Penelope Umbrico

Penelope Umbrico (January 31, 1957) is an American artist best known for her work that appropriates images found using search engines and picture sharing websites.

Penelope Umbrico
Born (1957-01-31) January 31, 1957
Alma materOntario College of Art,
School of Visual Arts
MovementAppropriation art

Education and career
Suns from Flickr installation by Umbrico at New York Photo Festival, New York, 2008

Umbrico was born in Philadelphia in 1957.[1] She graduated from the Ontario College of Art in Toronto, Canada in 1980. She obtained her M.F.A. in 1989 at the School of Visual Arts in New York.

Exhibitions

In 2010 her exhibition, As Is, at LMAK Projects featured a series of work called Broken Sets (EBay) (2009–2010), which consisted of images of broken LCD television screens that were acquired from pictures posted by eBay sellers trying to sell damaged television sets for parts.[2]

Her project Suns from Flickr started in 2006 when she found 541,795 pictures of sunsets searching the word "sunset" on the photo-sharing web site Flickr while looking for the most photographed subject (which the sunset turned out to be). She took just the suns from these pictures and made Kodak snapshot prints of them.

For each installation, the title reflects the number of hits she gets searching "sunset" on Flickr at the time – for example, the first installation was "541,795 Suns From Flickr" in 2006; subsequent installations were: “2303057 Suns From Flickr (Partial) 9/25/07” (2007); “3,221,717 Suns From Flickr (Partial) 3/31/08” (2008); “5,911,253 Suns From Flickr (Partial) 8/03/09” (2009) – the title itself becoming a comment on the ever-increasing use of web-based photo communities and a reflection of the collective content there.

Her work has been published in the New York Times Magazine, on the cover and inside spreads accompanying "Ghosts in the Machine".[3] In March 2012, Art in America featured Umbrico's work on the cover[4] and inside along with a short essay by the artist.

She has served as a member of faculty at Bard College's Summer MFA (Milton Avery Graduate School of the Arts) (Chair of MFA Photography from 2004 to 2010), and she is a core faculty member at the School of Visual Arts MFA Photography Video and Related Media in NYC.

Publications
  • Variants, 1991
  • From Catalogs, 1998
  • Out of Place, 2002
  • Honeymoon Suites, 2002
  • Many Leonards Not Natman, 2010
  • Desk Trajectories (As Is), 2010
  • Signals Still / Ink (Book) / Out of Order, from the series Signal to Ink, 2011
  • Penelope Umbrico: Photographs, Apeture, 2011
  • Moving Mountains (1850–2012), Conveyor, 2012
  • RANGE, Aperture, 2014
  • Out of Order: Used Office Desks and Used Office Plants for Sale, RVB Book, 2014
  • Out of Order: Bad Display, RVB Books and Photoforum Pasquart, 2016
  • Solar Eclipses From the New York Public Library Picture Collection, RVB Book, 2016

Awards, grants and residencies

Exhibitions

Solo exhibitions
  • International Center of Photography, New York, NY, 1992[14]
  • Julie Saul Gallery, New York, NY, 1993[15]
  • Julie Saul Gallery, New York, NY, 1995[16]
  • Julie Saul Gallery, New York, NY, 1998[17]
  • Julie Saul Gallery, New York, NY, 2002[18]
  • Bernard Toale Gallery, Boston, MA, 2004[19]
  • P/M Gallery, Toronto, Ontario, 2010[20]
  • Brooklyn Academy of Music, Suns from Flickr (Box Office), site-specific installation, Brooklyn, NY, 2010[21]
  • Brooklyn Academy of Music, Leonards for Leonard, site-specific installation, Brooklyn, NY, 2010[21]
  • Toronto Pearson International Airport, Universal Sunset, site-specific installation, Contact Photography Festival, 2010[22]
  • Paraty Em Foco, Future, Paraty, Brazil, 2011[23]
  • Alt. + 1000 Festival de Photographie, Mountains, Moving: Of Swiss Alp Postcards and Sound of Music, Rossinière, Switzerland, 2013[24]
  • Olson Gallery, Bethel University, St Paul, MN, 2013[25]
  • LMAKprojects, New York, NY, 2013[26]
  • Percent For Art/New York Department of Cultural Affairs, Cabinet 1526–2013, permanent installation for PS/IS 71, completed 2013[27]
  • Alt. + 1000 Festival de Photographie, A Proposal and Two Trades, Rossinière, Switzerland, 2013[28]
  • Mark Moore Gallery, Culver City, CA, 2014[29]
  • Aldrich Museum, Shallow Sun, CT, 2015[30]
  • Usdan Gallery, Campus Surplus, Bennington College, VT, 2015[31]
  • Culver Digital Mural Project, ARTSblock, UR Riverside, CA, 2015[32]
  • Grand Central Terminal Light Boxes, Four Photographs of Rays at Grand Central, NY, 2015–2016[33]
  • Bruce Silverstein Gallery, Silvery Light, NYC, 2016[34]
  • Mark Moore Gallery, Culver City, CA, 2016[35]
  • Photoforum PasquArt, Biel/Bienne Festival of Photography, Bienne, Switzerland, 2016[36]
  • Milwaukee Art Museum, WI, 2016[37]
  • Salon d’Honeur, Paris Photo, Range: of Masters, Paris France, 2016[38]
  • Special Project, Photo LA, Los Angeles, CA, 2017[39]
  • David Smith Gallery, Denver, CO, 2017[40]
  • Peoria Riverfront Museum, Screen Light, Peoria, IL, 2017[41]
  • Musée des Beaux Arts, Le Locle, Switzerland – upcoming 2018[42]

