Danny Barcelona

Danny Barcelona (July 23, 1929 – April 1, 2007) was an American jazz drummer best known for his years with Louis Armstrong's All-Stars. He was a Filipino-American born in Waipahu, a community of Honolulu, Hawaii. He was also frequently introduced to audiences by Louis Armstrong as The Little Filipino Boy. Armstrong usually followed up by calling himself the little Arabian boy.[1][2][3]

Danny Barcelona
Born(1929-07-23)July 23, 1929
OriginHawaii
DiedApril 1, 2007(2007-04-01) (aged 77)
GenresJazz music
Occupation(s)Drummer
InstrumentsDrums

Career

At the age of 18 and in his final year in high school, Barcelona was already playing music with trombonist, singer, and bandleader Trummy Young. Barcelona was a self-taught percussionist. Young and Barcelona met in the mid-1940s. Danny Barcelona was introduced to Louis Armstrong by Young in 1956 and became Armstrong's drummer for 15 years. A native Hawaiian, Barcelona had joined Young's Hawaii All-Stars in the early 1950s, later assuming leadership of the band – a sextet known as the Hawaiian Dixieland All-Stars – when Young left to join Louis Armstrong's combo in 1952. Barcelona toured around the Hawaiian Islands, Japan and the rest of the Far East. In the fall of 1957, Barcelona moved to New York City. Barcelona, again through Trummy Young's recommendation, formally joined Armstrong's All-Stars band in February 1958 to replace retiring drummer Barrett Deems. Barcelona appears on more than 130 of Armstrong's recordings. Barcelona was only 27 years old when he was introduced by Young to Armstrong.

Here are performance video clips of Danny being introduced by Louie:

https://www.youtube.com/watch?v=wyLjbMBpGDA

Danny doing a drum solo with Louie in Germany:

https://www.youtube.com/watch?v=NNdIjngnaJI

Barcelona's recording career with Armstrong included the jazz music hits "Hello, Dolly!" (1964) and "What a Wonderful World" (1968). With Armstrong and Young, Barcelona traveled the world, including trips to Denmark, Germany and Rhodesia, Africa. Barcelona's drumming style was described by T. Dennis Brown in The New Grove Dictionary of Jazz as being "characterized by extensive use of the ride cymbal, crisp, clean fills and breaks, and solos that exploit asymmetrical phrasing". After Armstrong's illness in 1971 and his death on July 6 of that year, Barcelona returned to Hawaii and became a longtime performer at the Hilton Hawaiian Village Hotel, where he played with Bernie Halmann and Melveen Leed. He also worked for many years at Harry's Music Store and the Easy Music Center. In 1979, Barcelona returned to the mainland and settled with his family in Monterey Park, California.[1][4][5][6][7]

Personal

Barcelona died at Monterey Park on Sunday, April 1, 2007, due to complications from cancer at the age of 77. He was survived by his wife Dee Barcelona; his two daughters, Dana Barcelona-Bonner and Jodi Barcelona; his brother, Jose "Sonny" Barcelona; five grandchildren; and one great grandchild. His wife Dee was once a member of the Morgan Sisters singing trio. Danny Barcelona and Dee Thrasher met while the latter was performing with her two sisters at the Waikiki Hotel. Barcelona's contemporary players in the jazz music industry at the time were Gabe Baltazar, Frank Kamano, and Bobby Kamano.[1][5][6]

gollark: So the idea is that *you* pick a value for your patent, and anyone who is willing to put up that much money can buy it off you.
gollark: One of them was to make it so you had to pay some % of your patent's value to keep it (probably an increasing-over-time amount). Now, you might say "hmm but how do you assess value", which is an entirely reasonable concern.
gollark: There are various interesting proposals for adjusting them.
gollark: I mean, we have patent laws for that, no? They could use tweaking too.
gollark: Yes, I am in favour of that sort of thing.

See also

References

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