Emma Zunz

"Emma Zunz" is a short story by Argentine writer Jorge Luis Borges. The tale recounts how its eponymous heroine avenges the death of her father.[1] Originally published in September 1948 in the magazine Sur, it was reprinted in Borges' 1949 collection The Aleph. The story deals with the themes of justice and revenge, and of right and wrong.[2] As in several other short stories, Borges illustrates the difficulty in understanding and describing reality. The story relies on issues of deceit, self-deception and inauthenticity to illustrate this.[1]

Plot summary

Emma Zunz, a worker at a textile mill, returns home and finds a letter indicating that her father has died in hospital after an accidental Veronal overdose. Emma, overwhelmed by grief, believes that her father has in fact committed suicide. She recalls how her father told her that the textile mill owner Aaron Lowenthal was guilty of an embezzlement charge which lead to his arrest, and she plots revenge.

On the following weekend, Emma calls Lowenthal, claiming she has information about an impending strike and agrees to meet him that night. In the afternoon she seduces a Scandinavian man at a bar who pays her for a sexual encounter. The encounter disgusts Emma but she continues with her plan.

She meets Lowenthal at the factory and pretends to report on workers involved in the strike. He leaves his office to get a glass of water, at which point Emma takes a revolver from his desk and murders him. She then calls the police, claiming that Aaron Lowenthal was abusing her and that she killed him in retaliation. The remains of Emma’s disgust from the earlier encounter allow her to speak convincingly.

The story ends with the narrator noting that Emma’s emotions were true, only the exact circumstances, time and names were false.

Screen adaptations

Various films have been based on Borges' "Emma Zunz":

  • Emma Zunz (1993) (Spain) directed for television by Benoît Jacquot.
  • Emma Zunz (1985) (Mexico) directed by Giangiacomo Tabet.
  • Emma Zunz (1984) (Holland) directed by Peter Delpeut.
  • Emma Zunz (1979) (Canada) directed by Isabel Beveridge.
  • Emma Zunz (1966) (Spain) directed by Jesús Martínez León.
  • Días de odio (1954) (Argentina) directed by Leopoldo Torre Nilsson.
gollark: Anyway, I don't really know how machine learning works, so I was hoping to just gather a lot of data and shove them into a sentiment analysis thing to mildly retrain it.
gollark: [REDACTED]
gollark: Also semigollarious ones.
gollark: We want to make a neural network to detect gollariousness, you see.
gollark: [REDACTED]

References
  1. Hall, J. B. (1982). "Deception or self-deception? The essential ambiguity of Borges' "Emma Zunz"". Forum for Modern Language Studies. 18 (3): 258–265. doi:10.1093/fmls/XVIII.3.258. Retrieved 8 April 2012.
  2. Porinsky, Rebecca (2002). "True Lies: Metaphysical games in Borges' "Emma Zunz"" (PDF). WELS and ELS Undergraduate Research Symposium. Archived from the original (PDF) on 19 March 2015. Retrieved 8 April 2012.

Further reading
  • Dapía, Silvia (1993). Die Rezeption der Sprachkritik Fritz Mauthners im Werk von Jorge Luis Borges. Cologne, Weimar, Vienna: Böhlau.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.