Cold Mountain (opera)

Cold Mountain is an American opera in two acts and an epilogue, with music by Jennifer Higdon and the libretto by Gene Scheer, based on Charles Frazier's 1997 novel of the same name. The opera is a co-commission between Santa Fe Opera, Opera Philadelphia and the Minnesota Opera, in collaboration with North Carolina Opera. The opera received its world premiere at Santa Fe Opera on 1 August 2015.[1][2][3] This production coincided with the 150th anniversary of the ending of the American Civil War. Opera Philadelphia gave its first performance of the opera, in a slightly revised form, on 5 February 2016. North Carolina Opera gave the opera its home state premiere on 28 September 2017. Minnesota Opera is staged the opera in 2018 as part of its New Works Initiative. The Virginia Opera will also feature performances of the opera during February 2021 as part of its themed "Love is a Battlefield" 2020-2021 season.[4]

Composition history

The original commission for Higdon to compose her first opera,[5] in collaboration with Scheer as librettist, came from San Francisco Opera. Over the period of 2009 to 2011, the creators had searched for various subjects to adapt, which led to the choice of the novel Cold Mountain. However, complications related to securing the rights to adapt the novel, along with conflicts over financial demands and reports of clashes of working style with San Francisco Opera with respect to the creation of new operas, led to the lapsing of this commission.[6]

Santa Fe Opera subsequently rescued this commission, in conjunction with the Opera Company of Philadelphia (now Opera Philadelphia) and the Minnesota Opera. Scheer began to write the libretto in autumn 2011, and Higdon began to compose the music in 2012. Higdon used her personal background of having lived in the Appalachia region of the US to assist Scheer with rendering portions of his libretto in a style of speech more authentic to the region, when needed: "I helped Gene 'southernize' the libretto. Gene's from New York, and he wasn't sure how to shape the language for the characters, so I took care of it. Those speech patterns felt very familiar.[7]

Scheer estimated that 20 to 25% of the sung text in his libretto came directly from lines in the novel.[8] Higdon took 20 months to complete her score. Workshops of the opera at the Curtis Institute of Music occurred in December 2012 for act 1 and in December 2013 for act 2.

In advance of the premiere, four of the five scheduled Santa Fe Opera performances sold out. This led Santa Fe Opera to add one more performance. As well, Santa Fe Opera secured an agreement with the Dutch recording label Pentatone to produce a commercial recording of the opera, captured live from the Santa Fe Opera production.[9] The director of the premiere production at Santa Fe Opera was Leonard Foglia,[10] with set design by Robert Brill, lighting design by Brian Nason, costumes by David C. Woolard and projection design by Elaine J. McCarthy. Miguel Harth-Bedoya was the conductor.

With respect to Opera Philadelphia, Cold Mountain is part of the company's "American Repertoire Program", a ten-year commitment to produce a contemporary American work each season. For the second production of Cold Mountain, at Opera Philadelphia, Higdon and Scheer made modest revisions.[11] In late January 2016, Nathan Gunn withdrew from the Opera Philadelphia production because of a family medical emergency.[12] Jarrett Ott, the understudy for Inman in both the Santa Fe Opera and Opera Philadelphia rosters,[13] stepped into the role of Inman for the Opera Philadelphia performances.[14][15]

The Pentatone commercial recording of Cold Mountain was released in April 2016. It received two Grammy nominations. In May 2016, Cold Mountain was the winner in the category of World Premiere at the International Opera Awards in London.

In July 2019, Cold Mountain made its West Coast Premiere at the Music Academy of the West 2019 Summer Festival.

Roles
Role Voice type Premiere cast, August 1, 2015
Conductor: Miguel Harth-Bedoya[16]
Inman baritone Nathan Gunn
Ada soprano Isabel Leonard
Ruby mezzo-soprano Emily Fons
Teague tenor Jay Hunter Morris
Veasey tenor Roger Honeywell
Monroe / Pangle baritone Anthony Michaels-Moore
Stobrod / Blind Man bass Kevin Burdette
Lucinda mezzo-soprano Deborah Nansteel
Sara soprano Chelsea Basler
Reid tenor Roy Hage
Owens / Ethan baritone Robert Pomakov
Lila soprano Bridgette Gan
Katie soprano Heather Phillips
Olivia mezzo-soprano Shabnam Kalbasi
Claire mezzo-soprano Megan Marino
Junior / Charlie tenor Daniel Bates
Thomas baritone Tyler Putnam
Owens' Son spoken role Adrian Kramer
Laura (a drugged woman) spoken role Andrea Núñez
Birch spoken role Nicholas Ottersberg
Ada's Daughter spoken role Cadence Dennis

Synopsis

In acts 1 and 2, the time of the opera is the American Civil War, 1865. The epilogue occurs 10 years after the close of act 2.

Act 1

W.P. Inman, a Confederate soldier wounded at the Battle of Petersburg, decides to desert from the Confederate Army and return home to Ada Monroe, his beloved who lives at Black Cove Farm, in North Carolina. Inman is aware of the Home Guard, which hunts down deserters from the Confederate Army. The leader of the local Home Guard is Teague, who resorts to such practices as burying deserters alive.

On his journey home, Inman meets Solomon Veasey, whom he stops from committing murder. Meanwhile, Ada, once privileged, leads a life of material desperation. Ada meets Ruby, a mountain woman who teaches Ada about hunting and surviving.

