Electronic Tragedy: Enola

Electronic Tragedy: Enola, stylized as Electronic Tragedy/〜ENOLA (電子悲劇/〜ENOLA, Denshi Higeki/〜ENOLA), is the eleventh studio album by P-Model and the second by its "revised" lineup.

Electronic Tragedy/〜ENOLA
Studio album by
P-Model
ReleasedNovember 29, 1997 (1997-11-29)
Recorded1997
Studio
Genre
Length43:03
LabelNippon Columbia, TESLAKITE
ProducerP-Model
P-Model chronology
Fune
(1995)		 Electronic Tragedy/〜ENOLA
(1997)		 Music Industrial Wastes〜P-MODEL OR DIE
(1999)
Singles from Electronic Tragedy/〜ENOLA
  1. "ASHURA CLOCK"
    Released: August 1, 1997 COCA-14390
  2. "LAYER-GREEN"
    Released: August 30, 1997 COCA-14391

Background

In October 1996, P-Model started their project Amorphous Cruise System (不定形巡航体制, Futeikei Junkō Taisei), codenamed "Unfix", a 9-part venture where each member (or "branch") would work in projects either independently of the band or with other members in different formations, culminating with all branches merging again. The members were able to enact Unfixes #0, #1, #2, #4 and #6 successfully, with #1 being the band's enhanced maxi single "Rocket Shoot".[1] The project reached setbacks when Susumu Hirasawa was unable to come to Unfix #3, an all-night event which was supposed to have participation from every member, due to sudden illness and when Unfix #5, also a live event, was cancelled.[2] The original plan was abandoned for good with the departure of drummer Wataru Kamiryo from the band, which made the end goal of merging all branches impossible.[3] That led to Hirasawa to reconceptualize the project.

The reworked concept was centered around a story, Search for the LAYER-GREEN Crisis Protocol (レイヤー・グリーンの危機議定書（プロトコル）を探せ, REIYĀ-GURĪN no Kiki Purotokoru wo Sagase), which unfolded through maxi singles, the album, HTML and video files included in those releases, live shows, that year's World Inspection Tour and the internet, which the band used to post reports and set forth tasks for concertgoers through its official bulletin board system;[3] all of this made it essentially like one of Hirasawa's Interactive Lives, but done with P-Model.[4]

The story revolves around LAYER-GREEN, a three-dimensional "information sphere" representation of the internet, and was made to have people understand the feeling of being in an internet community, and to maybe make them want to buy a computer.[4] Shortly after the project's end, Hirasawa felt that it wasn't as conceptually realized as his Interactive Lives, excessively enthusiastic and wasn't as adamant about its points anymore.[4]

The idea of LAYER-GREEN was inspired by a vacation Hirasawa took in Bali in late 1996, amazed by the fractal patterns that he saw on a temple and its nearby jungle, as well as gamelan music, feeling that Bali was techno music itself.[4] This Asian inspiration also manifested in the music made for the album.

Composition and production

Electronic Tragedy/〜ENOLA is the only P-Model album where less than half of its songs were written by Hirasawa, containing a "balanced" amount of tracks for each member, sequenced to cycle through all of them. Kamiryo had prepared material for the album as well, and had he not left the band, there would have been less Hirasawa compositions than it ended up with.[4] Since he wasn't the main creative force, Hirasawa didn't have to consciously change his style for the album as a whole to have a different sound.[4]

Hajime Fukuma, who was not content with making only "bonus material" following the release of "Rocket Shoot", sought to actively participate on the project.[5] Some of his contributions aimed for a P-Model feel, but he also tried to include arrangement touches that the other members either wouldn't use or opposed using on their own material and easy to understand technopop songs.[6]

For Electronic Tragedy/〜ENOLA and its two preceding maxi singles, P-Model significantly digitized its workflow. Every member had a Roland VS-880 hard disk recorder, so almost all electronics were recorded on their home studios. They communicated online about their songs, sending low-quality RealAudio files of their demos to each other for review, changing aspects as discussion went on.[7] They later convened in Thai studios to listen to the others' songs in high-quality and to record vocals. After recording was finished, they then went to a Tokyo studio to transfer their recordings to tape and mixdown.[7]

