stated "The claim is complete nonsense, and is categorically denied. It appears to be based on a 'screenplay' which the band never received or saw, produced by someone the band has never heard of. It speaks volumes that the album in question was released a full three years ago, and yet this is the first that has been heard of these groundless allegations."[20]

The lawsuit was finally dismissed in April 2013 by Judge Louis L. Stanton after an earlier attempt to dismiss had failed in 2012. In dismissing the case, Judge Stanton held that Bollfrass' claims had "practically no legal or factual basis." "The similarity of the two works here lies in their concepts, abstracted to a high degree of generality," Judge Stanton wrote. "Both works are based on a concept of planetary breakdown and space travel, but their treatment is markedly different."[21]

"Bollfrass also said the cover art for "The Resistance" featured an image from the storyboards of his screenplay." But while Judge Stanton tossed the lawsuit, he denied Warner Music's request for attorneys' fees, saying "there was no evidence to conclude that Bollfrass' complaint was frivolous."[22]

Live performances

The symphony is also noted for its live performances; despite the fact that "Cross-Pollination" has not been played live, "Overture" has been performed at virtually every date on The Resistance Tour, besides festival appearances (although it had been played at one or two of the festival slots, this was however rare). "Redemption" was finally played for the first time ever in January 2013 in Saitama, Japan.[23] Live performances during arena dates would usually take place during the first song of the encore set and would involve the band performing on the towers which comprised the arena tour's stage design, as they slowly rose up and blue lighting covered the stage. However, during later dates, the song was sometimes used as the concert opener, although this was rare. Stadium performances were more notable however, as the band would release a UFO into the crowd whilst the song was being played.[24] The UFO would circle the stadium and, as Matt Bellamy's vocals started, an acrobat in the guise of an alien would drop out of the bottom of the UFO and begin performing acrobatics above the audience. This was also a notable event in Muse's live career, as the band had tried and failed on previous tours to secure a UFO to use in live performances, only to have their plans foiled because of health and safety issues.[25]

Track listing

All tracks are written by Matthew Bellamy.

Side A
No.TitleLength
1."Exogenesis: Symphony Part 1 (Overture)"4:18
2."Exogenesis: Symphony Part 2 (Cross-Pollination)"3:56
3."Exogenesis: Symphony Part 3 (Redemption)"4:37
Total length:12:51
Side B
No.TitleLength
1."Uprising" (Live from Teignmouth)5:37
2."Resistance" (Live from Lisbon)5:36
Total length:11:13

April Fools' Day 2010 release

On 31 March 2010, Muse uploaded a 4 minute 16 second clip entitled "Exogenesis: Symphony Part 4 - Salvation" to their website, advertised as a continuation of the Exogenesis trilogy. In reality, the song starts with a short piece of modern classical music before transitioning into a deliberately terrible cover of Creep by Radiohead. The release was later confirmed by the band to be an April Fools' prank, released poking fun at comparisons commonly made between Muse and Radiohead.

The April Fools' Day 2010 release also contains a track entitled "Feeling Good (Live from Sheffield)" - actually a live version of MK Ultra containing several false starts, a click track and instruments edited out of tune - before closing with a track entitled "Guiding Light (Rich Costey Edit)", which is merely that song sped up and fed through an Alvin & the Chipmunks style voice editor.

gollark: But I could too.
gollark: Also, I can hide from him.
gollark: I'm fairly confident that Zachary cannot actually physically overpower me, in practice.
gollark: I can hit the lock screen keybind VERY fast and Zachary is not stealthy.
gollark: I can also technically access Discord if I plug my server's graphical output into a TV, but this would be quite difficult.

References
  1. "Muse: next album to have '15-minute space-rock solo'". NME. 12 March 2008. Retrieved 16 December 2018.
  2. Leahey, Andrew. "The Resistance - Muse". AllMusic. Retrieved 16 December 2018.
  3. "Exogenesis - 12". Muse. Archived from the original on 3 April 2010. Retrieved 26 March 2010.
  4. https://vimeo.com/83496504
  5. "Muse: next album to have '15-minute space rock solo'". NME. 12 March 2008. Retrieved 23 July 2009.
  6. "Muse begin work on fifth album". NME. 29 May 2008. Retrieved 23 July 2009.
  7. "Muse aim to include 'hardest song ever' on new album". NME. 26 November 2008. Retrieved 23 July 2009.
  8. "Muse: 'Our new album is set for Classic FM'". NME. 2 March 2009. Retrieved 23 July 2009.
  9. Muse (3 July 2009). "9. EXOGENESIS : SYMPHONY P ..." Twitter. Archived from the original on 5 March 2016. Retrieved 23 July 2009.
  10. Muse (3 July 2009). "10. EXOGENESIS : SYMPHONY ..." Twitter. Archived from the original on 17 March 2016. Retrieved 23 July 2009.
  11. Muse (3 July 2009). "11. EXOGENESIS : SYMPHONY ..." Twitter. Archived from the original on 5 March 2016. Retrieved 23 July 2009.
  12. "Muse in NME". Muselive (quoting NME). 8 July 2009. Archived from the original on 12 July 2009. Retrieved 23 July 2009.
  13. "Re: The Resistance Mini-Review". Muselive. 9 July 2009. Archived from the original on 13 July 2009. Retrieved 23 July 2009.
  14. Wilkinson, Roy. "Muse: Progressive stadium rock three dream up album five". Mojo. Retrieved 23 July 2009.
  15. "The Italian Job". NME. Archived from the original on 14 July 2011. Retrieved 23 July 2009.
  16. "Releases". THEPRP. Retrieved 23 March 2010.
  17. "Video: Jude Law for Dior Homme -Directed By Guy Ritchie-Music By Muse". HollywoodBackwash.com. Archived from the original on 9 September 2010. Retrieved 8 December 2010.
  18. http://www.mtv.com/news/articles/1530066/system-down-plan-hiatus-after-ozzfest.jhtml
  19. "Archived copy". Archived from the original on 13 September 2012. Retrieved 12 September 2012.CS1 maint: archived copy as title (link)
  20. http://kroq.cbslocal.com/2012/09/11/lawsuit-alert-did-muse-really-rip-off-a-sci-fi-writer-for-their-album-the-resistance/
  21. http://articles.law360.s3.amazonaws.com/0429000/429520//mnt/rails_cache/https-ecf-nysd-uscourts-gov-cgi-bin-show_doc-pl-caseid-401143-de_seq_num-49-dm_id-11262284-doc_num-13.pdf
  22. http://www.law360.com/articles/429520/warner-music-escapes-copyright-suit-over-muse-song
  23. Exogenesis Part 3 Live at Saitama Super Arena, Japan
  24. Cochrane, Greg (13 September 2010). "Newsbeat - Rockers Muse bring UK 'UFO' tour to a close at Wembley". BBC. Retrieved 15 February 2012.
  25. "Muse's UFO Banned From T In The Park". Xfm. Retrieved 15 February 2012.
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