David and Uriah

David and Uriah is a late painting by Rembrandt, dated to around 1665 by the Hermitage Museum (where it now hangs[1]) or c.1666-1669 in the 2015 Late Rembrandt exhibition at the Rijksmuseum. It shows the moment when David sends Uriah the Hittite to the front-line of the war with the Ammonites so that David can sleep with Uriah's wife Bathsheba.[2] Uriah is identified as the foreground figure, with David and Nathan in the background. It was first given this title by Abraham Bredius in his catalogue of Rembrandt's work - this has been supported by several other scholars from 1950 onwards, including in a 1965 study by Madlyn Kahr.[3]

David and Uriah
ArtistRembrandt van Rijn
Yearcirca 1665
Mediumoil on canvas
Dimensions127 cm × 116 cm (50 in × 46 in)
LocationHermitage, St-Petersburg

The work has also been identified as Haman Recognises His Fate after Haman from the Book of Esther - it entered the Russian imperial collection in 1773 under that title and still hangs with that title in the Hermitage.[4][5]

  • Nathan
  • Uriah
  • David
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gollark: ```pythonimport itertoolschars = [chr(x) for x in range(32, 126)]chars.extend(["\t", "\n"])def generate_for_length(length): return map(lambda chars: "".join(chars),itertools.combinations(chars, length))def generate(): for i in itertools.count(): for s in generate_for_length(i): yield sfor x in generate(): print(x)```<@!330678593904443393>
gollark: YOUR CODE MUST BE BAD.
gollark: What if we try generating random programs in *your* language?

References
  1. Catalogue page - Hermitage
  2. (in Dutch) Melissa Ricketts: Rembrandt. Meester van licht en schaduw, Rebo, 2006, blz. 121. ISBN 9039619239
  3. Web Gallery of Art entry
  4. Madlyn Kahr: A Rembrandt Problem: Haman or Uriah? Journal of the Warburg and Courtauld Institutes. Vol. 28, 1965, blz. 258-273
  5. Analyse in John Caroll: De teloorgang van de westerse cultuur. Een andere kijk op 500 jaar humanisme
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