Davi Det Hompson

Davi Det Hompson (1939–1996), also known as David E. Thompson, born in Sharon, Pennsylvania, and raised in Warren, Ohio,[1] was a Fluxus book artist,[2] concrete poet, creator of mail art,[3] sculptor and painter living and working in Richmond, Virginia.[4][5] Hompson's chosen professional name was a nom d'art for David E. Thompson and a transposition of the letters of his name.

Davi Det Hompson
Born
David E. Thompson

August 7, 1939
Sharon, Pennsylvania, United States
DiedDecember 8, 1996(1996-12-08) (aged 57)
Richmond, Virginia
NationalityAmerican
EducationAnderson College, Indiana University, Bloomington
OccupationConceptual artist, Fluxus artist, writer, performance artist, sculptor, book artist, painter

Early mail art, posters, pamphlets, fluxus books, and performances

An early collaborative audio performance by Davi Det Hompson was his 1969 participation in Various—Art by Telephone, a vinyl LP compilation by the Museum of Contemporary Art in Chicago.[6] Museum curator David H. Katzive chose sound works by Davi Det Hompson and other notable artists of the time, including Arman, Richard Artschwager, John Baldessari, Dick Higgins, Ed Kienholz, Sol LeWitt, Claes Oldenburg, Richard Serra, Walter de Maria, and William Wegman for this exhibition.

His book art pamphlets, which contained typographically experimental, enigmatic, sometimes wry or sardonic texts, were shown in one-person exhibitions at Scott-McKennis, a 1970s gallery in the Carytown West of the Boulevard section of Richmond. In 1970, he was included in the exhibition Ray Johnson: New York Correspondence School at the Whitney Museum in New York. Among his more than 30 solo shows was one at the Alexandre Iolas Gallery in Manhattan in 1972.[7][8] In 1972, his exhibition P:article:s was shown at Eric Schindler Gallery in Richmond.

In 1978, along with several other artists affiliated with Virginia Commonwealth University's School of the Arts, Davi Det Hompson founded Richmond's nonprofit arts organization 1708 Gallery at 1708 East Main Street in Richmond's Shockoe Bottom.

Starting in 1979, he frequently collaborated with the artist Cliff Baldwin.[7] In the summer of 1982, his work You Should See What I've Been Typing was on the cover of Art Journal magazine. In 1989, he was artist in residence at Franklin Furnace in TriBeCa, where he curated an exhibition of printed art. He participated in Art ex Libris, an international book art invitational exhibition in 1994 at Artspace Gallery[9][10] in the Jackson Ward section of Richmond. His correspondence with John Bennett was published in 2011.[11][12] In 2006, Hompson was part of a group show of Virginia artists in Norfolk, Virginia,[13] and in 2015, a 1978 creation Telephone Events par Ben by George Brecht, Ken Friedman, and Hompson was performed as part of a Fluxus festival at le Centre Pompidou in Paris.

Dada, fluxus, and performance art collaborations

Hompson's affiliation with San Francisco's Bay Area Dada movement and other Fluxus artists such as the Lithuanian-born American George Maciunas, creator of Fluxus 1, was posthumously acknowledged in a review by John Held Jr. in 2010.[14] Held wrote, "While the first issue of The West Bay Dadaist, continued the tradition of cut and paste newspaper clippings, the second issue featured art by Genesis P-Orridge from England, and Monte Cazzaza, both of whom collaborated in founding Industrial Records later in the decade. Fluxus artist Davi Det Hompson, Gaglione, and Mac[i]usis' brother Indian Ralph also contributed."[14] He collaborated with other artists, Matt Taggart for example, in producing videos. Lessons,[15] which was scored by Hompson and published on November 17, 2012, was a collaboration with Taggart.

