Cora Durand

Cora L. Durand (August 23, 1902 - January 23, 1998) was a Picuris Pueblo potter. Durand started working as a potter later in life, beginning in the 1950s. She helped maintain the traditional hand-built method for creating micaceous pottery. Her work is utilitarian and was meant to be used.

Biography

Durand was born on August 23, 1902 in Picuris Pueblo, where her father, Miguel Lopez, raised her.[1] Durand married Roland Durand in the 1920s and the couple had four children.[1] Before she started working as a potter, she held many different kinds of jobs, including working for the Bureau of Indian Affairs, the Picuris Pueblo Day School, the Taos Pueblo Indian Hospital and in two different boarding schools in Towaoc, Colorado and Holbrook, Arizona.[1] Her husband died in a car accident in the 1950s, which brought her back to Picuris.[1] In Picuris, she began to work as a potter.[1] Durand stayed active in the community, volunteering at the Picuris Catholic Church and involved in the Picuris Valley Home Extension Club.[1][2]

Durand died on January 23, 1998.[3] She was buried in the Picuris Cemetery.[3] A historic marker in New Mexico celebrates her contribution to preserving traditional pottery methods.[4]

Work

Durand's pottery was intended by her to be used and was therefore utilitarian in design.[5] She follows the tradition of the creation of hand-built, micaceous pottery which had been made for many years in Picuris and Taos.[6] She sourced her own clay in the Picuris area.[1] Durand's work had been influenced by potter, Juanita Martinez.[7] Durand was part of a 1974 Smithsonian Institution exhibition, representing the Picuris Pueblo pottery tradition.[1] She also exhibited at the Bond House Museum and Cultural Center in 1987.[7] Durand's pottery was featured at the Arizona State Museum's 1994 American Indian Pottery Fair.[8] Her work was featured in the Museum of Indian Arts and Culture in 1996.[6]

By the 1990s, Durand was one of the last of her people working as a potter.[9] She passed on her skills to her grandson, Anthony Durand, who started learning from her when he was seven years old.[9]

gollark: See, I predicted that.
gollark: You can say "but the developer should just be betterer and notice all problems", but part of the job of a good programming language is to make being correct easier.
gollark: Null-terminated strings are responsible for so many vulnerabilities.
gollark: ... no?
gollark: Well, Vec<char> wastes space, and UTF-8 good.

References
  1. "Durand, Picuris Potter, Keeps Traditions Alive". The Taos News. 10 October 1991. Retrieved 14 August 2019 – via Newspapers.com.
  2. "Picuris Club Elects Officers". The Taos News. 18 January 1966. Retrieved 16 August 2019 – via Newspapers.com.
  3. "Cora L. Durand". Rio Grande Sun. 29 January 1998. Retrieved 14 August 2019 – via Newspapers.com.
  4. "Maria Ramita Simobal Martinez, Cora Durand, and Virginia Duran". New Mexico Historic Women Marker Initiative. Retrieved 2019-08-16.
  5. Coe, Ralph T. (1986). Gordon, Irene (ed.). Lost and Found Traditions : Native American Art 1965-1985. Seattle: University of Washington Press. pp. 193. ISBN 0917418786 – via Internet Archive.
  6. Greenwood, Phaedra (30 May 1996). "Micaceous Clay Sparkles". The Taos News. Retrieved 16 August 2019 – via Newspapers.com.
  7. "Exhibit Opens At Bond House". Rio Grande Sun. 2 April 1987. Retrieved 16 August 2019 – via Newspapers.com.
  8. Ferg, Alan (2014). Arizona State Museum. Charleston, South Carolina: Arcadia Publishing. p. 94. ISBN 9781467131629.
  9. Miro, Marsha (2 August 1992). "Potter's Classic, Elegant Forms Are Shaped by Nature and Tradition". Detroit Free Press. Retrieved 16 August 2019 – via Newspapers.com.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.