Couper Collection

The Couper Collection is a registered charity, which for many years exhibited its art in a floating gallery on converted barges, moored on the banks of the Thames in Battersea, London. It has exhibited artworks and installations by artist Max Couper, as well as hosting exhibitions and events by other artists. The Collection began in 1979 as a base for a large sculpture in Battersea Park. In 1999 it was launched as a charity[1] by then UK Home Secretary Jack Straw MP.

The Couper Collection barges at Battersea, in 2013

After a dispute with developer Hutchison Whampoa in 2013, the Couper Collection barges were ruled to be illegally moored. The gallery no longer exists and vessels have been sold.

Works

Major works by the Couper Collection have included:

The Couper Collection has also hosted a Museum of First Art containing children's artworks.

Challenged mooring rights

In 2014, the Couper Collection was involved a dispute with Hutchison Whampoa and the Port of London Authority regarding a land claim and Foster's plans to remove the charity's barges.[2] Ken Livingstone spoke in favour of the Collection. Foster's lawyers, Farrer and Co., put in objections to the UK Land Registry.[3] Max Couper claimed "ancient mooring rights", but a judge ruled that the barges were illegally moored and should be removed, and Hutchison Whampoa sought to enforce the ruling with a further High Court order to "dispose of or destroy" the gallery. The PLA offered alternative mooring sites, which Couper declined.[2]

gollark: "Fortunately", the UK has a law which just preemptively bans all psychoactive things.
gollark: The calculations are doable by hand (and slide rule or something) and you can switch on/off all the engines with a noncomputery system.
gollark: Maybe you could specifically not allow general-purpose/stored-program computers.
gollark: You could technically do that by hand and/or with simple mechanical switchy things. It would just be annoying.
gollark: Which things? I haven't actually read Dune ever.

References

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