Group exhibitions
  • The Drawing Center, Selections 41, New York, February 1988[43]
  • Art in General, The Results Are In, New York, January 1992[44]
  • The Museum of Modern Art, More Than One Photography, New York, May 1992[45]
  • Museum of Modern Art, Multiple Images, New York, Summer 1993[46]
  • Numark Gallery, Images of the Information Superhighway, Washington, DC, Jan. 1996[47]
  • Creative Time, Art in the Anchorage '96, The Brooklyn Bridge Anchorage, Summer 1996[48]
  • International Center of Photography, Eye of the Beholder, New York, September 1997[49]
  • The Museum of Modern Art, Object and Abstraction: Contemporary Photographs, NY, Sept. 1997[50]
  • Islip Art Museum, Eccentric Photography, East Islip, NY, April 2001[51]
  • Rotunda Gallery, Clear Intentions, curator Robert Morgan, Brooklyn NY, September 2003[52]
  • Massachusetts College of Art, Feed, Boston, MA, October 2004[53]
  • Center for Curatorial Studies, Bard College, Neither Here Nor There: Perceptions of Place, Feb. 2005
  • Gallery 44, Pixelware, Toronto, Ontario, February 10 – March 10, 2005[54]
  • Von Lintel Gallery, The Photograph in Question, New York, June 9 – July 30, 2005[55]
  • Gallery of Modern Art, The Leisure Class, Brisbane, Australia, October 2007 – March 2008[56]
  • The Photographic Resource Center Ad / Agency, Boston, MA, November 2007[57]
  • Cambridge Gallery – Riverside, Site Visits, University of Waterloo, Cambridge Ontario, Canada, July 2007[58]
  • New York Photography Festival, The Ubiquitous Image, curator Lesley Martin, May 2008[59]
  • KS Gallery, Psychotic Reaction, New York, NY, Oct.2008[60]
  • Aperture Foundation Gallery, The Edge of Vision, New York, NY, 2009[61]
  • PS 1 Contemporary Art Center, Between Spaces, Long Island City, NY, 2009[62]
  • San Francisco Museum of Modern Art, The Anniversary Show, San Francisco, CA, 2009[63]
  • Eastern Michigan University, Open Book, MI, 2010[64]
  • Galerie West, Carry-On, organized by David Horvitz, The Hague, The Netherlands, 2010[65]
  • Voorkamer, Meer, Lier, Belgium, 2010[66]
  • Public Surface, Un Place, Stockholm, Sweden, 2011[67]
  • MassMoCA, Memery: Imitation, Memory, and Internet Culture, North Adams, MA, 2011[68]
  • Rencontres d’Arles, From Here On, curated by Fontcuberta, Parr, Schmid, Kessels, Cheroux, Arles, France, 2011[69]
  • Pace MacGill Gallery, Social Media, New York, NY, 2011[70]
  • Hoffman Gallery of Contemporary Art, The Edge of Vision, Lewis & Clark College, Portland OR, 2012[71]
  • Benton Museum of Art, Screenshots, University of Connecticut, Storrs, CT, 2012[72]
  • Work Gallery, Critical Dictionary, London, England, 2012[73]
  • Galerie West, Let Us Keep Our Noon, The Hague, The Netherlands, 2012[74]
  • Photographers’ Gallery, Born in 1987: The Animated GIF, London, UK, 2012[75]
  • Daegu Photography Biennale, Repositioned Personal curated by Karen Irvine, Korea, 2012[76]
  • 319 Scholes Gallery, Collect the WWWorld, curated by Domenico Quaranta, Bushwick, NY, 2012[77]
  • Aperture Foundation Gallery, Aperture Remix, New York, NY, 2012[78]
  • Louisiana Art and Science Museum, The Edge of Vision, Baton Rouge, LA, 2013[79]
  • Somerset House, Landmark: The Fields of Photography, curated by William Ewing, London, England[80]
  • Foto Colectania, Artist as Collector, Barcelona, Spain, 2013[81]
  • Centre d'Art Santa Mònica, From Here On, Barcelona, Spain, 2013[82]
  • Le Mois de Photo, Montreal, Canada, 2013[83]
  • Photo Festival, Lodz, Poland, 2013[84]
