El mejor papá del mundo

El mejor papá del mundo (The Best Dad in the World) is a 1941 black and white Argentine drama. It explores a son's gradual realization that his father is far from perfect, and also conveys a message hostile to global capitalism.

El mejor papá del mundo
Directed byFrancisco Múgica
Written bySixto Pondal Ríos
StarringElías Isaac Alippi
Ángel Magaña
Nuri Montsé
Music byEnrique Delfino
Edited byJuan Soffici
Production
company
Release date
  • 14 March 1941 (1941-03-14) (Argentina)
Running time
77 minutes
LanguageSpanish

Production

El mejor papá del mundo was a black and white Lumiton film directed by Francisco Múgica and written by Sixto Pondal Ríos. It starred Elías Isaac Alippi, Ángel Magaña and Nuri Montsé. The film was released on 14 March 1941.[1]

Synopsis

The film depicts the changing relationship between a prestigious lawyer (Elías Isaac Alippi) and his young son (Ángel Magaña). The son, recently graduated from college and planning to follow in his father's footsteps, gradually discovers the large gap between his idealized image of his father and the reality.[2] The father, who represents an international firm, is involved in a complex web of interests that places his professional ethics in doubt.[3] The film conveys the view that the interests of international monopolies and the Argentine oligarchy are counter to the national interest.[4] The film is interesting in giving a view of life in high society in Argentina of that time.[2]

Reception

Manrupe and Portela described the film as simple and sobering, with an early anti-imperialist message, and noted that it drew on Mario Soffici's earlier film Kilómetro 111 for a boardroom scene.[5] La Mañana de Montevideo described it as fast-paced and interesting, always nuanced, with fine comic and emotional notes.

Complete cast

The complete cast was:[1]

gollark: At best, as Wojbie said, you can make it annoying for people, but then one person will do it and share how.
gollark: You just *cannot* give people access to a thing in one way and expect them to not be able to access it in some other way. Basically every DRM scheme - which this really sounds like - has *failed, inevitably*.
gollark: As Grim Reaper said: if there is *any* important data there or something, *people will get it out* eventually.
gollark: Also, some platforms might not like bytecode.
gollark: <@222831168486113281> Please don't do "security" through obscurity ever.

References

Citations

  1. The Best Father in the World, IMDb.
  2. Expreso del Tiempo 2014.
  3. El mejor papá del mundo, Cinenacional.
  4. Arlt 2000, p. 640.
  5. Manrupe & Portela 2001, p. 366.

Sources

  • Arlt, Roberto (2000-01-01). Los siete locos ; Los lanzallamas. Editorial Universidad de Costa Rica. ISBN 978-2-914273-02-2. Retrieved 2014-06-05.CS1 maint: ref=harv (link)
  • "El mejor papá del mundo". Cinenacional. Retrieved 2014-06-05.
  • Expreso del Tiempo (4 June 2014). "Viejos consumos en el cine nacional: El mejor papá del mundo (1941)". Consumos del Ayer. Retrieved 2014-06-05.CS1 maint: ref=harv (link)
  • Manrupe, Raúl; Portela, María Alejandra (2001). Un diccionario de films argentinos (1930-1995). Buenos Aires: Corregidor. ISBN 950-05-0896-6.CS1 maint: ref=harv (link)
  • "The Best Father in the World". IMDb. Retrieved 2014-06-05.
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