Enormous Door

Enormous Door is an album by Dutch post-punk band The Ex and Brass Unbound, a quartet of horn players from four countries. The album was released in 2013 on The Ex's own label.

Enormous Door
Studio album by
The Ex & Brass Unbound
Released2013
RecordedJune 4–5, 2012
GenrePunk rock, Experimental
Length44:16
LabelEx Records
ProducerRiccardo Parravicini, Mats Gustafsson, Andreas Werliin, Arnold de Boer, Johan Berthling
The Ex & Brass Unbound chronology
Y'Anbessaw Tezeta
(2012)		 Enormous Door
(2013)		 27 passports
(2018)

Background
The Ex in 2016, with Katherina Bornefeld at the mic and Arnold de Boer on guitar
Dutch trombonist Wolter Wierbos in 2007
Italian trumpetist Roy Paci in 2012
Chicago saxophonist Ken Vandermark in 2010
Swedish saxophonist Mats Gustafsson in 2010

Emerging as an anarchist punk rock quartet in 1979, The Ex began to frequently work with jazz musicians within their first decade.[1] Their 1989 album Joggers and Smoggers, 1995's Instant, and the singles series the band released between 1991 and 1992 featured extensive collaborations with members of the dutch free jazz ensemble Instant Composers Pool,[2] and 2001's Een Rondje Holland presented a larger horn section as part of the band's Ex Orkest. As the band developed their repertoire into the 21st century, they turned their attentions to Ethiojazz and were backing Addis Ababa saxophonist Getachew Mekurya on world tours and for his 2006 album Moa Anbessa with French, Dutch, and Canadian musicians Xavier Charles, Joost Buis, and Brodie West on clarinet, trombone and alto saxophone. The Ex's 2010 album Catch My Shoe featured trumpet work by Italy's Roy Paci, and when The Ex returned to record a final album with Mekurya in 2012, they were joined by Chicago reed player Ken Vandermark, as well as Buis, Charles, West and Wierbos.

Amidst these collaborations with The Ex, a new international collective of horn players gradually formeed and by 2010 adopted the name "Brass Unbound" after Johan van der Keuken's 1993 film of the same name.[3] In his film, van der Keuken follows the development of the European brass band tradition in the former Dutch colonies to include traditional marching bands to more hybridized forms brass music that combine European instruments with Ghanaian rhythms.[4] Independent of concerts with Getatchew Mekurya, Brass Unbound began touring as a live act with The Ex in 2010. For these concerts, the ensemble wrote and improvised new material, as well as reworkings of songs from The Ex's catalog.[5]

Songs

Released in 2013, Enormous Door catalogues The Ex's material with Brass Unbound. The songs "Bicycle Illusion" from their first album with vocalist Arnold De Boer and "Our Leaky Homes" from a 2011 single rearrange their songs to make space for horn parts.[5] A popular love song by Ethiopian singer Mahmoud Ahmed that had long been in The Ex's live set with Getatchew Mekurya is sung by drummer Katherina Bornefeld.[1] And The Ex's tribute to Congoless street band Konono Nº1, which first appeared on the Ex's 2004 album as "Theme from Konono" resurfaces as "Theme from Konono Nº2" on Enormous Door.[5]

Previously unreleased songs comprise the remainder of the album, leading with the North African-inspired "Last Famous Words", with others exploring themes from punk culture, Free jazz, and leftist politics.[6]

Reception
Professional ratings
Review scores
SourceRating
Pitchfork(8.1/10)[5]
All About Jazz[7]

The Quietus placed Enormous Door on its list of the top albums of 2013.[8] Pitchfork's Douglass Wolk called Enormous Door "an acrobatic, ferocious record, a welcome burst of electric noise and squealing horns from a group whose power and flexibility keep growing with time."[5]

Track listing
  1. "Last Famous Words"
  2. "Every Sixth Is Cracked"
  3. "Belomi Benna"
  4. "Red Cow"
  5. "Our Leaky Homes"
  6. "Bicycle Illusion"
  7. "We Are Made Of Places"
  8. "Theme From Konono No.2"

Personnel
The Ex
  • Andy Moor: guitar, baritone guitar
  • Terrie Hessels: guitar, baritone guitar
  • Arnold de Boer: vocals, guitar, sampler
  • Katherina Bornefeld: drums, vocals
Brass Unbound
gollark: Just most of them. And you're constrained by whatever the PDF processing library they're using actually supports.
gollark: It's not like it has *every* possible feature.
gollark: It seems like an obvious idea, so it probably doesn't, unless the programmers doing the filtering are lazy/deliberately inattentive.
gollark: I would be interested to know if that works.
gollark: https://en.wikipedia.org/wiki/Cognitive_reflection_test

References
  1. Burnett, Joseph (May 29, 2013). "Dusted Reviews: The Ex & Brass Unbound - Enormous Door". Dusted Magazine. Retrieved 16 October 2018.
  2. "Perte & Fracas - The Ex - At Bimhuis (1991-2015) - Ex records". Perte & Fracas. 2015. Retrieved 16 October 2018.
  3. Vandermark, Ken. "The Ex & Brass Unbound: Enormous Door". Ken Vandermark. Retrieved 23 December 2014.
  4. van der Keuken, Johan (1993). "Brass Unbound" (Film). IDFA (in Dutch). Amsterdam: The International Documentary Film Festival Amsterdam. Retrieved 16 October 2018.
  5. Wolk, Douglas. "The Ex & Brass Unbound: Enormous Door". pitchfork.com. Pitchfork Media. Retrieved 23 December 2014.
  6. J, Simpson (June 26, 2013). "The Ex with Brass Unbound – Enormous Door « Freq". freq.org.uk. Retrieved 16 October 2018.
  7. (in Italian)
  8. Doran, John (December 30, 2013). "The Quietus | Features | Quietus Charts | Quietus Albums Of The Year 2013 (In Association With Norman Records)". The Quietus. Retrieved 14 October 2018.
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