Dave Burns (musician)

David Burns (March 24, 1924, Perth Amboy, New Jersey - April 5, 2009, Freeport, New York) was an American jazz trumpeter, flugelhornist, arranger, composer, and teacher.

Burns began playing trumpet when he was nine years old, and heard bebop performances at Minton's Playhouse as a teenager, including Dizzy Gillespie. His first ensemble was Al Cooper's Savoy Sultans, with whom he played from 1941 to 1943, then joined the Army Air Force and led a band from 1943 to 1945 that included James Moody as a sideman. He joined Gillespie's band in 1946 and appeared with Gillespie in Jivin' in Bebop in 1947. After leaving Gillespie's band in 1949, he worked with Duke Ellington from 1950 to 1952 and then with James Moody until 1957.

In the late 1950s, he played shows in New York City, and in the 1960s he recorded for Vanguard Records and worked with Billy Mitchell, Al Grey, Willie Bobo, Art Taylor, Dexter Gordon, Johnny Griffin, Leo Parker, and Milt Jackson. He worked increasingly as a teacher from the 1970s through the end of his career.

Discography

As leader

  • Dave Burns (Vanguard, 1962)
  • Warming Up! (Vanguard, 1964)

As sideman

With Al Grey

  • Snap Your Fingers (Argo, 1962)
  • Having a Ball (Argo, 1963)
  • Night Song (Argo, 1963)

With James Moody

  • Hi Fi Party (Prestige, 1955)
  • James Moody's Moods (Prestige, 1956)
  • Wail Moody Wail (Prestige, 1956)
  • Moody's Workshop (Prestige, 1960)

With others

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gollark: Some people say they're a Prometheus Labs product, others say they're some weird SCP where their inventor was wiped out by a temporal change but the SRAs kept existing, some say they were invented in the 1800s, some in the 1900s or early 2000s, and some say they run on enslaved reality benders.
gollark: Also, I'm not sure we should trust them when nobody even knows exactly when or where they were made?
gollark: Those really just seem cheaty and overdone.
gollark: How do you detect CK-class events?

References

  • "Dave Burns". The New Grove Dictionary of Jazz. 2nd edition, ed. Barry Kernfeld, 2004.
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