English Garden (album)

English Garden, released in North America as Bruce Woolley and The Camera Club, is a studio album by Bruce Woolley and his new wave band The Camera Club. The band consisted of Woolley on vocals, Matthew Seligman on bass, Rod Johnson on drums, Dave Birch on guitar, and Thomas Dolby on keyboards. Before forming the group, Woolley was creating pop songs intended for publishing companies, but he was not happy with what the artists were doing with his songs and decided to write material for himself.

English Garden
Studio album by
Bruce Woolley and The Camera Club
ReleasedNovember 1979[1]
RecordedEden Studios, London[2]
Genre
Length39:15
57:04 (US release)
LabelEpic
Columbia
ProducerMike Hurst
Alternate covers
2009 reissue using North American cover art
Singles from English Garden
  1. "English Garden" / "Video Killed the Radio Star"
    Released: January 1979
  2. "Video Killed the Radio Star" / "Get Away William"
    Released: March 1979
  3. "Clean, Clean" / "Flying Man"
    Released: May 1979
  4. "Clean, Clean" / "Video Killed the Radio Star"
    Released: July 1979
  5. "Dancing With The Sporting Boys" / "Flying Man"
    Released: 14 September 1979
  6. "Trouble Is..." / "Get Away William"
    Released: 7 March 1980
  7. "House Of Wax" / "All At Once"
    Released: 26 September 1980

Recorded at Eden Studios in London, English Garden was released in most territories by Epic Records, while in North America the album was distributed by CBS Records. Singles from English Garden included the title track, "Video Killed the Radio Star", "Clean, Clean", "Dancing With The Sporting Boys", "Trouble Is..." and "House of Wax". Most reviews of English Garden were very positive, one reviewer even calling it ahead of other releases in its genre.

Background and composition

Bruce Woolley started writing and recording pop songs at home with Revox equipment during his school years: "I was playing guitar but floundering about without direction."[3] This made him start making songs specifically for music publishing companies, and he was eventually hired by someone to do so. He had spent eighteen months writing compositions for other artists, but did not appreciate what they were doing with his songs.[3] He decided to quit this position and write songs for himself, meeting producer Mike Hurst and his manager Chris Bough, who was also well known for being manager for singer-songwriter Cat Stevens.[3] Thus, Woolley financed to form his band which he called The Camera Club,[3] which, in addition to him being the vocalist, had Matthew Seligman on bass, Rod Johnson on drums, Dave Birch on guitar, and Thomas Dolby on keyboards.[2] Recorded in Eden Studios in London, English Garden was engineered by Richard Goldblatt with assistance from Nick T. Froom.[2]

Meanwhile, Woolley had also formed a group with Trevor Horn and Geoff Downes called The Buggles in 1977, recording demos of tracks such as "Clean, Clean" and "Video Killed the Radio Star". Woolley had left the group to form The Camera Club by the time the Buggles were signed to Island Records in 1979, and the band recorded both songs for English Garden.[4] Many writers called Woolley's recording of "Video" much better than the Buggles' version.[5][6] This included one critic who called both acts overall as of being very high quality, but felt that Woolley's version was more faithful to the source material than that of The Buggles, noting the filtered vocals and cute, female vocals of the latter rendition as giving it a novelty feel.[7] However, he also wrote of liking both versions of "Clean, Clean" on the same level.

While also categorized by one writer to be a light power pop record in the vein of acts like The Move,[8] as well as a pop rock release by another,[3] English Garden is a new wave record taking influence of works from David Bowie and Brian Eno, like the majority of artists in the style that existed around the release of the album.[5] However, unlike other new wave releases that only increased their hopelessness of Bowie's and Eno's songs, English Garden's honest, humorous lyrics, which deal with a male remembering about his currently failing marriage thanks to "automation and his modern surroundings" as one journalist analyzed, show that the narrator is struggling, but is optimistic that his relationship will improve.[5]

Reception

English Garden garnered mostly rave reviews upon its release. The Age's John Teerds spotlighted the album's "inventive" songwriting, strong vocal performance, and "appealing" melodies, but also noted that it may take two or three hearings of the record for the listener to enjoy it.[9] Ted Burley of Montreal Gazette honored the quality of the release as above other new wave acts at the time and wrote that it should've set the decade's norm for the genre.[5] He wrote that Woolley was "attacking the eighties rather than surrendering to them", being able to make the production fresh and the vocals futuristic while making it sound human and non-robotic.[5] Among the "lush" harmonies and "tasteful" arrangements, the unique, non-permissive lyrical content was also a significant highlight in his review, praising its "slice-of-life realism and scope."[5] A more mixed review called the album "one of those weird pop albums that England seems to spew out yearly" and "sort of 10cc for nostalgists".[6]

In North America, the group was signed by Columbia Records after just five weeks of rehearsal,[3] and the album was released in the continent with cover art designed by Janet Perr.[2] English Garden was promoted in the United States with a tour just before its release in the country, and songs from the album also garnered radio play in the States.[3] The album peaked at number 184 on the Billboard 200 chart.[10] There were also several performances in Woolley's home country promoting English Garden.[3] However, despite this and the record's critical acclaim, the release quickly faded into obscurity; a writer for Trouser Press analyzed that this was to be expected given that the LP only presented Woolley's devotion to music from the 1960s, but also said that the group might've been famous in some sort of way thanks to Dolby's involvement in the band.[8]

