Edouard de Laurot

Edward Lada Laudański (23 April 1922, Łódź – 1993, New York, New York) better known as Édouard de Laurot, aka Yves de Laurot,[1][2][3] was a filmmaker and writer of Polish/French nationality.[4]

Early life in Poland

Jonas Mekas (2007) notes the incredible circumstances of De Laurot's life, including his experiences in the Polish Resistance and surviving the second Warsaw Uprising during World War II. In a video interview Mekas recounts how Laurot would tell the friends of the engaged cinema group tall stories including how he was chosen by the Polish resistance in Warsaw to swim across the river Wisla, under German fire, and deliver a message to the Soviets on the other bank, which was too incredible for anyone to believe, yet a Washington lawyer later confirmed the story on a visit to Warsaw – Laudański in fact was the messenger who swam the river. After the uprising Edward Laudański worked for British Secret Service. After the war he studied in England and in 1950, he obtained a diploma in English studies at Cambridge University.[5][6]

In his interview "Yves de Laurot defines Cinema engagé" (Cinéaste, Spring 1970) Laurot/Laudański describes how he first held a film camera. His group of Polish partisans had captured a German tank, and found a military Arriflex 35mm in the tank. According to Laurot a young German soldier, despite having a gun, was persuaded to surrender and teach the partisans how to use the camera in exchange for his life.[7]

USA

From the early 1950s Laudański/Laurot began to be involved in film and criticism, offering encouragement to Peter Weiss.[8][9] De Laurot cofounded Film Culture magazine with Jonas Mekas in 1955, providing a Marxist-theoretical perspective to their criticism which Mekas later abandoned.[10] Mekas describes De Laurot's imperious style, to which he attributes many of the shortcomings of their collaboration on "Guns of the Trees." [6] )

De Laurot directed two documentaries via his production company, "Cinema Engagé." Black Liberation (1967) (also known as Silent Revolution) won the Agis Cup at Festival Del Popoli, Florence Italy 1968; the Silver Lion for Documentary at Venice International Festival, and the Ducat for Best Short Documentary at Mannheim West Germany in 1968. The film was narrated by Ossie Davis and featured voice recordings of Malcolm X and others of the Black Power movement. His second film was Listen, America! (1968) televised on the Canadian Broadcasting Corp. It included powerful images shot on location at some of the most memorable demonstrations of 1967 and 1968 including the Pentagon, the Chicago Democratic Convention and riots, the occupation of Columbia University, and the Central Park Be-In. It included interviews with Noam Chomsky and others, and it focused on the political polarization of the New Left and the Right, the Anti War Movement, the assassinations of Dr. Martin Luther King and Robert Kennedy, and the 1968 Presidential Elections. Shortly after, de Laurot was interviewed by Cineaste magazine, which then published over several issues of his manifesto for a "Cinema Engagé." The Summer of 1969 issue of Cineaste was the last to identify itself as "A Magazine for the Film Student", and two issues later Cineaste announced that it had become "a magazine of cinema engagé—a cinema engaged in the movement for social change." [11]

Scripts

His companion in the eighties was Zoë Tamerlis Lund.[12][13] A self-published script The Quarantine (1965) survives.[14] Mekas in his filmed interview stated that he believed that Laurot, as much or more than his girlfriend Zoë Tamerlis Lund, was behind the script for the Harvey Keitel film Bad Lieutenant.[6][12] David Scott Milton also vouched this claim.[13] After his death in 1993, and before hers in 1999, Zoe bequeathed the manuscript of a novel he had written to Mekas.[6]

gollark: This could also be done.
gollark: SERIOUSLY? Ugh, Project COPPERY BLENDER will have to be modified.
gollark: Although that could be done via ARP too.
gollark: Oh, and if I work out where my USB WiFi stick is, network... device... existence?
gollark: Also temperature, actually.

References
  1. Nicole Brenez Edouard de Laurot: Engagement as Prolepsis www.tandfonline.com/doi/abs/10.1080/09528822.2011.545614 7 Mar 2011 "Edouard de Laurot was born Edward Lada Laudanski on 23 April 1922 in Poland. Sketching out de Laurot's life, his companion the actress,.. "
  2. California compensation cases Supreme Court, California. 1954 EDWARD LADA LAUDANSKI, Petitioner v. INDUSTRIAL ACCIDENT COMMISSION OF THE STATE OF CALIFORNIA, NATIONAL MACHINE PRODUCTS and TRUCK INSURANCE EXCHANGE, Respondents.
  3. http://lajt.onet.pl/encyklopedia/2,23,3,10,1,0,kalendarium.html
  4. Third Text Volume 25, Issue 1, 2011 Special Issue: The Militant Image: A Ciné-Geography
  5. Nicole Brenez Abel Ferrara – Page 53 2007 "As an officer in the Polish Army, de Laurot participated in the defense of Warsaw; after its fall, he spent the rest of the war working for the British Secret Service. In 1950, he obtained a diploma in English studies from Cambridge University."
  6. Mekas, Jonas (2003), "Edouard De Laurot", Web of Stories, retrieved 2011-02-05
  7. Source : Nicole Brenez (historienne et programmatrice, Professeur de cinéma à l'université de Paris 3 – Sorbonne Nouvelle). À l'instar de celui de René Vautier, le trajet du cinéaste polonais Edouard de Laurot mène directement des combats de la Résistance durant la Seconde Guerre Mondiale aux luttes de Libération des années 1960 et 1970. Dans un entretien intitulé "", Edouard de Laurot raconte : "la première fois que j'ai tenu une caméra dans ma main, ce fut à la fin de la guerre, j'étais un jeune adolescent. Nous avons capturé un tank allemand et à l'intérieur – en plus des équipements habituels – nous avons trouvé une Arriflex 35mm de combat. Alors nous avons expliqué aux soldats que nous leur laisserions la vie s'ils nous apprenaient à nous servir de cette caméra. Il y avait un mitrailleur autrichien tout tremblant et pas très convaincu que nous l'épargnerions. Mais nous l'avons fait, et il nous a appris." (Cinéaste, Spring 1970). "
  8. Swedish film: an introduction and reader – p. 233 Mariah Larsson, Anders Marklund – 2010 -"The most important outcome of the festival screenings of Weiss'ss films was that Edouard Laurot and Jonas Mekas at Film Culture acknowledged his work and supported the feature film project, Hägringen (Peter Weiss, 1959)."
  9. Swedish cinema Peter Cowie – 1966 "But after the second world war a German, Peter Weiss, who had studied art in Prague, moved to Stockholm and proceeded to ... Edouard Laurot notes that in Study II (1952), "the slowness of movement, the bizarre surrealistic composition,"
  10. Raymond J. Haberski (16 March 2007). Freedom to offend: how New York remade movie culture. University Press of Kentucky. pp. 134–. ISBN 978-0-8131-2429-2. Retrieved 5 February 2011.
  11. Sklar, Robert (2007), "Cineaste's Early Years: The Quest for a Radical, Readable Film Criticism", Cineaste, 32 (4), archived from the original on 2011-09-28, retrieved 2011-02-05
  12. Rubinstein, Raphael (September 2014). "MISSING FOOTAGE". The White Review. Retrieved 30 June 2015.
  13. Milton, David Scott (13 September 2014). "Edouard de Laurot, Film Genius and Lunatic". Archived from the original on 4 March 2016. Retrieved 30 June 2015.
  14. http://m.biblio.com/books/203444844.html
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