Eloise Hubbard Linscott

Eloise Hubbard Linscott (1897-1978) was a 20th-century American folklorist, song collector, and preservationist. She is the author of Folk Songs of Old New England (1939), considered a valuable scholarly source for American folk songs. John Lee Brooks described Folk Songs of Old New England as an American equivalent of Bishop Percy's 1765 work Reliques of Ancient English Poetry.[1]

Life and career

Linscott was born Eloise Barrett Hubbard and raised in Taunton, Massachusetts. She was graduated from Radcliffe College in 1920 with a Bachelor of Arts in English Literature.[2]

Linscott was initially inspired to begin her fieldwork to preserve the legacy of her own family's musical traditions, and because there were then no music books on traditional songs such as she had known as a girl. Folk Songs of Old New England was the culmination of about ten years of work. One important source of Folk Songs of Old New England was a collection of songs which had remained in the possession of the descendants of one Elizabeth Foster Reed for over 150 years, which Linscott unearthed. But Linscott used several other sources as well.[2][1]

Although she continued her research and fieldwork with the intention of publishing other books, Folk Songs of Old New England was Linscott's only publication. However, she gave popular lectures on folk music at music societies, camps, women's clubs, and arts groups, where she would bring a guest fiddler, and sometimes sing.[2][3]

In the 1940s, Linscott became involved with the National Folk Festival as a volunteer coordinator for New England musicians. She helped organize regional folk festivals, including ones held at the Boston Arena and Boston Public Garden.[3]

Linscott used her own personal funding to finance the first ten years of her research. Around 1940, she gained sponsorship from Musicraft and in 1941 from the Library of Congress. In 1941, Linscott borrowed equipment from Alan Lomax (head of the Library's Archive of American Folk Song) and in two weeks delivered to Lomax 36 glass-core master acetate discs of folk songs. Lomax was a regular correspondent and mentor to her during this time.[2][3]

Linscott was an enterprising, tenacious, energetic, and enthusiastic fieldworker. One informant bestowed on her the nickname "The Tornado".[2]

Over the course of her career, Linscott gathered approximately 2500 recordings on cylinders, discs, and tapes, as well as other materials. Linscott's manuscripts, recordings, and other materials remain at the Eloise Hubbard Linscott Collection of the American Folklife Center in the Library of Congress.[3][2]

Personal life

Linscott had two sisters and three brothers. She married Charles Hardy Linscott in 1921; they lived in Needham, Massachusetts, and spent summers in Wolfeboro, New Hampshire. Linscott had one son, John Hubbard Linscott, born in 1929.[2]

Works

Linscott, Eloise Hubbard, ed. (1939). Folk Songs of Old New England. New York and Dallas: Macmillan. Reprinted 2011, Dover Publications, ISBN 9780486278278

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gollark: I just tripled furnace production.

gollark: I've made this automatic furnace machine, and am producing one furnace per 5-ish seconds, and have ~5500 stored.

References

Brooks, John Lee (July 1940). "Review: Folk Songs Of Old New England By Eloise Hubbard Linscott". Southwest Review. 25 (4): 495–498. JSTOR 43466567.
Marcia K. Segal (June 2013). "Eloise Hubbard Linscott collection" (PDF). American Folklife Center, Library of Congress. Retrieved March 8, 2017.
Spencer, Scott B., ed. (2012). The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity. American Folk Music and Musicians. Scarecrow Press. p. 117. ISBN 978-0-8108-8155-6. Retrieved March 8, 2017.

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[Brooks-1] Brooks, John Lee (July 1940). "Review: Folk Songs Of Old New England By Eloise Hubbard Linscott". Southwest Review. 25 (4): 495–498. JSTOR 43466567.

[LoC-2] Marcia K. Segal (June 2013). "Eloise Hubbard Linscott collection" (PDF). American Folklife Center, Library of Congress. Retrieved March 8, 2017.

[Spencer-3] Spencer, Scott B., ed. (2012). The Ballad Collectors of North America: How Gathering Folksongs Transformed Academic Thought and American Identity. American Folk Music and Musicians. Scarecrow Press. p. 117. ISBN 978-0-8108-8155-6. Retrieved March 8, 2017.