Digital Poodle

Digital Poodle was an electro-industrial/EBM band, based in Toronto, Ontario, Canada. It was formed in 1986 and remained active until about 1995.

Digital Poodle
OriginToronto, Ontario, Canada
GenresElectro-industrial/EBM
Years active1986 (1986)–1995 (1995)
Past members
  • Heiki Sillaste
  • Pupka Frey
  • Reduct

Background

Formed in 1986 by vocalist/programmer Heiki Sillaste (aka Mouth 392), the project was considered Toronto's answer to the established Vancouver-based industrial acts like Skinny Puppy, and Front Line Assembly.[1] Digital Poodle's sound can be best described as house/techno mixed with European Electronic body music (EBM) and occasionally skirting experimental and ambient soundscapes. Sillaste's lyrical themes and choice of audio sampling typically covered the ending of the Cold War, as well as the following political independence struggles in the Baltic states and Eastern Europe.[2]

Digital Poodle originally released a series of cassette tape demos and full release albums on Sillaste's own Shadow recording label. The first CD release was "Work Terminal" in 1992, which was distributed in North America under the Death of Vinyl label and in Europe on Germany's Hyperium Records label. The band's final release was the "Combat!" EP in 1997, which contained mainly remixed material from previous releases.

Other Digital Poodle studio members have included keyboardists Pupka Frey (of the band D.I.N.) and Reduct. Keyboard players Jean-Claude Cutz and Dave Rout were also associated with the band.[3] Post Digital Poodle, both joined a later configuration of Rational Youth. Live shows of Digital Poodle featured the drummer/percussionists Kristian Helstrom and Andreas Gregor.

In 1995, Sillaste co-founded the Nice+Smooth Ultramedia label and has gone on to create 45 synthesizer-based albums and 120 compilation appearances. He has worked on other music projects in the genre of electronic dub, down beat, and house/techno music such as Kinder Atom and Lazer Caps, and is an accomplished graphic designer. He has also worked on music and sound for television shows such as CSI: Miami and commercials for Nissan.[4]

Discography
Album Format Label Year Notes
Pay Attention CS Shadow 1987
Poodle Crematorium CS Shadow 1988 Limited edition 250 copies
Snivel CS Shadow 1989
Live Death CS Shadow 1990 Recorded live at the Slither Club, Toronto, March 4, 1989
Soul Crush CS Shadow 1991
CD Death of Vinyl Entertainment (DOVe) 1991
Soul Crush 12" 12" Shadow 1991
Work Terminal CD DOVe, Hyperium Records 1992 Germany
Crack 12" DOVe 1993
Elektronik Espionage CD EP DOVe 1993
Division! CD Cleopatra 1994
12" 2x12" DOVe 1994
Work Terminal CD Metropolis Records 1994 reissue
Noisea CD Cleopatra 1995
Combat! CD EP Cleopatra 1997

Compilation appearances
  • Instrumental CS - side B, track #5 "Uncivilized World" (Plan Eleven)
  • Death of Vinyl CD - track #15 "Broadkast III" (DOVe, 1991)
  • "Gárgula Mecânica" World Electrostatic Assembly CD - track #12 "Binary" (Simbiose, 1992)
  • … To Hypersonic - The Hyperium Compilation Part II CD - track #8 "Free Men" (Hyperium, 1992)
  • Hy! From Hypnotic To Hypersonic 2xCD - disc 2, track #8 "Free Men (Extended)" (Hyperium, 1992)
  • Metro Tekno CD - track #1 "Work Terminal (U.S. Mix)" and track #2 "Free Men (Extended)" (Silent, 1992)
  • Love Ta Love Ya Baby: An NMS '93 Dance Compilation LP - Side B, track #3 "Work Terminal" (New Music Seminar, 1993)
  • Death of Vinyl Revolutions Vol. 1 CD - track #7 "Crack" and track #8 "Output Expander" (DOVe, 1993)
  • Grid Slinger LP - side A, track #4 "Crack" (Re-constriction Records, Cleopatra 1993)
  • Industrial Revolution - Second Edition 2xCD - disc 1, track #11 "Division" (Cleopatra, 1994)
  • Trance In Your Mind - The Unstoppable Trance Machine CD - track #4 "Crack (Free Base Mix)" (Cleopatra, 1994)
  • Ambient Rituals Exercise One: Music For Soul Braiding CD - track #5 "Weapon" (Hyperium, 1995)
  • Doom & Gloom/Visions of the Apocalypse CD - track #6 "Head of Lenin" (Kado, 1995)
  • Enchantments CD - track #1 "Head of Lenin (Remix)" (Cleopatra, 1995)
  • Industrial Revolution Second Edition VHS - "Work Terminal" video (Cleopatra, 1996)
  • Nekrology CD - track #5 "Funkass" (Konsortium Produktions, 1996)
  • Industrial Madness 4xCD - disc 3, track #5 "Red Star" (Cleopatra, 1997)
  • Industrial Mix Machine 2xCD - disc 1, track #11 "Left/Right (Incarnate Mix)" (Cleopatra, 1997)
  • Gothic Industrial Madness DVD - video "Work Terminal" (Cleopatra, 2000)
  • Goth - The Ultimate Collection 2xDVD - disc 1, video "Work Terminal" (Cleopatra 2002)
  • TDK 016 12" - side B, track #2, "Crack" (TdK, 2005)
gollark: For purposes only, you understand.
gollark: There are lots of *imaginable* and *claimed* gods, so I'm saying "gods".
gollark: So basically, the "god must exist because the universe is complex" thing ignores the fact that it... isn't really... and that gods would be pretty complex too, and does not answer any questions usefully because it just pushes off the question of why things exist to why *god* exists.
gollark: To randomly interject very late, I don't agree with your reasoning here. As far as physicists can tell, while pretty complex and hard for humans to understand, relative to some other things the universe runs on simple rules - you can probably describe the way it works in maybe a book's worth of material assuming quite a lot of mathematical background. Which is less than you might need for, say, a particularly complex modern computer system. You know what else is quite complex? Gods. They are generally portrayed as acting fairly similarly to humans (humans like modelling other things as basically-humans and writing human-centric stories), and even apart from that are clearly meant to be intelligent agents of some kind. Both of those are complicated - the human genome is something like 6GB, a good deal of which probably codes for brain things. As for other intelligent things, despite having tons of data once trained, modern machine learning things are admittedly not very complex to *describe*, but nobody knows what an architecture for general intelligence would look like.
gollark: https://media.discordapp.net/attachments/348702212110680064/896356765267025940/FB_IMG_1633757163544.jpg

References
  1. Digital Poodle's entry at Metropolis Records
  2. "Industrial Revolution", by Dave Thomas ISBN 0-9636193-0-6 (Cleopatra) (1994)
  3. Discogs, Profile of Digital Poodle. Retrieved 2013-01-08.
  4. Heiki Sillaste's user profile on Nice+Smooth.com
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