El bueno para nada
El bueno para nada ("The Good for Nothing") is a 1973 Mexican comedy film directed by Gilberto Martínez Solares and produced by Miguel Zacarías.[1] It is the fourteenth film starring Gaspar Henaine alone as Capulina (without Marco Antonio Campos as Viruta). Lina Marín, Susana Alexander, and Pancho Córdova are also featured.
| El bueno para nada | |
|---|---|
 Theatrical release lobby card | |
| Directed by | Gilberto Martínez Solares |
| Produced by | Miguel Zacarías |
| Written by | Alfredo Zacarías |
| Starring | Gaspar Henaine Lina Marín Susana Alexander Pancho Córdova Ivonne Govea |
| Music by | Sergio Guerrero |
| Cinematography | Agustín Jiménez |
| Edited by | Eufemio Rivera |
Production company | Producciones Zacarías |
Release date |
|
Running time | 85 minutes |
| Country | Mexico |
| Language | Spanish |
Cast
- Gaspar Henaine as Capulina Mantecón: an incompetent handyman.
- Lina Marín as María: Capulina's girlfriend and the Saldañas' housemaid.
- Susana Alexander as Carolina Saldaña: Benigno's wife and María's employer.
- Pancho Córdova as Benigno Saldaña: Carolina's husband and María's employer.
- Ivonne Govea as the wife of the jealous husband.
- Juan Gallardo as the police inspector of the Procuraduría General de la República.
- Enrique Pontón as Otto I: Inventor of a machine capable of causing earthquakes.
Production
Principal photography for El bueno para nada commenced in April 1970.[1] Filming locations included Estudios Churubusco, Mexico City, and Acapulco, Guerrero.[1]
Release
El bueno para nada premiered on July 26, 1973 (nearly three years after its production) in a total of fourteen Mexico City cinemas four five weeks.[1]
gollark: This actually works even for people who have studied physics a bit who get a question without convenient numbers; they fall back to Aristotlean mechanics a lot of the time.
gollark: People doing physics intuitively are *really bad* at it.
gollark: I don't agree.
gollark: If we model COVID-19 as a gas, and the population as a chamber of fixed volume...
gollark: Or seeing any real-world applicability even in really obvious cases.
References
- García Riera, Emilio (1994). Historia documental del cine mexicano: 1970 - 1971. Universidad de Guadalajara. p. 66.
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