Doug Rickard (photographer)

Doug Rickard (born 1968) is an American artist and photographer.[1][2][3][4][n 1] He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries[5][6] and held in the permanent collection of the San Francisco Museum of Modern Art.[7] Rickard is best known for his book A New American Picture (2010).[8] He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs.[9]

Life and work

Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America",[10] a country "special and unique".[11] Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice."[10] At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream."[5]

He lives in Shingle Springs, near Sacramento, California.

Rickard is founder and publisher of the website on contemporary photography American Suburb X, which the British Journal of Photography considers "influential";[12] and the website These Americans, which publishes some of his collection of found photographs.[9]

His most noteworthy books are A New American Picture (2010, 2012) and N.A. (2013, 2014).

A New American Picture

For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down",[10] where "the American dream was shattered or impossible to achieve".[13] It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web.[14][15] Rickard says A New American Picture is about America and not about Google Street View.

He began work on A New American Picture in 2008, whilst working a day job in software sales at Cisco Systems.[5] Rickard was at his computer nightly for over three years, taking 10,000–15,000 photographs, choosing about 80 for the series.[6] He used a digital camera on a tripod to photograph[15][16] a dedicated screen that mirrored a second screen that he used to navigate.[3] He digitally manipulated the images to remove Google's watermark and crop extraneous information,[14] resulting in a wide image from the wide screen computer monitor.

He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham.[16]

The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010.[17] To mark that occasion Rickard produced the first edition of the book, with the publisher White Press.[17] Its first American museum show was at New York's Museum of Modern Art in 2011.[5]

Parr and Badger include the book in the third volume of their photobook history.[18]

N.A.

N.A. is a body of work photographed from YouTube videos, which he began working with in 2008–2009.[19] The series portrays scenes of violence and crime in urban settings, often filmed on mobile devices. The title of the work is meant to be National Anthem, but is a deliberate reference and double meaning for 'N/A' (Not Applicable) as appears on forms, to signify that he considers many of the people depicted in the series are marginalized. "I came to the understanding pretty quickly that social media and the internet put into place a real predatory dynamic, where basically it motivated people to take video of other people to put up on YouTube to get shares, likes or comments."[19]

Publications

Publications by Rickard
  • A New American Picture.
    • Cologne: White Press / Schaden, 2010. Edition of 250 copies. Includes 69 photographs.
    • Larger format, expanded edition. New York: Aperture; Berlin: Koenig, 2012. ISBN 978-1-59711-219-2. With an introductory essay by David Campany, "In the Frame", and a transcript of a conversation between Rickard and Erin O’Toole. Includes 79 photographs.
  • Tom. Los Angeles: Little Big Man, 2013. Edition of 300 copies.
  • All Eyes on me. One Picture Book 86. Portland, OR: Nazraeli Press, 2014. ISBN 9781590054154. Edition of 500 copies.
  • Patriot Act. London: Wild Life Press, 2014. OCLC 911411734.
  • N.A.
    • Cologne: White Press, 2013. Edition of 200 copies.
    • Dortmund: Kettler; New York: Distributed Art Publishers, 2014. English-language version, ISBN 978-1938922626; German-language version, ISBN 978-3-86206-345-1. With a text by Zaha Redman and a poem by Ann Garlid.

Publications with others

Exhibitions

Solo exhibition
  • 2012: Yossi Milo Gallery, New York, October–November 2012.[20]

Exhibitions with others
  • 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010.[21] A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart, Anthony Hernandez, Arianna Arcara & Luca Santese, and Bruce Gilden. Curated by Diane Dufour and David Campany.[12]
  • 2011/2012: New Photography 2011, Museum of Modern Art, New York, September 2011 – January 2012. Photographs by Rickard and Moyra Davey, George Georgiou, Deana Lawson, Viviane Sassen and Zhang Dali.[22][23]
  • 2012: Publicly Private: Enrico Natali and Doug Rickard, Santa Barbara Museum of Art, Santa Barbara, CA, January–April 2012. Enrico Natali’s New York Subway 1960 and Rickard’s A New American Picture. Curated by Karen Sinsheimer.
  • 2012: Aperture Remix, Aperture Gallery, New York, October–November 2012.[24] Curated by Lesley A. Martin with work by Rickard as well as Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling.[25] Toured to David Owsley Museum of Art Ball State University, Muncie, IN, January–March 2014; Museum of Photographic Arts, San Diego, CA, May–October 2014.[26]
  • 2013: Tim Hetherington and Doug Rickard, Stills Gallery, Sydney, May–June 2013. Rickard's A New American Picture was shown alongside Tim Hetherington's Afghanistan.[27][28]
  • 2013/2014: Staking Claim: a California Invitational, Museum of Photographic Arts, San Diego, CA, October 2013 – January 2014.

Collections

Rickard's work is held in the following permanent collections:

gollark: Also, people often want to do things like "restart" in their API, which it can't nicely express, and end up contorting it horribly.
gollark: Also, people often want to do things like "restart" which it can't nicely express and end up contorting it horribly.
gollark: REST seems kind of bad to me. It feels kind of layer-violationy using HTTP things to signal application-level statuses, and a lot of the time both ends would have less code just using a RPC-style interface, which has unfortunately fallen out of fashion.
gollark: You pollute everything with variables for no good reason.
gollark: You should likely just be using a table.

