Deadline – U.S.A.

Deadline – U.S.A. is a 1952 American film noir crime film and starring Humphrey Bogart, Ethel Barrymore and Kim Hunter, written and directed by Richard Brooks. It is the story of a crusading newspaper editor who exposes a gangster's crimes while also trying to keep the paper from going out of business and an unneeded subplot of a man trying to reconcile with his ex wife.

Deadline – U.S.A.
Theatrical poster
Directed byRichard Brooks
Produced bySol C. Siegel
Written byRichard Brooks
StarringHumphrey Bogart
Ethel Barrymore
Kim Hunter
Music byCyril J. Mockridge
CinematographyMilton R. Krasner
Edited byWilliam B. Murphy
Color processBlack and white
Production
company
20th Century Fox
Distributed by20th Century Fox
Release date
  • March 14, 1952 (1952-03-14) (New York City)
  • April 25, 1952 (1952-04-25) (Los Angeles)
Running time
87 minutes
CountryUnited States
LanguageEnglish
Box office$1.25 million (US rentals)[1]

Plot

Ed Hutcheson (Humphrey Bogart) is the crusading managing editor of a large metropolitan newspaper called The Day. He is steadfastly loyal to publisher Margaret Garrison (Ethel Barrymore), the widow of the paper's founder, but Mrs. Garrison is on the verge of selling the newspaper to interests who plan to permanently cease its operation.

Hutcheson has other concerns, including that his former wife Nora (Kim Hunter) is going to remarry. He also puts his reporters to work on the murder of a young woman and the involvement of racketeer Tomas Rienzi (Martin Gabel), which could turn out to be a circulation builder that keeps the paper in business or else the last big story it ever covers.

Reporters discover that the dead girl, Bessie Schmidt, had been Rienzi's mistress, and that her brother Herman (Joe De Santis) had illegal business dealings with the gangster. Hutcheson gets to Herman with an opportunity to safely tell his story, but Rienzi's thugs, disguised as cops, take him away, resulting in Herman's death.

All seems lost when Mrs. Garrison's daughters, majority stockholders Kitty (Joyce MacKenzie) and Alice (Fay Baker), refuse to budge, causing a judge to permit The Day to be sold. Bessie's elderly mother, Mrs. Schmidt (Kasia Orzazewski), turns up in Hutcheson's office with her daughter's diary and $200,000 in cash, implicating Rienzi in his illegal activities. The presses roll as Hutcheson ignores the gangster's threats.

Cast

[2]

Uncredited

Production

The newspaper used as background on the film, called The Day, is loosely based upon the old New York Sun, which closed in 1950. The original Sun newspaper was edited by Benjamin Day, making the 1952 film's newspaper name (not to be confused with the real-life New London, Connecticut newspaper of the same name) a play on words.

Tough as Nails, a biography of Brooks authored by Douglass K. Daniel, cites the 1931 death of the New York World newspaper as the basis for the film, including the decision by the sons of Joseph Pulitzer to sell the paper rather than run it themselves.

Reception

Variety gave the film a positive review calling Bogart "convincing".[5]

For years, the film had largely been forgotten (although it had occasionally been shown on Fox Movie Network and TCM), until its DVD and Blu-ray debut in 2016. (In the audio commentary, film historian Eddie Muller rates this film as one of the very best films ever made about the inner workings of a major newspaper.)

gollark: I've occasionally fiddled with such things is all.
gollark: Not really.
gollark: <@581484526925250570>
gollark: <@341618941317349376>
gollark: <@319753218592866315> Perl regexes can do primality tests.

References
  1. 'Top Box-Office Hits of 1952', Variety, January 7, 1953
  2. McCarty, Clifford (1965). Bogey - The Films of Humphrey Bogart. New York, N.Y.: Cadillac Publishing Co., Inc. p. 165.
  3. IMDb
  4. IMDb
  5. "Variety". 1951. Retrieved 17 February 2015.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.