Clemente Origo
Biography
He was a resident of Florence. His subjects commonly display cattle and horses and scenes of herding in the Italian lowlands. he also painted landscapes, often exhibiting at the Promotrice of Florence and other Italian exhibitions. Among his works are Testa dì cavallo, studio dal vero; Cavalli al trotto; Mandria al pascolo; Strada di Larici, studio dal vero,[2] Cavallino caduto (1902, Uffizi), Morte del cervo (1907), and plans for the Monument to Alexander III at St Petersburg, Russia. Origo had studied design briefly with Cesare Fracassini and with Guglielmo de Sanctis. He later dedicated himself to sculpture, working with P. Trubeckoj.[3]
gollark: I don't see why you still insist on this version...
gollark: I still think that unless some fundamental things about consciousness which that assumes are figured out, and perhaps even then, this is kind of wasteful and useless.
gollark: Well, yes, might be.
gollark: We don't even know how consciousness works. That process might just somehow result in having two consciousnesses running for a bit. Who knows?
gollark: What's the real problem here? You lose consciousness all the time. Unless you don't sleep.
References
- Clemente Origo at Treccani Encyclopedia
- Dizionario degli Artisti Italiani Viventi: pittori, scultori, e Architetti., by Angelo de Gubernatis. Tipe dei Successori Le Monnier, 1889, page 337.
- Treccani encyclopedia
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