Painting and sculpture

In his later years, he turned less to conceptual[16] and neo-Dadaist art and more to painting and sculpture, including materials of encaustic, concrete, burlap, and wood in more abstract or non-objective works.[17][18] His last exhibition, which opened on October 18, 1996, and was still on view at VCU's Anderson Gallery after his heart attack and death, was an "installation piece and a collaborative effort with Cliff Baldwin of Brooklyn, N.Y. entitled WRDZ".[19]

Special collections and retrospectives

In 1999, Virginia Commonwealth University's Anderson Gallery featured a retrospective of the works of Hompson, who died December 8, 1996, of a heart attack at age 57 at Richmond's Chippenham Hospital.[7][20][21] Other retrospective exhibitions of his art in Richmond were at the Hand Workshop, 1708 Gallery (of which he was a member artist), and Reynolds Gallery, all in Richmond.[22] An exhibition from February 2 to March 2, 2013, at ZieherSmith Gallery in Chelsea in Manhattan, Sure Sure Davi Det Hompson: 1976–1995, showed the evolution of his work; the show was curated by Dakin Hart with the assistance of Hompson's widow Nancy Thompson.[5]

A Hompson collection of Fluxus art, correspondence, publications, and memorabilia is now held in the Special Collections of the Virginia Commonwealth University Library.[23] The Davi Det Hompson collection at VCU is categorized as Series I: Correspondence; Series II: Book Art; Series III: Oversize Materials, with each object given a specific box, file, and/or catalog number. The preferred citation suggested by the Cabell Library is "Box/folder, Davi Det Hompson Papers, M 251, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University."[24] Correspondence between Davi Det Hompson and artists Anna Banana, Fletcher Copp, David Sucec, and Alice Aycock and poets, Madeline Gins, Lyn Hejinian, Richard Craven, and Dick Higgins are in this collection.[24]

Many of his booklets and posters are cataloged and still available from Printed Matter[25] in the Chelsea neighborhood of New York City. Two images of small books with text by Hompson are shown in a review of his work by Clive Phillpot.[26] Hompson is the subject of a 2011 entry in the web blog Fiction Doldrums. [27] Davi Det Hompson is one of the artists whose diverse art practice is chronicled in the forty-five year history of VCU's Anderson Gallery. The Anderson Gallery collections are now in the possession of the Virginia Commonwealth University Cabell Library.[28]

gollark: I might have to send you to GTech™ Site 2-Alpha where we contain Jesus.
gollark: If my mind were somehow stuck into a slug or something then either:- the limited slug brain wouldn't be able to support most of it. "I" would be stuck as a slug with a vague longing for missing things "I" can't actually understand- it would work fine because ??? handwave and I'd be stuck in the constant barely-not-dying state of all wild animals for several years, probably incredibly bored and stressed at the same time, until I die of some wild animal thing.
gollark: It's not really me if I'm a slug though.
gollark: These are both bad.
gollark: A Linux WM/DE.