  • Kasseler Kunstverein, Offline Art: Hardcore, curated by Aram Bartholl, Kassel, Germany, 2013[85]
  • Museum of Photographic Arts, San Diego, CA, 2014[86]
  • David Owsley Museum of Art, Ball State University, Muncie, IN, 2014[87]
  • Oliver Francis Gallery, Dallas, TX, 2014[88]
  • Orange County Museum of Art, California Landscape into Abstraction, Newport Beach, CA, 2014[89]
  • Children's Museum of the Arts, Cabinets of Wonder, New York, NY, 2014[90]
  • Santa Barbara Museum of Art, Heavenly Bodies, Santa Barbara, CA, 2014[91]
  • Museum of Modern Art, A World of Its Own: Photographic Practices in the Studio, New York, NY, 2014[92]
  • BRIC Arts Media House, Brooklyn Biennial, Brooklyn, NY, 2014[93]
  • Sextant et plus, FOMO, Marseille, France, 2015[94]
  • Bernard A. Zuckerman Museum of Art, Forget Me Not, Kennesaw, GA, 2015[95]
  • Boulder Museum of Contemporary Art, Flatlander, Boulder, CO, 2015[96]
  • Motorenhalle, DIGITAL_ANALOG.INDIFFERENCE, Dresden, Germany, 2015[97]
  • Louisiana Art & Science Museum, Sunlight/Starlight, Louisiana, LA, 2015[98]
  • Ivorypress Space, Books beyond Artists: Words and Images, Madrid, Spain, 2015[99]
  • Gallery University Stellenbosch, Think of Number 6, Stellenbosch, South Africa, 2015[100]
  • Museum für Kunst und Gewerbe, Triennial of Photography, Hamburg, Germany, 2015[101]
  • Lishui International Photo Festival, Lishui, China, 2015[102]
  • Harry Ransom Center, Look Inside: New Photography Acquisitions, Austin, TX, 2016[103]
  • The Frances Lehman Loeb Art Center, Touch the Sky: Art and Astronomy, Vassar College, Poughkeepsie, NY, 2016[104]
  • Art Museum Gosta, Starry Skies of Art, Mantta, Finland, 2016[105]
  • ArteCamara, Input_Output, Bogotá, Colombia, 2016[106]
  • Carnegie Museum of Art, Strength in Numbers: Photography in Groups, Pittsburgh, PA, 2016[107]
  • LACMA, TV on Film, Los Angeles, CA, 2017[108]
  • Jeonju International Photo Festival, This Location / Dis-location, Jeonju, China, 2017[109]
  • Photo Espana, Upload/Download, Madrid, Spain, 2017[110]
  • Goethe Institut, Cyclic Journey/s, Barcelona, Spain, 2017[111]
  • Galerie Andreas Schmidt, Perfect / Imperfect, Berlin, Germany, 2017[112]
  • DeCordova Museum, Screens: Virtual Material, Lincoln, MA, 2017[113]
  • Guangzhou Image Triennial 2017 – Simultaneous Eidos, (installation), Guangzhou, China, 2017[114]
  • Noorderlicht Photofestival 2017, NUCLEUS | Imagining science, Amsterdam, The Netherlands, 2017[115]
  • Jimei x Arles International Photo Festival, Visuality is the Scene of Negligence, Jimei Civic Center and Three Shadows, China, 2017[116]
  • Denver Art Museum, New Territory: Landscape Photography Today, Denver, CO, 2018[117]
  • Institute of Contemporary Art, Art in the Age of the Internet, 1989 to Today, Boston, MA, 2018[118]

Unclassified exhibitions
  • 2009: For A Brief Time Only at a Location Near You[119]
  • 2011: Exhibition at Rencontres d’Arles festival, Arles, France.
  • 2011: Laureate from Rencontres d'Arles Discovery Award.

Collections

Umbrico's work is held in the following public collections:

gollark: No. It operates on RGB image buffers.
gollark: Saturation is the saturation of the initial pixel, variance is how much it adjusts the color by each step.
gollark: And it is probably creating a bunch of temporary buffers to shunt it to/from the webworker and such.
gollark: 1.7GB, if you like.
gollark: Well, that would be 442008576 pixels, so yes.

References
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