Death By Audio

Death By Audio was a warehouse space on the first floor of an industrial building in the Williamsburg neighborhood of Brooklyn, New York.[1] It also shared the name of an effects pedal company that was based in the space.

Cellular Chaos (Weasel Walter and Marc Edwards) at Death By Audio

The warehouse operated primarily as a work space for artists and musicians, but also functioned as a recording studio, effects pedal factory, as well as an art and music venue, which received generally positive reviews from critics.[2]

The warehouse took its name from the boutique effects pedal company, Death By Audio.

Starting in the spring of 2007 part of the space had been used as a venue for underground music and art events.[2] Artists such as Ty Segall, Dirty Projectors, Growing, Tony Conrad, Thurston Moore, R. Stevie Moore, Thee Oh Sees, Zach Hill, Paint It Black (band), Future Islands, Black Pus, Pissed Jeans, JEFF the Brotherhood, Hammerhead (band), Frank Sidebottom and Dan Deacon have performed at Death By Audio. The venue was run by Jason Amos and Matt Conboy.

In 2007, the collective started Death By Audio Records in order to release material by the bands that practiced in the warehouse. Death By Audio Records began by releasing a cassette tape by Sisters and a double EP by Coin Under Tongue. The label released Rejoicer, the debut album by Grooms in 2009 before it was re-released on Kanine Records. In 2010, the label released albums by Brooklyn's Starring, French Miami and Minneapolis' Seawhores.

In April 2008 the venue received non-profit status.

In August 2013, an art book containing live recordings from 2012 at Death By Audio was released on Famous Class Records.[3]

In later 2014, Vice Media rented the building Death By Audio was located in, forcing them to shut the venue down. The last show held at the space was on November 22, 2014.

Bands and artists
gollark: Photonic ML hardware is apparently beginning to exist and is very efficient, so that could help in a few years.
gollark: There is apparently work on accursed optics things for the displays, and batteries... are harder, but maybe minimising power use with more efficient hardware can be done.
gollark: Enough minor conveniences stacked together gives a useful product. And you can fit smartphone SoCs into slightly bulky glasses - there are already AR devkits doing this. The main limitation is that the displays aren't very good and it is hard to fit sufficient batteries.
gollark: Also, you could sort of gain extra senses of some possible value by mapping things like LIDAR output (AR glasses will probably have something like that for object recognition) and the local wireless environment onto the display.
gollark: Oh, and there's the obvious probably-leading-to-terrible-consequences thing of being able to conveniently see the social media profiles of anyone you meet.

References
  1. Ratliff, Ben (March 6, 2011). "Rhythmic Riffs of Explosive, Manic Instrumental Energy". The New York Times.
  2. — Amos Barshad (2011-05-25). "Death By Audio - Performing Arts Venues - New York Magazine". Nymag.com. Retrieved 2011-05-29.
  3. "Archived copy". Archived from the original on 2014-02-21. Retrieved 2014-02-13.CS1 maint: archived copy as title (link)
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