References
  1. "Bio: Davi Det Hompson". Oxford Art Online. Retrieved December 23, 2015.
  2. "Collection:Davi Det Hompson". MoMa. Retrieved December 23, 2015.
  3. Lomholt. "Index: Davi Det Hompson". Lomholt Mail Archive. Retrieved December 23, 2015.
  4. "Davi Det Hompson – Reviews – Art in America". June 2, 2013.
  5. Ryan, Paul (June 2, 2013). "Review: Davi Det Hompson". Art in America. Retrieved November 13, 2015.
  6. Hompson, Davi Det. "Various—Art by Telephone" (LP recording). Discogs. Chicago, Illinois: Museum of Modern Art, Chicago. p. Track B11. Retrieved January 18, 2016. http://www.discogs.com/Various-Art-By-Telephone/release/2140558
  7. "David E. Thompson, 57, artist". The New York Times. December 29, 1996. Retrieved January 8, 2016.
  8. Hompson, Davi Det. "Davi Det Hompson—Real name: David E. Thompson". Oxford Art Online. Oxford University Press. Retrieved January 14, 2016. His earliest works, from his student years and still bearing his unmodified name David E. Thompson, reflect a direct influence of the Fluxus movement, and he was included in the important travelling exhibition Fluxshoe. In the late 1970s he produced a series of simple, pamphlet-like books, such as Understand, This Is Only Temporary, and You Know It Has to Be a Hairpiece using fragments of dialogue, reminiscent of Ida Applebroog's books from the same period.
  9. Connor, Sibella (March 11, 1994). "By the Book: This art goes beyond words to touch the reverent reader". Richmond, Virginia: Richmond Times-Dispatch. p. C1.
  10. Roberts-Pullen, Paulette (March 1994). "Pagination Imagination: Artspace explores the form and function of books". Style Weekly.
  11. Davi Det Hompson, John M. Bennett (June 12, 2011). Huttinger, Peter (ed.). Correspondence: 1979–1983—John M. Bennett and Davi Det Hompson. SmallPressDistribution.
  12. Hutchings, Peter (June 12, 2011). The Correspondence of John M. Bennett and Davi Det Hompson. ISBN 9781892280879. Retrieved December 30, 2015.
  13. "Artists from Virginia". Norfolk, Virginia: The Virginia Pilot. July 23, 2006. Archived from the original on March 15, 2016. Retrieved January 7, 2016. artists from Virginia, will have an opening reception from 7 to 9 pm, July 28. The artists are Sally Bowring, Davi Det Hompson, Reni Gower, Chris Gregson, Steven Griffin, Ron Johnson, Ray Kass, Cindy Neuschwander and Javier Tapia,
  14. Held Jr., John (March 21, 2010). "Before Punk and Zines: Bay Area Dada". Stendhall Gallery. Retrieved January 8, 2016.
  15. Hompson, Davi Det. "Lessons". YouTube. Retrieved January 13, 2016.
  16. Cushing, Nathan (October 1, 2014). "Photos:The homes of Baskervil". RVA News. Richmond, Virginia. Retrieved December 30, 2015. . . .the concept art of Davi Det Hompson
  17. Artists, Artsy. "Davi Det Hompson". Artsy. Retrieved December 23, 2015. [He] turned to abstract painting later in his career, eventually producing monochromatic layers of encaustic on shaped slabs of concrete or burlap-covered wood.
  18. Rosenberg, Karen (February 15, 2013). "Sure Sure Davi Det Hompson: 1976–1995". New York Times (Art in Review).
  19. "Obit: Davi Det Hompson". Richmond, Virginia: STYLE WEEKLY. December 17, 1996. p. 35.
  20. "VCU to feature works by Davi Det Hompson".
  21. "Obit: Davi Det Hompson". Richmond, Virginia: STYLE WEEKLY. December 17, 1996. p. 35. How could they have known it would be their last full weekend together as a family unit? A few days after Thanksgiving, Richmond artists Nan and David Thompson and their son Nate were out flea-marketing at haunts along Belt Boulevard.
  22. Phillpot, Clive. "Davi Det Hompson". Artpool. Retrieved December 23, 2015.
  23. Collections, VCU Cabell Library. "A GUIDE TO THE DAVI DET HOMPSON PAPERS, 1969–1988". Cabell Library Collections. Richmond, Virginia: Virginia Commonwealth University Cabell Library. Retrieved January 21, 2016.
  24. "Virginia Heritage: Guides to Manuscripts and Archival Collections in Virginia". Virginia Heritage. Retrieved January 24, 2016.
  25. Hompson, Davi Det. "Tables". Printed Matter. Retrieved December 23, 2015.
  26. Phillpot, Clive. "Bookworks". Artpool. Retrieved January 9, 2016.
  27. Graham, Brandon S. (March 11, 2011). "Davi Det Hompson". Fiction Doldrums. Brandon Graham. Retrieved January 24, 2016.
  28. Kistler, Ashley, ed. (2016). "Chapter: 1990's". Anderson Gallery: 45 Years of Art on the Edge (First ed.). Richmond, Virginia: School of the Arts, Virginia Commonwealth University.
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