Drama Desk Award for Outstanding Revue
The Drama Desk Award for Outstanding Revue is an annual award presented by Drama Desk in recognition of achievements in the theatre among Broadway, Off Broadway and Off-Off Broadway productions. The category was established beginning with the 1990-91 season, originally titled Musical Revue-Entertainment.
Drama Desk Award for Outstanding Revue | |
---|---|
Awarded for | Outstanding Revue |
Location | United States |
Presented by | Drama Desk |
Currently held by | Life is for Living: Conversations with Coward (2017) |
Website | DramaDeskAwards.com |
Winners and nominees
1990s
Year | Production |
---|---|
1991 | |
And the World Goes 'Round | |
Forever Plaid | |
Smoke on the Mountain | |
Those Were the Days | |
1992–93 | N/A |
1994 | |
Whoop-Dee-Doo! | |
Amphigorey | |
A Grand Night for Singing | |
1995–96 | N/A |
1997 | |
When Pigs Fly | |
Forbidden Broadway Strikes Back | |
I Love You, You're Perfect, Now Change | |
1998 | N/A |
1999 | |
Fosse | |
Forbidden Broadway Cleans Up Its Act | |
It Ain't Nothin' But the Blues | |
Woody Guthrie's American Song |
2000s
Year | Production |
---|---|
2000 | N/A |
2001 | |
Forbidden Broadway 2001: A Spoof Odyssey | |
American Rhapsody | |
newyorkers | |
2002–04 | N/A |
2005 | |
Forbidden Broadway: Special Victims Unit | |
Absolutely Fascinating | |
Newsical | |
2006–07 | N/A |
2008 | |
Forbidden Broadway: Rude Awakening | |
Fugitive Songs | |
Make Me a Song | |
2009 | N/A |
2010s
Year | Production |
---|---|
2010 | |
Sondheim on Sondheim | |
Fascinating Aïda Absolutely Miraculous! | |
Million Dollar Quartet | |
Newsical | |
Simon Green: Traveling Light | |
2011 | |
RAIN – A Tribute to the Beatles | |
Fyvush Finkel Live! | |
Newsical the Musical: Full Spin Ahead | |
2012 | |
The Best is Yet to Come: The Music of Cy Coleman | |
Newsical the Musical: End of the World Edition | |
2013 | |
Old Hats | |
Forbidden Broadway: Alive and Kicking! | |
Old Jews Telling Jokes | |
2014 | |
After Midnight | |
I'm a Stranger Here Myself: Musik from the Weimar and Beyond | |
Le Jazz Hot: How the French Saved Jazz | |
Til Divorce Do Us Part | |
What's It All About? Bacharach Reimagined | |
2015 | |
Just Jim Dale | |
Forbidden Broadway Comes Out Swinging! | |
Lennon: Through a Glass Onion | |
Lonesome Traveler | |
2016 | N/A |
2017 | |
Life is for Living: Conversations with Coward | |
Hello Dillie! | |
2018–19 | N/A |
gollark: So the general and robust fix for this would be to stop doing I/O this way for anything but performance-sensitive and fairly robust (terminal, FS) I/O and API stuff, but PotatOS has so much legacy code that that would actually be very hard.
gollark: As it turns out, you can take a perfectly safe function with out of sandbox access and make it very not safe by controlling what responses it gets from HTTP requests and whatever.
gollark: And *another* Lua quirk more particular to CC is a heavy emphasis on event-driven I/O via coroutines.
gollark: The FS layer is actually fine, probably, apart from insufficiently flexible filesystem virtualization; the issue is that since this is really easy, many other potatOS features interact this way.
gollark: I *also* had to patch over a bunch of debug stuff to make sure that unprivileged code can't read environments out of those too.
References
- "Drama Desk Award for Revue". Internet Broadway Database. 2008. Retrieved 2008-08-21.
External links
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