Down in the Cellar
Down in the Cellar is the fourteenth studio album by Al Stewart, released in 2000 in Europe by EMI. It was released in 2001 by Miramar in the US. It was re-released in 2007 with bonus tracks by Collectors' Choice Music.
| Down in the Cellar | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 17 October 2000 (Europe), February 12, 2001 (US) | |||
| Recorded | May–June 2000 | |||
| Studio | Capitol B Studios, Hollywood, CA & Sign of the Scorpion, Studio City, CA | |||
| Genre | Folk | |||
| Label | EMI (Europe)/Miramar (US) | |||
| Producer | Laurence Juber | |||
| Al Stewart chronology | ||||
| ||||
Its primary theme is that of wine, and almost all the songs on the album refer to various varieties of the alcoholic beverage, including Chardonnay and Shiraz.
Track listing
All tracks by Al Stewart except where noted.
- "Waiting for Margaux" – 4:35
- "Tasting History" (Laurence Juber, Stewart) – 4:05
- "Down in the Cellars" – 3:10
- "Turning It into Water" – 4:36
- "Soho" (Bert Jansch) – 4:00
- "The Night That the Band Got the Wine" – 6:09
- "Millie Brown" – 2:40
- "Under a Wine-Stained Moon" – 3:34
- "Franklin's Table" – 4:24
- "House of Clocks" – 3:00
- "Sergio" – 3:20
- "Toutes les Etoiles" – 2:11
- "The Shiraz Shuffle" (Juber, Stewart) – 1:55
2007 Re-release bonus tracks
- "Dark Side"
- "Belsize Blues"
Personnel
- Simon Boswell – viola
- Ramon Breton – mastering assistant
- Steve Chapman – management
- Jim Cox – piano, organ
- Bruce Dukov – violin
- Joe Gastwirt – mastering
- Dominic Genova – electric bass, bass
- Jimmy Hoyson – assistant
- David P. Jackson – accordion
- Michael Jochum – percussion, drums
- Laurence Juber – acoustic guitar, arranger, electric guitar, producer, engineer
- Avi Kipper – engineer
- David Low – cello
- Rachel Purkin – violin
- Lori Stoll – photography
Sources
gollark: Well, obviously social credit systems extremely bad?
gollark: I mean, there's no evidence of rainbow formation through this "peace and love" thing, but you can easily make rainbow-type patterns with a regular prism, or even just some plastic rulers.
gollark: I think the specialized optics would work better.
gollark: What's a "peace and love"? How do you recreate that in the lab?
gollark: Using specialized optics in some cases, or mist generation to recreate normal rainbow formation conditions.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.