Track listing

All songs written and composed by Bruce Woolley and produced by Mike Hurst. Additional writing credits are noted.[11][12]

Side 1[11]
No.TitleLength
1."English Garden"3:00
2."Video Killed the Radio Star" (Trevor Horn, Geoff Downes)2:49
3."Dancing With The Sporting Boys"3:32
4."Johnny" (Horn)3:03
5."No Surrender"2:50
6."Flying Man"2:50
Side 2[11]
No.TitleLength
7."You Got Class" (Stuart Gent)2:10
8."W. W. 9. Instrumental" (Thomas Dolby)0:49
9."Clean, Clean" (Horn, Downes)5:23
10."Get Away William" (Dave Birch)3:19
11."Goodbye To Yesterday"3:33
12."Goodbye To Yesterday (reprise)" (Birch, Dolby, Matthew Seligman, Rod Johnson)2:22
13."You're The Circus (I'm The Clown)" (Graham Adcock)3:35
Total length:39:15
2009 reissue bonus tracks[12]
No.TitleLength
14."Bobby Bad"2:38
15."Blue Blue (Victoria)"3:41
16."1000 Mph" (Guy Woolley)3:35
17."Ghost Train" (Thomas Dolby)3:51
18."House of Wax"4:04
Total length:57:04

Singles
Song Region Date(s) Format Label
"English Garden" / "Video Killed the Radio Star"[13] North America 1979 7" Columbia Records
"Video Killed the Radio Star" / "Get Away William"[14] Europe Epic Records
"Clean, Clean" / "Flying Man"[15]
"Clean Clean" / "Video Killed the Radio Star"[16] Japan
"Dancing With The Sporting Boys" / "Flying Man"[17] United Kingdom 14 September 1979
"Trouble Is..." / "Get Away William"[18] 7 March 1980 Columbia Records
"House Of Wax" / "All At Once"[19] Europe 26 September 1980
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gollark: Apioarchohazards, which rule over other bees?

References
  1. D. Schoenberg, Richard; Sutton, Seattle (2004). Seventy-Nine, Eighty. Only Easy Day Was Yesterday. ISBN 9780974820804. Retrieved 16 February 2016.
  2. Bruce Woolley and the Camera Club, Bruce Woolley and the Camera Club, Columbia Records, 1979, JC 36301CS1 maint: others (link)
  3. Patterson, Rob (30 April 1980). "Bruce Woolley: picture of a pop star". The Madison Courier. Retrieved 15 February 2016.
  4. "The Buggles". ZTT Records. Archived from the original on 25 June 2016. Retrieved 14 July 2013.
  5. Burley, Ted (24 April 1980). "Fine production puts Woolley ahead of the new wave pack". Montreal Gazette. Postmedia Network. Retrieved 15 February 2016.
  6. Marsh, Dave (7 March 1980). "Records". Star-News. GateHouse Media. Retrieved 15 February 2016.
  7. Lawson, Michael (1 March 1980). "Two bands eulogize departed 'radio star'". The Phoenix. Phoenix Media/Communications Group. Retrieved 15 February 2016.
  8. Robbins, Ira. "Buggles". Trouser Press. Retrieved 15 February 2016.
  9. Teerds, John (17 January 1980). "An Hour of Madness". The Age. Fairfax Media. Retrieved 15 February 2016.
  10. "Bruce Woolley & The Camera Club – Camera Club / Bruce Woolley / Bruce Woolley & the Camera Club". Allmusic. Rovi Corporation. Retrieved 7 February 2016.
  11. "English Garden – Bruce Woolley and the Camera Club". Allmusic. Rovi Corporation. Retrieved 16 February 2016.
  12. "Bruce Woolley & The Camera Club – Camera Club / Bruce Woolley / Bruce Woolley & the Camera Club". Allmusic. Rovi Corporation. Retrieved 16 February 2016.
  13. English Garden (Single)|format= requires |url= (help), Bruce Woolley and the Camera Club, Columbia Records, 1979, 1-11226CS1 maint: others (link)
  14. Video Killed the Radio Star, Bruce Woolley and the Camera Club, Epic Records, 1979, EPC 7926CS1 maint: others (link)
  15. Clean, Clean, Bruce Woolley and the Camera Club, Epic Records, 1979, 8024CS1 maint: others (link)
  16. Clean, Clean, Bruce Woolley and the Camera Club, Epic Records, 1979, 06・5P-88CS1 maint: others (link)
  17. Dancing With The Sporting Boys, Bruce Woolley and the Camera Club, Epic Records, 1979, S EPC 7829CS1 maint: others (link)
  18. Trouble Is..., Bruce Woolley and the Camera Club, Columbia Records, 1980, S CBS 8314CS1 maint: others (link)
  19. House Of Wax, Bruce Woolley and the Camera Club, Columbia Records, 1980, S CBS 9020CS1 maint: others (link)
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