Doppelgänger (Curve album)

Doppelgänger is the debut studio album by British alternative rock band Curve. It was released on 9 March 1992 by Anxious Records in the United Kingdom, and by Charisma Records in the United States.

Doppelgänger
Studio album by Curve
Released	9 March 1992 (1992-03-09)
Recorded	July – October 1991
Studio	Todal Studios (Kilburn, London)
Genre	Alternative rock shoegazing
Length	42:27
Label	Anxious Charisma
Producer	Curve Flood
Curve chronology
Doppelgänger (1992) Pubic Fruit (1992)

A continuation of the musical idiom established by the group on its three earlier EPs, the record combines elements of dance music and alternative rock with the reverb- and distortion-heavy stylings of shoegazing.

Reception

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
Entertainment Weekly	C[2]
NME	7/10[3]
Q	[4]
Rolling Stone	[5]
Select	2/5[6]
Vox	6/10[7]

In Q, David Cavanagh wrote, "Every song here is swimming in guitars – mashed, chewed, flanged, compressed, squally, howling, whatever. But no matter how cacophonous the music gets (and 'Ice That Melts the Tips' sounds as though three guitars are beating the crap out of a fourth), Halliday's voice is terrifically sensual and seductive, sounding just the pretty side of evil. As keen subscribers to the interpret-how-thou-wilt school of lyric writing, Curve's possible grievances are most addressed using drums and guitars: 'Faît Accompli', the new single, is a singalonga-schizoid affair, tuneful but menacing; 'Think and Act' has a touch of 'Where the Streets Have No Name' guitars, but it's way tougher. Variations in mood are slight – a little slowing down for 'Lillies Dying'; some Indian sampling for 'Horror Head' – until the final song, a cold, grey ballad called 'Sandpit' that only adds to Doppelgänger's shopping list of unexplained treats."[4]

Musician said: "Curve's thick, psychedelic throb crosses the electrobeat aggression of Front 242 with the blurred guitar drone of Lush, an approach that allows the band the advantages of both styles without becoming openly in thrall to either. And it sounds just fine, in part because of the care with which Dean Garcia tends his soundscapes, and mostly because of the way Toni Halliday's cool, throaty vocals snake melody through the thick-swirling grooves. A singularly entrancing album."[8]

In their end-of-year round-up issue, Q said, "Doppelgänger delighted with its thrashy guitar sounds, bone-rattling drum tattoos and cool, poised vocal performances."[9] Q featured it again in a feature on "goth" albums: "A thundering, subtly melodic debut drowned out the critics and, though it was all over two years later, the multimillion-selling Garbage had certainly learned something."[10]

Legacy

In 2014, Doppelgänger was included in PopMatters' list of "10 Essential Non-‘Loveless’ Shoegaze Albums".[11] In 2016, Pitchfork ranked Doppelgänger at number 40 on its list of "The 50 Best Shoegaze Albums of All Time", with Stephen Thomas Erlewine of the site saying:

Curve’s great innovation was marrying densely cloistered electronic rhythms with the approaching onslaught of noise-pop. Prior to their 1992 debut Doppelgänger, such a blend didn't exist, but Curve pioneered the sound that eventually became widespread; their own doppelgänger, Garbage, made a mint with this fusion just a few years later. Curve have stronger ties to shoegaze than Garbage, however, not just because of their timing but also their articulation: Vocalist Toni Halliday and multi-instrumentalist Dean Garcia favor fuzziness in sound and style, letting aesthetics bleed together, preferring sensation over sculpted song. On Doppelgänger, the duo demonstrates a strong melodic sense that’s as apparent in the riffs and rhythms as the verses themselves. Halliday also remains unique in shoegaze: She’s a singer who pushes herself to the forefront, stealing attention from the tidal waves of noise and distortion that surround her.[12]

Track listing

All tracks are written by Dean Garcia and Toni Halliday.

Doppelgänger – UK edition

No.	Title	Length
1.	"Already Yours"	3:56
2.	"Horror Head"	3:41
3.	"Wish You Dead"	3:31
4.	"Doppelgänger"	4:30
5.	"Lillies Dying"	4:24
6.	"Ice That Melts the Tips"	4:31
7.	"Split Into Fractions"	4:33
8.	"Think and Act"	5:15
9.	"Faît Accompli"	4:39
10.	"Sandpit"	3:27
Total length:		42:27

Doppelgänger – US edition (bonus track)

No.	Title	Length
11.	"Clipped"	3:51
Total length:		46:18

Charts

Chart (1992)	Peak position
UK Albums (OCC)[13]	11

Personnel

Curve

• Dean Garcia – guitar, keyboards, bass, drum programming
• Toni Halliday – vocals

Additional personnel

• Alex Mitchell – guitar
• Monti – drums
• Alan Moulder – guitar
• Debbie Smith – guitar

References

1. Demalon, Tom. "Doppelgänger – Curve". AllMusic. Retrieved 26 December 2015.
2. Browne, David (24 April 1992). "Doppelgänger". Entertainment Weekly. Retrieved 26 December 2015.
3. Williams, Simon (7 March 1992). "Who Dares Twins!". NME. Retrieved 26 December 2015.
4. Cavanagh, David (April 1992). "Curve: Doppelgänger". Q (67): 71. Retrieved 26 December 2015.
5. Berger, Arion (14 May 1992). "Curve: Doppelganger". Rolling Stone. Archived from the original on 18 April 2008. Retrieved 5 May 2018.
6. Linehan, Graham (April 1992). "Blindfolded". Select (22). Retrieved 26 December 2015.
7. Malins, Steve (1992). "Two-Faced". Vox. Retrieved 26 December 2015.
8. "Curve: Doppelgänger". Musician. May 1992.
9. "Curve: Doppelgänger". Q (77). February 1993.
10. Collins, Andrew (December 1999). "Curve: Doppelgänger". Q (159). Retrieved 26 December 2015.
11. McDonald, Andrew (11 September 2013). "This Is Not Your Bloody Valentine: 10 Essential Non-'Loveless' Shoegaze Albums". PopMatters. Retrieved 7 November 2014.
12. "The 50 Best Shoegaze Albums of All Time". Pitchfork. 24 October 2016. p. 2. Retrieved 25 October 2016.
13. "Official Albums Chart Top 100". Official Charts Company. Retrieved 26 December 2015.

External links

• Doppelgänger at Discogs (list of releases)
• Doppelgänger at MusicBrainz (list of releases)