Duncan Sutherland
Duncan Sutherland (1 August 1905 – 1967)[1]was a Scottish-born art director, based in England where he designed the sets for over eighty films and television series between the early 1930s and mid-1960s. Sutherland spent much of the 1940s employed by Ealing Studios where he worked on films such as It Always Rains on Sunday and The Loves of Joanna Godden.[2]
Duncan Sutherland | |
|---|---|
| Born | 1 August 1905 |
| Died | 1967 |
| Occupation | Art director |
| Years active | 1932 - 1966 (film) |
In the 1950s he began working on television series such as The Scarlet Pimpernel and The Count of Monte Cristo.
Filmography
- After Office Hours (1932)
- The Innocents of Chicago (1932)
- The Last Coupon (1932)
- On Secret Service (1933)
- Their Night Out (1933)
- No Funny Business (1933)
- Heads We Go (1933)
- Those Were the Days (1934)
- Give Her a Ring (1934)
- Mister Cinders (1934)
- Dandy Dick (1935)
- Music Hath Charms (1935)
- Drake of England (1935)
- The Crouching Beast (1935)
- Wings Over Africa (1936)
- The Avenging Hand (1936)
- Well Done, Henry (1936)
- Auld Lang Syne (1937)
- Lucky Jade (1937)
- The Mutiny of the Elsinore (1937)
- Mr. Reeder in Room 13 (1938)
- Night Alone (1938)
- Save a Little Sunshine (1938)
- Lassie from Lancashire (1938)
- My Irish Molly (1938)
- Almost a Honeymoon (1938)
- Trunk Crime (1939)
- Dead Men Are Dangerous (1939)
- Wanted by Scotland Yard (1939)
- The Dark Eyes of London (1939)
- Old Mother Riley Joins Up (1939)
- Spies of the Air (1940)
- Gaslight (1940)
- Old Mother Riley in Business (1941)
- Crook's Tour (1941)
- This England (1941)
- 'Pimpernel' Smith (1941)
- Jeannie (1941)
- The Night Has Eyes (1942)
- Thunder Rock (1942)
- San Demetrio London (1943)
- Undercover (1943)
- Nine Men (1943)
- Fiddlers Three (1944)
- For Those in Peril (1944)
- Dreaming (1944)
- Pink String and Sealing Wax (1945)
- Johnny Frenchman (1945)
- Here Comes the Sun (1946)
- Bedelia (1946)
- It Always Rains on Sunday (1947)
- The Loves of Joanna Godden (1947)
- The History of Mr. Polly (1949)
- Obsession (1949)
- Last Holiday (1950)
- Cairo Road (1950)
- Circle of Danger (1951)
- Night Was Our Friend (1951)
- The Straw Man (1953)
- Intimate Relations (1953)
- Night of the Silvery Moon (1954)
- Police Dog (1955)
- The Time of His Life (1955)
- Home and Away (1956)
- At the Stroke of Nine (1957)
- The Trollenberg Terror (1958)
- The Bandit of Zhobe (1959)
- Naked Fury (1959)
- The Night We Dropped a Clanger (1959)
- The Crowning Touch (1959)
- Jungle Street (1960)
- Fury at Smugglers' Bay (1961)
- Strongroom (1961)
- Dangerous Afternoon (1961)
- Ticket to Paradise (1961)
- The Wind of Change (1961)
- Crosstrap (1962)
- Emergency (1962)
- Gaolbreak (1962)
- Dead Man's Evidence (1962)
- Stranglehold (1963)
- The Bay of St. Michel (1963)
- The Switch (1963)
- The Hi-Jackers (1963)
- Panic (1963)
- The Vulture (1966)
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gollark: Suuuure.
gollark: Fascinating.
gollark: H.264 *de facto* is because of a simpler licensing situation, but H.265 had a horrible mess which delayed adoption.
gollark: No, and H.26*5* definitely isn't.
References
- Barr p.198
- Barr p.198
Bibliography
- Barr, Charles. Ealing Studios. University of California Press, 1998.
External links
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