Dvārakā

Dvārakā, also known as Dvāravatī (Sanskrit द्वारका "the gated [city]", possibly meaning having many gates, or alternatively having one or several very grand gates), is a sacred historic city in Hinduism, Jainism[2][3]and Buddhism.[4][5][6] It is also alternatively spelled as Dvarika. The name Dvaraka is said to have been given to the place by Bhagwan Krishna, a major deity in Hinduism.[7][8] Dvaraka is one of the Sapta Puri (seven sacred cities) of Hinduism.

Dvaraka
Dvaraka, modern Dwarka, is the setting for many chapters in Harivamsa.[1] The city is described as near the sea, in modern-era Gujarat; a painting of the city in the 19th century (lower).

In the Mahabharata, it was a city located in what is now Dwarka, formerly called Kushasthali, the fort of which had to be repaired by the Yadavas.[9] In this epic, the city is described as a capital of the Anarta Kingdom. According to the Harivamsa the city was located in the region of the Sindhu Kingdom.[10]

In the Hindu epics and the Puranas, Dvaraka is called Dvaravati and is one of seven Tirtha (pilgrimage) sites for spiritual liberation. The other six are Mathura, Ayodhya, Kashi, Kanchipuram, Avantika (Ujjain) and Puri.[11]

Description in the Harivamsa

  • In Harivamsa, Dvaraka is described as largely built on "submerged land", "released by the ocean" (2.55.118 and 2.58.34).
  • The city was the former "sporting ground of the King Raivataka" called "Dvāravāti", which "was squared like a chess board" (2.56.29).
  • Nearby was the mountain range Raivataka (2.56.27), "the living place of the gods" (2.55.111).
  • The city was measured by Brahmins; the foundations of the houses were laid and at least some of the houses were built by the Yadavas (2.58.9 - 15).
  • It was built by Vishwakarman in one day (2.58.40) "mentally" (2.58.41 and 44).
  • It had surrounding walls (2.58.48 and 53) with four main gates (2.58.16).
  • Its houses were arranged in lines (2.58.41) and the city had "high buildings" (2.58.50 and 54) "made in gold" (2.58.53), which "almost touched the sky" (2.58.50) and "could be seen everywhere like clouds" (2.58.48).
  • It had a temple area with a palace for Krishna himself, which had a separate bathroom (2.58.43).
  • It was a very rich city (2.58.47 - 66) and "the only city on earth which was studded with gems" (2.58.49).

Dvaraka in Hindu scripture

Left: A painting from 15th century AD depicting scenes of Dvaraka in Harivamsa Right: A painting of Sudama walking to Dvaraka from late 18th-century.

Description

View of Dwaraka

The following description of Dvaraka during Krishna’s presence there appears in the Bhagavata Purana (Srimad-Bhagavatam; 10.69.1-12) in connection with the sage Narada’s visit.

The City was filled with the sounds of birds and bees flying about the parks and pleasure gardens, while its lakes, crowded with blooming indivara, ambhoja, kahlara, kumuda, and utpala lotuses, resounded with the calls of swans and cranes.

Dvaraka boasted 900,000 royal palaces, all constructed with crystal and silver and splendorously decorated with huge emeralds. Inside these palaces, the furnishings were bedecked with gold and jewels.

Traffic moved along a well laid-out system of boulevards, roads, intersections, and marketplaces, and many assembly houses and temples of demigods graced the charming city. The roads, courtyards, commercial streets, and residential patios were all sprinkled with water and shaded from the sun’s heat by banners waving from flagpoles.

In the city of Dvaraka was a beautiful private quarter worshiped by the planetary rulers. This district, where the demigod Vishvakarma had shown all his divine skill, was the residential area of Lord Hari Krishna, and thus it was gorgeously decorated by the sixteen thousand palaces of Lord Krishna’s queens. Narada Muni entered one of these immense palaces.

Supporting the palace were coral pillars decoratively inlaid with vaidurya gems. Sapphires bedecked the walls, and the floors glowed with perpetual brilliance. In that palace Tvashta had arranged canopies with hanging strands of pearls; there were also seats and beds fashioned of ivory and precious jewels. In attendance were many well-dressed maidservants bearing lockets on their necks, and also armor-clad guards with turbans, fine uniforms, and jeweled earrings.

The glow of numerous jewel-studded lamps dispelled all darkness in the palace. My dear king, on the ornate ridges of the roof danced loudly crying peacocks, who saw the fragrant aguru incense escaping through the holes of the latticed windows and mistook it for a cloud.

