Concerto gregoriano

The Concerto gregoriano is a violin concerto by Ottorino Respighi.[1] It is inspired by the history and music of early Christianity, such as plainsong and Gregorian chant.[2][3] It was written in 1921 and premiered the following year in Rome.[4]

Notable recordings have been made by violinists Lydia Mordkovitch for Chandos, Pierre Amoyal for Decca, Domenico Nordio for Sony Classical, Jenny Abel for Bayer Records, Andrea Capelletti for Koch Schwann, and Takako Nishizaki for Marco Polo.[5][1]

Discography (Selection)
gollark: Consider the difficulty of designing a working car versus trying to patch together a bad car after it's done while it's driving and incapable of stopping without exploding.
gollark: And fix them in the design.
gollark: It's not necessarily harder if you can think of the problems when designing it.
gollark: If you have general AI good enough to be running the structure in the first place, it can just be on the design team.
gollark: "Humans have frequently been observed engaging in attacks against expensive infrastructure projects. Planning... New subgoal is to hijack human automated manufacturing systems and eliminate any human interference in structure operation."

References
  1. Lambton, Christopher. "Respighi: Concerto gregoriano; Poema autunnale; Ballata delle Gnomidi". BBC Music Magazine. Retrieved 3 November 2016.
  2. Paolo Petrocelli (1 February 2008). William Walton and the Violin Concerto in England between the 1900 and 1940: from Elgar to Britten. Universal-Publishers. p. 2. ISBN 978-1-59942-654-9.
  3. Richard Taruskin (24 June 2009). Music in the Early Twentieth Century: The Oxford History of Western Music. Oxford University Press. p. 750. ISBN 978-0-19-979601-4.
  4. Siepmann, Jeremy. "Respighi: Concerto gregoriano · Poema autunnale · Ballata delle Gnomidi (sleevenotes)" (PDF). Chandos Records. Retrieved 4 November 2016.
  5. Nicolas Soames (3 May 2012). The Story Of Naxos: The extraordinary story of the independent record label that changed classical recording for ever. Little, Brown Book Group. p. 32. ISBN 978-0-7481-3110-5.
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