Inman encounters Veasey again, near a river whilst fleeing the Home Guard, and bargains with him for passage across the river. However, their vessel capsizes and the two drift down the river. The next morning, Lila and her three sisters see Inman and Veasey. Lila's husband drugs the two men before giving them up to the Home Guard. Inman and Veasey are put on a chain gang of deserters.

Back at Black Cover Farm, Ruby finds her estranged father, Stobrod, a fiddler. Strobod is trying to steal food. Ruby wants nothing to do with her father, although he asserts that he has reformed his ways. Teague approaches, and Ruby hides her father. She later orders her father to stay away from her.

Inman starts an insurrection among the chain gang. The guards shoot the entire chain gang, with a wounded Inman as the only survivor, chained to six dead prisoners. He relives the day he bid Ada farewell, when he thought that the war would last but six months. Inman then loses consciousness.

Act 2

Lucinda, a runaway slave, rifles through the pockets of the dead chain gang prisoners. Inman regains consciousness and awakens, which startles her. Lucinda frees Inman, who resumes his journey.

Back at Black Cove Farm, Stobrod and his traveling companion Pangle still rely upon Ruby and Ada for sustenance. Stobrod tries to convince Ruby that he is a changed man, but Ruby remains skeptical.

Inman meets Sara, a war widow, who is trying to comfort her baby. Inman helps her, gains her trust, and is invited to spend the night.

At Black Cove Farm, Teague appears, with a copy of the newspaper that lists the names of deserters, on which Ruby sees her father's name.

The next morning, Inman and Sara react quickly when Union soldiers appear.

At a campfire in the woods, Teague and his men confront Stobrod and Pangle, shoot them and leave them for dead. Ada finds the two men, and expresses compassion for Stobrod ("I feel sorry for you").

Ada later goes hunting in the woods. There, she and Inman reunite. The other characters whom Inman has encountered on his odyssey appear to Inman, and urge him to tell Ada about his adventures ("Tell her of the slave you met"; "Tell her how the boat went down"). The couple affirms their pledge to each other. Teague continues his pursuit. Ada and Inman consummate their love, on their final night together. Eventually, Teague and the Home Guard track down Inman. In the final battle, Inman is killed.

Epilogue

Nine years later, Ada is at her farm, with her child by Inman.

gollark: Strictly speaking it isn't exactly a haiku in the original sense, but that's basically the definition used in the English-speaking world now so OH WELL.
gollark: Mine just does syllable counts per message and sees if there's been a 5/7/5 pattern.
gollark: There are probably python ones.
gollark: I don't know, I use a random NPM package which appears to work.
gollark: It's even better on IRC because I have four instances of the bot running for reasons, along with a bridge to Discord.

See also

References
  1. James M Keller (2015-08-02). "Cold Mountain opera review: Long-lost love among the ruins". Santa Fe New Mexican. Retrieved 2016-06-06.
  2. David Patrick Stearns (2015-08-02). "Review: Higdon's new opera, Cold Mountain, at Santa Fe". The Philadelphia Inquirer. Retrieved 2016-06-06.
  3. Williams, Simon (November 2015). "Cold Mountain (8/5/15), Salome (8/6/15), La Finta Giardiniera (8/8/15), Rigoletto (8/4/15), La Fille du Régiment (8/8/15)". Opera News. 80 (5). Retrieved 2016-06-12.
  4. "Can the Violence of War Ever Break the Bonds of Love? Cold Mountain". Virginia Opera. Virginia Opera. Retrieved 21 May 2020.
  5. Ray Mark Rinaldi (2015-08-04). "Santa Fe Opera ascends with Jennifer Higdon's Cold Mountain". The Denver Post. Retrieved 2016-06-12.
  6. David Patrick Stearns (2011-08-14). "For OCP, a brisk pace and a bold repertoire". The Philadelphia Inquirer. Retrieved 2016-06-06.
  7. Bill Kohlhaase (2015-07-31). "Pasatiempo – Scaling new heights: Cold Mountain composer Jennifer Higdon". The Santa Fe New Mexican. Retrieved 19 December 2019.
  8. Jennifer Levin (2015-07-31). "Words into music: Cold Mountain novelist Charles Frazier and librettist Gene Scheer". Pasatiempo (Santa Fe New Mexican). Retrieved 2016-06-06.
  9. "Santa Fe Opera adds Cold Mountain performance". Santa Fe New Mexican. 2015-07-17. Retrieved 2016-06-06.
  10. Jonathan Richards (2015-07-30). "Mountain do: stage director Leonard Foglia". Pasatiempo (Santa Fe New Mexican). Retrieved 2016-06-06.
  11. David Patrick Stearns (2016-02-04). "'Cold Mountain' opera ready to be scaled at Academy of Music". The Philadelphia Inquirer. Retrieved 2016-06-06.
  12. David Patrick Stearns (2016-01-27). "Sideshow: Gunn out, Ott in as leading man for Cold Mountain opera". The Philadelphia Inquirer. Retrieved 2016-06-06.
  13. David Patrick Stearns (2015-04-04). "Jennifer Higdon's Cold Mountain turns the epic novel into opera". The Philadelphia Inquirer. Retrieved 2016-06-06.
  14. Peter Dobrin (2016-02-08). "Cold Mountain at the Academy: Often stirring, if not always inspired". The Philadelphia Inquirer. Retrieved 2016-06-06.
  15. Shengold, David (February 2016). "Cold Mountain – Philadelphia, Opera Philadelphia (2/7/16)". Opera News. 80 (10). Retrieved 2016-06-12.
  16. Cold Mountain premiere details, jenniferhigdon.com
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