El juramento (zarzuela)
El juramento (Spanish for The Oath) is a 3-act zarzuela by Joaquín Gaztambide for libretto by Luis de Olona. Its central character (the Marquis) is taken from a French operetta La Rose de Peronne by Eugène Scribe and Adolphe Adam (1840),[1] but the new work is entirely original.[2] It was first staged on December 20, 1858 at the Teatro de la Zarzuela.[3][4] It is thought to be among Gaztambide's best compositions and one of the most important scores in the history of zarzuela. The first modern performance took place in 2000 in Madrid Teatro de la Zarzuela.
Joaquín Gaztambide |
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Zarzuelas
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Roles
Role | Voice type | Premiere cast, 20 December 1858 |
---|---|---|
María | soprano | Josefa Mora |
The Baroness | soprano | Luisa Santamaría |
Marquis de San Esteban | baritone | Tirso de Obregón |
Don Carlos | baritone | Ramón Cubero |
The Count | bass | Francisco Calvet |
Corporal Peralta | baritone | Francisco Salas |
Sebastián | comic tenor | Vicente Caltañazor |
Chorus: officers, soldiers, countrymen of both sex |
Musical numbers
- Act I
- No. 1. Prelude and introduction. ¡Ellos son!, ¡ellos son! (María, the Count, Sebastián, chorus of countrymen)
- No. 2. Chorus ¡Torpe! Señora, ¡sosegaos! (the Baroness, chorus of countrymen)
- No. 2 bis. Cavatina. El arroyo, la enramada (the Baroness, chorus of countrymen)
- No. 3. María's romance. ¡Ah! Yo me vi en el mundo (María)
- No. 3 bis. Marquis's romance. Cual brilla el sol (the Marquis, Peralta)
- No. 3 ter. Trio . Guarde Dios à la niña hermosa (María, the Marquis, Peralta)
- No. 4. Finale I Su rara hermosura (María, the Baroness, the Marquis, the Count, Peralta, Sebastián, chorus of contrymen)
- Act II
- No. 5. Introduction and the "Chu, chu, chu" chorus. Vedle qué pensativo (Sebastián, chorus of countrymen)
- No. 6. Scene and cavatina. ¡Ja!, ¡ja!, ¡ja! ¡Oh, qué Marqués! (María, the Count, the Baroness)
- No. 7. Romance. Gracias, fortuna mía (Don Carlos)
- No. 8. Duo by the piano. Es el desdén acero (María, the Marquis)
- No. 9. Duo – Finale II. ¿Qué os sucede? (María, Sebastián)
- Act III
- No. 10. Introduction and the rouse chorus. Soldados de la ronda (chorus of soldiers)
- No. 11. Drinking song and duo of the drunks. ¡Brindis! ¡A la fortuna! (Peralta, Sebastián)
- No. 12. Duo. Guarde Dios al gentil marido (María, the Marquis)
- No. 13. Finale. ¡Ah! Risueña brilló la aurora (all soloists, chorus of soldiers)
gollark: I didn't say you did say that, but you did say "lot of my friends do this and rent the property for next to nothing as a fuck you to capitalism".
gollark: Also, they could probably just live somewhere with less wildly inflated house pricing.
gollark: > I want the scientists in society to have a place to exist too.I mean, I don't disagree, but just "give whoever rents it first a freeish house" doesn't seem like a good mechanism for that. Unless you mean they do "give whoever they find cool a freeish house", which is... also bad in other ways.
gollark: If it was actually possible to add more housing, it would be much easier to fix.
gollark: We somehow deal with this problem in basically every *other* market.
References
- Robert Ignatius Letellier (19 October 2015). Operetta: A Sourcebook, Volume II. Cambridge Scholars Publishing. p. 794. ISBN 978-1-4438-8508-9.
- See Olona's preface in the 1858 libretto edition (available on IMSLP).
- Calendario musical para 1860, p.27.
- This date is printed on the title page of the 1858 libretto edition.
External Links
- El juramento: Scores at the International Music Score Library Project (IMSLP)
- Synopsis of El juramento on zarzuela.net
- A synopsis of El juramento is also available in: Christopher Webber (16 October 2002). The Zarzuela Companion. Scarecrow Press. pp. 110–113. ISBN 978-1-4616-7390-3.
- Diego Emilio Fernández Álvarez. El juramento (lazarzuela.webcindario.com)
- El juramento page on Teatro de la Zarzuela site (with a downloadable digital booklet)
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