Enrico Reycend

Enrico Reycend (Turin, Kingdom of Sardinia, November 3, 1855 – Turin, Kingdom of Italy, February 21, 1928) was an Italian painter, mainly of landscapes and vedute.

Biography

He attended the Accademia Albertina under Lorenzo Delleani and Antonio Fontanesi. He traveled to Paris a few times, and was influenced by the circle of Camille Corot.[1] In 1877 at Naples, he exhibited: In Piemonte; in 1880 at Turin, La quiete; Natura mesta; in 1881 at Milan, he sent: In Ottobre; Sul Canavese; Rive del Pò; in 1883 at Milan, Ritorno dal Pascolo; Lungo il Pò a Turin; in 1883 to Rome, Dintorni di Torino; and finally in 1884 also to Rome, Il Barchetta; Ultime foglie and other landscapes painted al vero.

In 1885, he sent to Milan and Venice: In Ottobre; Greek temple nel Porto dì Genoa. In 1886 at Milan, he displayed: Giornata triste; Studi dal vero; Notte d'autunno. At the 1887 Mostra of Venice he sent: Pomeriggio; Studi dal vero; Fine d'agosto: The Port of Genoa: in 1888 to Bologna: Mattino tra i monti; Rain in the Port of Genoa; Scalo di Ferrovia a Turin; Settembre in montagna; and Sole velato; and finally in 1889 to Florence, he sent: Tra i monti.[2]

Reycend, along with Davide Calandra, Leonardo Bistolfi, Giorgio Ceragioli and Enrico Thovez founded in 1902 the journal, L’arte decorativa moderna .[3]

gollark: The opposite of `explode` is `implode`.
gollark: It's self-documenting. The compiler is the spec.
gollark: Wait, what's GCC in now if not C? C++?
gollark: Elm isn't self-hosted, and this is yet another sign that Elm is a deliberately gimped language.
gollark: I see no problems with this.

References
  1. Biography cited in the Galleria civica d'arte moderna e contemporanea GAM of Turin, from La Nuova enciclopedia dell'arte, Garzanti, 1997.
  2. Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti., by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 411.
  3. Biography cited in the Galleria civica d'arte moderna e contemporanea GAM of Turin, from La Nuova enciclopedia dell'arte, Garzanti, 1997.


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