For the inclusion of enhanced material, the group faced issues with the way the music industry was and undertook a big financial risk doing it. Extra staff was brought in create and ship the content. Nippon Columbia would not give them royalties for any non-music content, and couldn't think of packaging in any terms other than music packaging, so the band incurred extra costs trying to adapt to the different format.[8]

Track listing
No.TitleLyricsMusicLength
1."ENOLA"Susumu HirasawaHirasawa4:22
2."HIDDEN PROTOCOL" (release 2)Kenji KonishiKonishi4:07
3."BOGY"Hirasawa, Hajime FukumaFukuma3:37
4."Rocket Shoot II"HirasawaHirasawa4:40
5."ENN"KonishiKonishi4:08
6."Satellite ALONE" (衛星ALONE Eisei ALONE)Hirasawa, FukumaFukuma4:30
7."LAYER-GREEN" (ver. 1.05 Gold)HirasawaHirasawa4:09
8."Spiritus"KonishiKonishi3:20
9."ASHURA CLOCK" (Discommunicator)HirasawaHirasawa, Fukuma4:00
10."Black in White"HirasawaHirasawa4:33
11."A Strange Fruit"instrumentalKonishi2:57
Ashu-on [Sound Subspecies] in the solar system disc 9 and 2011 reissue bonus tracks ("ASHURA CLOCK" & "LAYER-GREEN" maxi-singles)
No.TitleLyricsMusicLength
12."ASHURA CLOCK"  4:12
13."COLORS"Hirasawa, FukumaFukuma3:59
14."HIDDEN PROTOCOL"  4:25
15."LAYER-GREEN"  4:09
16."BA-DA-DHA"HirasawaHirasawa3:37
17."AFFIRMATION"KonishiKonishi3:24

Personnel

Release history
Date Label(s) Format Catalog Notes
November 29, 1997 (1997-11-29) Nippon Columbia enhanced CD COCA-14673 Comes in a white slipcase with clear circular sections that almost entirely match up with photos of the band members and the maxi-single covers on the CD's label, with the "rear" as the front. To serve that purpose, there is no inlay. The reverse side of the slipcase is striped.
May 10, 2002 (2002-05-10)
July 4, 2014 (2014-07-04)		 Chaos Union, Teslakite CD CHTE-0013 Remastered by Hirasawa. Part of Disc 9 of the Ashu-on [Sound Subspecies] in the solar system box set, alongside the "ASHURA CLOCK" and "LAYER-GREEN" maxi-singles. Re-released with new packaging by Kiyoshi Inagaki.
September 24, 2009 (2009-09-24) Columbia Music Entertainment on Demand CD CORR-10418
September 21, 2011 (2011-09-21) CD COCP-36929 Subtitled +6. Digitally remastered, with the "ASHURA CLOCK" and "LAYER-GREEN" maxi-singles for bonus tracks. The CD label design is changed to a solid colors one.
Digital Download none
gollark: Sure, I guess, so don't do that.
gollark: You could just add a "force kill" option to your ÖS.
gollark: also filetypes by extension BAD
gollark: Although that would encourage problematic stuff like only saving on shutdown.
gollark: Unless it just let you know a little in advance it was happening?

References
  1. "P-MODEL / 平沢進 バイオグラフィ". MODEROOM. Fascination, inc.
  2. Takahasi 2010, p. 107.
  3. Takahasi 2010, p. 108.
  4. Takahasi 2010, p. 43.
  5. Takahasi 2010, p. 45.
  6. Takahasi 2010, p. 91.
  7. Takahasi 2010, p. 115.
  8. Okiyama, Atsushi (14 July 1999). "「メジャーのメーカーは必要ない」 － MP3音楽配信を開始した「P-MODEL」の平沢進氏に聞く" ["Major Manufacturers are Unnecessary" － Listen to Susumu Hirasawa of P-MODEL, Which Started Distributing Music Through MP3]. INTERNET Watch (in Japanese). Impress Corporation. Retrieved 16 November 2016.
Bibliography
  • Takahasi, Kasiko (2010) [1999], 改訂DIGITAL復刻版 音楽産業廃棄物 [Music Industrial Wastes Rev.2.4], P-Model Side — Open Source (3rd ed.), FascinationCS1 maint: ref=harv (link).
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