Events

  • Pandu's sons lived in Dwaraka during their exile to woods. Their servants headed by Indrasena lived there for one year (the 13th year) (4,72).
  • Bala Rama mentioned about a sacrificial fire of Dwaraka, before he set for his pilgrimage over Sarasvati River (9,35).
  • One should proceed with subdued senses and regulated diet to Dwaravati, where by bathing in "the holy place called Pindaraka",[12] one obtaineth the fruit of the gift of gold in abundance (3,82).
  • King Nriga, in consequence of a single fault of his, had to dwell for a long time at Dwaravati, and Krishna became the cause of his rescue from that miserable plight.(13,72).
  • Sage Durvasa resided at Dwaravati for a long time (13,160).
  • Arjuna visited Dwaravati during his military campaign after the Kurukshetra War (14,83).
  • When the Pandavas retire from the world they visit the place where Dvaraka once used to be and see the city submerged under water.

Archaeological findings

During 1983-1990, the Marine Archaeology Unit of India's National Institute of Oceanography (NIO) carried out underwater excavations at Dwarka and Bet Dwarka.[13] According to S. R. Rao "The available archaeological evidence from onshore and offshore excavations confirms the existence of a city-state with a couple of satellite towns in 1500 B.C." He considered it reasonable to conclude that this submerged city is the Dvaraka as described in the Mahabharata.[14]

Submergence

In the Mausala Parva of the Mahabaratha, Arjuna witnesses the submergence of Dvaraka and describes it as follows:[15]

The sea, which had been beating against the shores, suddenly broke the boundary that was imposed on it by nature. The sea rushed into the city. It coursed through the streets of the beautiful city. The sea covered up everything in the city. I saw the beautiful buildings becoming submerged one by one. In a matter of a few moments it was all over. The sea had now become as placid as a lake. There was no trace of the city. Dvaraka was just a name; just a memory.

Mausala Parva of Mahabharata
gollark: Me too, except I'd probably just listen off my laptop and generic cheap headphones because I don't really care.
gollark: They probably make them from digital recordings anyway.
gollark: Vinyl is analog, it's *inherently* lossy.
gollark: What? No.
gollark: Those are outdated too and only useful, loosely speaking, as some kind of weird aesthetic statement.

See also

  • Marine archeology in the Gulf of Khambhat
  • Dvaravati sila
  • Kamboja-Dvaravati Route
  • Lost lands

References

  1. Manmatha Nath Dutt, Vishnu Purana, Harivamsa (1896), pages 283-286
  2. Jaini, P. S. (1993), Jaina Puranas: A Puranic Counter Tradition, ISBN 978-0-7914-1381-4
  3. See Jerome H. Bauer "Hero of Wonders, Hero in Deeds: "Vasudeva Krishna in Jaina Cosmohistory" in Beck 2005, pp. 167–169
  4. "Andhakavenhu Puttaa". www.vipassana.info. Retrieved 15 June 2008.
  5. Law, B. C. (1941). India as Described in Early Texts of Buddhism and Jainism. Luzac. pp. 99–101.
  6. Jaiswal, S. (1974). "Historical Evolution of the Ram Legend". Social Scientist. 21 (3–4): 89–97. JSTOR 3517633.
  7. Mani, Vettam (2010). Puranic Encyclopaedia (2nd ed.). Delhi: Motilal Banarsidass. p. 89. ISBN 978-8120805972.
  8. Rajarajan, R.K.K. (2018). "Dvārakā in Tamil Literature and Historical Tradition". Annals of the Bhandarkar Oriental Research, Pune. XCV: 70–90.
  9. Dutt, M.N., translator (2004). Sharma, Dr. Ishwar Chandra; Bimali, O.N. (eds.). Mahabharata: Sanskrit Text and English Translation. New Delhi: Parimal Publications. ASIN B0042LUAO4.
  10. 2.56.22–30; Nagar, Shanti Lal, ed. (2012). Harivamsa Purana. p. 555. ISBN 978-8178542188.
  11. Jean Holm; John Bowker (2001). Sacred Place. Bloomsbury Publishing. p. 70. ISBN 978-1-62356-623-4.
  12. Srimad Bhagavatam 11.1.12 (Text Archived 2 December 2008 at the Wayback Machine); Pindaraka entry on Encyclopedia Indica Archived 4 March 2014 at the Wayback Machine
  13. S. R. Rao 1991, p. 51.
  14. S. R. Rao 1991, p. 59.
  15. Diana L. Eck (26 March 2013). India: A Sacred Geography. Three Rivers Press. p. 382. ISBN 978-0-385-53192-4.

Bibliography

Further reading

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