ECBACC

The East Coast Black Age of Comics Convention (ECBACC) is the Philadelphia region's first black comic book convention, bringing together hundreds of comic book, science fiction, and fantasy creators, their colleagues, and their fans. The ECBACC is a 501 (c)(3) non-profit community-based organization focused on education, literacy and the arts. ECBACC, Inc. was founded in 2002 by Yumy Odom, a multidisciplinary educator, scientist and researcher affiliated with Temple University,[1] and Maurice Waters.[2]

East Coast Black Age of Comics Convention
StatusActive
GenreComic books
VenueEnterprise Center
Location(s)Philadelphia, Pennsylvania
CountryUnited States
Inaugurated2002
Organized byYumy Odom
Filing status501 (c)(3)
Websiteecbacc.com

ECBACC is an outgrowth of the “Black Age of Comics”, a movement (ca. 1981–present) and era (ca. 1990–1997) dedicated to people of African descent creating a plethora and range of Black (Pan-African/Africentric/Afrocentric/African-centered) characters in the U.S. comic book industry.[1] (The earliest documented “Black Age” comic book character is NOG: Protector of the Pyramids,[3] introduced in 1981 by Chicago-based[3] artist Turtel Onli[2] [“NOG” is an acronym for “Nubian of Greatness.”])

ECBACC is generally held on a May weekend in Philadelphia, with festivities kicking off on Friday evening for the Glyph Comics Awards ceremonies (often held at the African American Museum in Philadelphia),[4] followed by a full-day convention on Saturday. The ECBACC STARS Workshop (an acronym for Storytelling That Advances Reading Skills) is an ECBACC initiative designed to use comic book art and imagery as a vehicle to foster creativity and promote literacy, with a secondary focus on introducing participants to the various career options that exist within the comic book industry. ECBACC STARS participants learn what it is like to be comic book creators via the “Create Your Own Hero” exercises while they put their imaginations to work as they pen their own stories for the characters they create. Along with panels, seminars, and workshops with comic book professionals, ECBACC now features a costume contest.

History

Originally slated to be called the Pan-African Comic Convention (PAC-Con) or First World Komix Con (1st World Con), and after over a decade of deliberations, networking and consortium-building (from 1990–2001), the first convention was held in Temple University's Ritter Hall, in the Walk Auditorium, on May 11, 2002. Guests at the inaugural show included Arvell Jones, William H. Foster, III, Lance Tooks, and Jerry Craft.

The 2003 show had 50 attendees coming to see such guests as William H. Foster, III, Jerry Craft, and Anthony Jappa.[1]

In 2004, ECBACC inaugurated the ECBACC Pioneer Lifetime Achievement Award; beginning in 2005, the convention expanded to two days. Starting in 2006, the Glyph Comics Awards became part of the annual ECBACC convention.[5]

The 2007 show featured guests Dwayne McDuffie, Kyle Baker, and Taimak.[6]

The 2008 show was dedicated to celebrating black women in comics; guests include Jerry Craft.[7]

The 2009 convention featured such guests as Kevin Grevioux, Jamal Igle, Reggie Byers, Leslie Esdaile Banks, and Eric Battle.[8]

Guests of the 2010 show included Eric Battle, Reggie Byers, Shawn Martinbrough, and Larry Stroman.

The 2011 ECBACC featured guests Jerry Craft, Alex Simmons, and Eric Battle.[9]

ECBACC's first annual costume contest, dubbed "AfriCoz”, was held on Saturday, May 19, 2012. Guests at the show included William H. Foster, III, Alex Simmons, and Eric Battle.[4]

The 2013 ECBACC included the second annual costume contest and a screening of the documentary film White Scripts and Black Supermen.[10]

Events

Awards

ECBACC Pioneer Lifetime Achievement Award

The ECBACC Pioneer Lifetime Achievement Award honors those men and women, many unsung, who have made innovative, dynamic, and lasting contributions to the comic book and science-fiction industry, and who have paved the way for others.

Glyph Comics Awards
Main article: Glyph Comics Awards

The Glyph Comics Awards, recognizing the best in comics made by, for, and about people of color from the preceding calendar year, are generally held on the Friday evening before the convention at the African American Museum in Philadelphia.

AFRICOZ and AFRICOZPLAY

ECBACC's AFRICOZPLAY costume contest is a new way in which ECBACC can fulfill its mission of celebrating positive images of Blacks (African-descended people) in the comic book and sci-fi industry. “AfriCoz” cosplay is defined as pop-culture cosplay with a cultural or aesthetic focus on portrayals of Black characters. “AfriCoz” not only celebrates Black characters but also allows costumers and cosplayers of African descent to fully engage the recreation of fantasy costuming without the cultural biases that brand Black characters as second-rate, inferior, and/or unpopular. A costumer who costumes as a character of Black or African descent is described as an Africozer or and Africosplayer.

Side note: Some Black cosplayers have felt they had few options but to dress as White (European-descended) superheroes and science-fiction characters, or even as Asian or Manga-styled characters, although doing so afforded them very little positive feedback, little notoriety, and a great lack of support from cosplayers at-large.

Similar conventions

Other ongoing conventions with an Afrocentric theme include Onyxcon (Atlanta, GA), Motor City Black Age of Comics (Detroit) and the Schomburg Center's Black Comic Book Festival (New York City).

gollark: No, ALL is to be counterfactual.
gollark: Oh, and if you look at versions where it's "pull lever to divert trolley onto different people" versus "push person off bridge to stop trolley", people tend to be less willing to sacrifice one to save five in the second case, because they're more involved and/or it's less abstract somehow.
gollark: There might be studies on *that*, actually, you might be able to do it without particularly horrible ethical problems.
gollark: You don't know that. We can't really test this. Even people who support utilitarian philosophy abstractly might not want to pull the lever in a real visceral trolley problem.
gollark: Almost certainly mostly environment, yes.

See also

References
  1. Broussard, Meredith. "In Full Color: The 2nd Annual East Coast Black Age Of Comics Convention," Sun Reporter (26 June 2003), p. 4.
  2. "Motor City Black Age of Comics: creators and fans urged to learn together," Michigan Citizen (18 Jan 2009), p. A8.
  3. Caruthers, Chrystal. "Blacks Bring Own Reality to Comics," Chicago Tribune (13 Sep 1993), p. 3.
  4. Peters, Monica. "Celebrating blacks' work with comics: Two-day convention in Philly," Philadelphia Inquirer (18 May 2012), p. W.28.
  5. "Keith Knight wins Glyph Award for outstanding achievement in black comics," Mississippi Link (08 June 2006), p. B4.
  6. Maida, Jerome. "They're drawn to Philly: East Coast Black Age of Comics Convention meets here this weekend," Philadelphia Daily News (18 May 2007), p. 53.
  7. Hightower, Robert. "Comic strip artist depicts positive messages on life," Philadelphia Tribune (16 May 2008), p. 1B,2B.
  8. Sullivan, Kita S. "Literacy through comics: A convention is aimed at teaching the young to read," Philadelphia Inquirer (15 May 2009), p. W.28.
  9. Peters, Monica. "Learn to draw your own comic-book hero: Nation's top black publishers, authors, and artists will offer workshops," Philadelphia Inquirer (20 May 2011), p. W.29.
  10. Jordan, Chris. "Comics convention representing black superheroes opens this weekend," Metro (May 16, 2013).
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