Edna Mann

Edna Mann (1926 – 1985) was a British painter and co-founder of the Borough Group of artists.[2]

Edna Mann
Edna Mann, 1963
Born1926 (1926)
London, UK
Died1985 (aged 58–59)
NationalityBritish
EducationDagenham School of Art,[1] South-East Essex Technical College and School of Art, Borough Polytechnic
Known forPainting, Writing[1]

Mann was educated at Romford County High School for Girls and then studied art at the South-East Essex Technical College and School of Art. Here in 1942, she met the artists David Bomberg (1890–1957), who was teaching there, and Dorothy Mead.[3] Mead and Mann were initially sceptical of Bomberg's teaching style but were won over by his unconventional approach.[4] She won a scholarship to the Royal College of Art in 1945, but left after a year because of opposition to Bomberg's ideas there.[2]

Edna Mann and Dorothy Mead followed Bomberg to the City Literary Institute, where they met Cliff Holden,[3] and then the Borough Polytechnic (now London South Bank University) from 1946. She was a founding member of the Borough Group[5] a group of artists influenced by Bomberg at Borough Polytechnic, together with Cliff Holden (the first president),[6] Dorothy Mead and Peter Richmond. The Borough Group's first exhibition was held in June 1947 at the Archer Gallery Edna Mann and the Borough Group had a group show at the Everyman Cinema, in Hampstead in December 1947. The exhibition included works by Cliff Holden, Dorothy Mead, Miles Richmond, Dinora and Leslie Marr and Lilian Holt.[4]She exhibited with the group until she became pregnant, when Bomberg asked her to resign. He believed that it was impossible be a serious artist while raising young children.[2] Mann co-wrote a radio play with Frank Hitchcock, Nigel Graham and Anthony Hall that titled "The Leavers" that was performed on BBC in February 1965.[7]

Mann was part of the Harlow Arts Festival[1] and also held her first solo exhibition at the Drian Gallery in 1965.[2]


Works
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gollark: I thought about that, but:- strings in a binary format will be about the same length- integers will have some space saving, but I don't think it's very significant- it would, in a custom one, be harder to represent complex objects and stuff, which some extensions may be use- you could get some savings by removing strings like "title" which XTMF repeats a lot, but at the cost of it no longer being self-describing, making extensions harder and making debugging more annoying- I am not convinced that metadata size is a significant issue
gollark: I mean, "XTMF with CBOR/msgpack and compression" was being considered as a hypothetical "XTMF2", but I'd definitely want something, well, self-describing.
gollark: Also also, why a binary format?
gollark: Also, XTMF can do runtime update, you just need to allocate, say, 4KB at the start of the tape, and write metadata to that. The offsets might be fiddly, though.

References
  1. "Short Biography: Edna Mann". Borough Road Gallery. London South Bank University. Retrieved 14 October 2017.
  2. "Edna Mann (1926–1985): Biography". markbarrowfineart.com. Archived from the original on 22 March 2012. Retrieved 20 April 2011.
  3. "The History of the Borough Group". cliffholden.co.uk. 24 September 2005. Retrieved 20 December 2015.
  4. Cork, Richard. (1987). David Bomberg. New Haven: Yale University Press. p. 259. ISBN 0-300-03827-5. OCLC 14240729.
  5. "The Borough Group". artonlinelimited.com. Retrieved 9 April 2011.
  6. "Cliff Holden, FCSD" (PDF). Honorary Awards 2006. London South Bank University, UK. 2006. Retrieved 20 April 2011.
  7. "Afternoon Theatre". The Radio Times (2155). 25 February 1965. p. 12. ISSN 0033-8060. Retrieved 22 November 2019.
  8. "Edna Mann - Borough Road Gallery". www1.lsbu.ac.uk. Retrieved 22 November 2019.
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