See also

Notes
  1. Critics are divided on whether to consider him an artist or a photographer. Rickard describes himself as "an artist working with digital technologies".

References
  1. O'Hagan, Sean (23 May 2012). "Mishka Henner's erased images: art or insult?". The Guardian. London. Retrieved 26 October 2015.
  2. Jörg Colberg (23 May 2011). "Google Street View getting interesting". Conscientious. Retrieved 28 October 2015.
  3. Grow, Krystal (3 November 2014). "Explore the Dark Side of YouTube with Artist Doug Rickard". Time. Retrieved 27 October 2015.
  4. Burnett, David (29 October 2012). "Call it Art. Or, Don't!". The Photo Society. Retrieved 8 November 2015.
  5. Gamerman, Ellen (12 September 2013). "The Fine Art of Spying". The Wall Street Journal. Retrieved 26 October 2015.
  6. Moakley, Paul (24 October 2012). "Street View and Beyond: Google's Influence on Photography". Time. Retrieved 26 October 2015.
  7. "Doug Rickard: American: 1968, San Jose, California". San Francisco Museum of Modern Art. Retrieved 8 November 2015.
  8. Renstrom, Elizabeth (17 September 2015). "Doug Rickard Documents America Through Recreated Snippets of YouTube Videos". Vice. Retrieved 27 October 2015.
  9. Klapheke, Rachelle (26 October 2012). "Doug Rickard's Street View". The New Yorker. Retrieved 26 October 2015.
  10. Appleyard, Bryan (11 December 2011). "Google Street View as Art". The Sunday Times. London. Archived from the original on 20 September 2016. Retrieved 20 September 2016.
  11. Foster, John. "A New American Picture: Doug Rickard and Street Photography in the Age of Google". Design Observer Group. Retrieved 8 November 2015.
  12. Smyth, Diane (2010). "The View from the Streets". British Journal of Photography. Incisive Financial Publishing Limited. 157 (7783): 58–61.
  13. Hoby, Hermione (14 July 2012). "Google muse: the new breed of street photographers". The Guardian. Retrieved 26 October 2015.
  14. "New Photography 2011: Doug Rickard". Museum of Modern Art. Retrieved 8 November 2015.
  15. Rosenberg, David (5 June 2013). "A Portrait of American Life on Google Street View". Slate. Retrieved 27 October 2015.
  16. Jackie Higgins (2014). The World Atlas of Street Photography. Yale University Press. pp. 76–82. ISBN 978-0-300-20716-3.
  17. David Campany (21 June 2012). "'In the Frame' Doug Rickard: A New American Picture, Aperture, 2012". Retrieved 8 November 2015.
  18. Parr, Martin, Badger, Gerry (2014). The Photobook: A History Volume III. London: Phaidon. pp. 310–311. ISBN 9780714866772.
  19. Matthews, Katherine Oktober (December 2, 2015). "Likes Will Tear Us Apart: An Interview with Doug Rickard". GUP Magazine.
  20. "Doug Rickard: A New American Picture". Yossi Milo Gallery. Retrieved 26 October 2015.
  21. "Anonymes: L'Amérique sans nom : photographie et cinéma". Le Bal. Archived from the original on 20 March 2015. Retrieved 13 March 2015.
  22. "New Photography 2011". Museum of Modern Art. Retrieved 26 October 2015.
  23. "A photographic 'Street View' tour of America". CNN. 28 November 2011. Retrieved 27 October 2015.
  24. Brook, Pete (12 November 2013). "Take It From a Publishing Pro: The Photobook Format Is Up for Grabs". Wired. Retrieved 27 October 2015.
  25. Renstrom, Elizabeth (16 October 2012). "Remixed, a New Take on Aperture Classics". Time. Retrieved 27 October 2015.
  26. "Aperture Remix". Aperture Foundation. Retrieved 27 October 2015.
  27. Stone, Tim (17 May 2013). "A New American Picture: Doug Rickard's Google Street View road-trip". Australian Broadcasting Corporation. Retrieved 8 November 2015.
  28. "Doug Rickard". Stills Gallery. Retrieved 8 November 2015.
  29. "Doug Rickard)". Frances Lehman Loeb Art Center. Archived from the original on 1 February 2016. Retrieved 22 January 2016.
  30. "Photography Collections Database: Record Detail)". Harry Ransom Center. Retrieved 22 January 2016.
  31. "#83.016417, Detroit, MI, from the "A New American Picture" series)". Museum of Contemporary Photography. Retrieved 22 January 2016.
  32. "Doug Rickard: #82.948842, Detroit, MI. 2009)". Museum of Fine Arts, Houston. Archived from the original on 29 January 2016. Retrieved 22 January 2016.
  33. "Doug Rickard: American, born 1968". Museum of Modern Art. Retrieved 22 January 2016.
  34. "Displaying records 1 - 3 from the 3 total records". Nelson-Atkins Museum of Art. Archived from the original on 8 May 2017. Retrieved 22 January 2016.
  35. "Search results - NYPL Digital Collections". New York Public Library. Retrieved 22 January 2016.
  36. "5 results for "doug rickard"". Yale University Art Gallery. Retrieved 22 January 2016.
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